De Nicola

, mostly influenced by Nicolas de Staël, Pierre Ambrogiani and Bernard Cathelin.

key member of the Nouvelle Ecole de Paris, Lanskoy exhibited alongside Nicolas de Stael, Serge

meditative balance. A key member of the Nouvelle Ecole de Paris, Lanskoy exhibited alongside Nicolas de Stael

meditative balance. A key member of the Nouvelle Ecole de Paris, Lanskoy exhibited alongside Nicolas de Stael

meditative balance. A key member of the Nouvelle Ecole de Paris, Lanskoy exhibited alongside Nicolas de Stael

, Lanskoy exhibited alongside Nicolas de Stael, Serge Poliakoff, Jean-Michel Coulon, and Hans Hartung

key member of the Nouvelle Ecole de Paris, Lanskoy exhibited alongside Nicolas de Stael, Serge

meditative balance. A key member of the Nouvelle Ecole de Paris, Lanskoy exhibited alongside Nicolas de Stael

meditative balance. A key member of the Nouvelle Ecole de Paris, Lanskoy exhibited alongside Nicolas de Stael

meditative balance. A key member of the Nouvelle Ecole de Paris, Lanskoy exhibited alongside Nicolas de Stael

Western abstract expressionism. While Jean Soyer acknowledges influences from Nicolas de Staël and Georges

acknowledges influence from Nicolas de Staël and Georges Mathieu, this particular work seems to channel more of

dialogue with Nicolas de Staël's structured abstractions. The composition's sweeping movement could

Soyer acknowledges influence from Nicolas de Staël, this particular piece seems to channel more of the

Nicolas de Staël's influence in his work, this particular piece leans more toward the dynamic

received several prizes for paintings. Over the decades, his interest turned to the painting of Nicolas De

Soulages. While Soyer acknowledges influences from Nicolas de Staël's structured abstraction, this

a mountain emerging from darkness. While the influence of Nicolas de Staël can be observed in the

apprenticeship around 1705-1707 with Nicolas de Largillière, with whom he stayed for five years. First admitted

Zao Wou-Ki, Pierre Soulages, and Nicolas de Stael, who admired his synthesis of formal rigor and

than focusing on black's reflective properties. While the artist acknowledges influences from Nicolas

Nicolas de Staël's influence in his work, this piece seems to share more kinship with the gestural freedom

horizontal energy and bold color contrasts evoke the dynamic force found in Nicolas de Staël's landscape

greys and electric blues bears subtle resonance with Nicolas de Staël's architectural approach to color

precision of Constructivism with the lyricism of Surrealism, inspiring later artists such as Nicolas de

meditative balance. A key member of the Nouvelle Ecole de Paris, Lanskoy exhibited alongside Nicolas de Stael

, Lanskoy exhibited alongside Nicolas de Stael, Serge Poliakoff, Jean-Michel Coulon, and Hans Hartung

acknowledges influence from Nicolas de Staël and Georges Mathieu, this particular work seems to channel more of

abstractions of Nicolas de Staël, while the textural complexity achieved through combing techniques brings to

. Marcel Demagny is a French artist, former architect, mostly influenced by Nicolas de Staël, Pierre

, Poliakoff shared in the broader dialogue of postwar abstraction alongside Nicolas de Stael, Jean Bazaine

& Frank Auerbach (UK) – for their thick impasto and dynamic depictions of city life. Nicolas de

darkness. While Soyer acknowledges influences from Nicolas de Staël, this piece shows a unique approach to

of his time, Nicolas de Largillierre, Hyacinthe Rigaud or François de Troy, and it was mainly to his

subjects and minimalist colour paintings, which openly acknowledged the influence of Nicolas de Stael

western France. At the center of the composition stand the iconic Tour Saint-Nicolas and Tour de la Chaîne

postwar abstraction alongside Nicolas de Stael, Jean Bazaine, Pierre Soulages, and Hans Hartung, though

his time, Nicolas de Largillierre, Hyacinthe Rigaud or François de Troy, and it is essentially to his

postwar abstraction alongside Nicolas de Stael, Jean Bazaine, Pierre Soulages, and Hans Hartung, though

the piece a sculptural quality reminiscent of Nicolas de Staël's tactile approach to abstraction. The

Nouvelles, Poliakoff shared in the broader dialogue of postwar abstraction alongside Nicolas de Stael, Jean

with Serge Poliakoff, Jean-Michel Coulon and later Nicolas de Staël. André Lanskoy started as a

including Nicolas de Stael, Richard Diebenkorn, and David Hockney, who admired his balance of form and

later painters including Nicolas de Stael, Richard Diebenkorn, and David Hockney, who admired his

later painters including Nicolas de Stael, Richard Diebenkorn, and David Hockney, who admired his

and lyrical serenity. His art influenced later painters including Nicolas de Stael, Richard Diebenkorn

including Nicolas de Stael, Richard Diebenkorn, and David Hockney, who admired his balance of form and

including Nicolas de Stael, Richard Diebenkorn, and David Hockney, who admired his balance of form and

including Nicolas de Stael, Richard Diebenkorn, and David Hockney, who admired his balance of form and

and lyrical serenity. His art influenced later painters including Nicolas de Stael, Richard Diebenkorn

including Nicolas de Stael, Richard Diebenkorn, and David Hockney, who admired his balance of form and

and lyrical serenity. His art influenced later painters including Nicolas de Stael, Richard Diebenkorn

including Nicolas de Stael, Richard Diebenkorn, and David Hockney, who admired his balance of form and

including Nicolas de Stael, Richard Diebenkorn, and David Hockney, who admired his balance of form and

including Nicolas de Stael, Richard Diebenkorn, and David Hockney, who admired his balance of form and

including Nicolas de Stael, Richard Diebenkorn, and David Hockney, who admired his balance of form and

including Nicolas de Stael, Richard Diebenkorn, and David Hockney, who admired his balance of form and