De Nicola

Influenced by artists like Nicolas de Staël and Lanskoy, Coquet’s work masterfully blends vibrant structure, earthy textures, and emotional depth within a refined abstract language.

While Jean Soyer acknowledges influences from Nicolas de Staël and Georges Mathieu, this particular piece seems to channel more of the direct, spontaneous energy found in Hans Hartun...

While the artist acknowledges Nicolas de Staël's influence in his broader body of work, this piece leans more toward the explosive energy of abstract expressionism while maintaining ...

While Soyer acknowledges influence from Nicolas de Staël and Georges Mathieu, this piece particularly resonates with the dynamic gestural work of Franz Kline and the dramatic contras...

While Soyer acknowledges Nicolas de Staël's influence in his practice, this particular piece seems to share more kinship with the spontaneous gestural abstractions of Hans Hartung, p...

Soyer's technique reveals clear influences from Abstract Expressionism and Lyrical Abstraction, particularly reminiscent of the bold chromatic assertiveness of Nicolas de Staël. Howe...

His innovations in form, collage, and spatial construction deeply influenced later artists, including Jean Dubuffet, Nicolas de Stael, Henry Laurens, Ellsworth Kelly, Richard Diebenk...

While Jean Soyer acknowledges influences from Nicolas de Staël and Georges Mathieu, this particular piece bears a stronger connection to the gestural freedom of Franz Kline and the c...

While Soyer acknowledges influence from Nicolas de Staël and Georges Mathieu, this particular work seems to channel more of the raw energy and gestural freedom characteristic of Fran...

The painting's forceful gesturality recalls Georges Mathieu's theatrical approach to abstract art, while the bold color contrasts and textural depth suggest an artistic dialogue with...

While Soyer acknowledges influence from Nicolas de Staël, this particular piece seems to channel more of the spontaneous energy found in Georges Mathieu's theatrical gestural works.

While Soyer acknowledges Nicolas de Staël's influence in his work, this particular piece leans more toward the dynamic expressionism of Hans Hartung, especially in its energetic mark...

Over the decades, his interest turned to the painting of Nicolas De Staël and Mark Rothko. From the 1960s, he was also interested in floral painting, especially Iris.

While Soyer acknowledges influences from Nicolas de Staël's structured abstraction, this particular work seems to lean more toward the spontaneous gesturalism of Georges Mathieu, esp...

While the influence of Nicolas de Staël can be observed in the bold architectural forms and color contrasts, the painting's dynamic movement and spontaneous execution also recalls th...

Five panels (of 10), c. 1575 woven by Martin Reymbouts in Brussels now at the Chartres Musee De Beaux Arts, given in 1578 to the cathedral by Bishop Nicolas de Thou 4.

His art influenced later painters including Nicolas de Stael, Richard Diebenkorn, and David Hockney, who admired his balance of form and radiance.

While Soyer acknowledges Nicolas de Staël's influence in his work, this piece seems to share more kinship with the gestural freedom of Hans Hartung, especially in its swift, decisive...

While the artist acknowledges influences from Nicolas de Staël and Georges Mathieu, this particular piece seems to draw more from the bold gestural abstractions of the 1950s American...

The painting's horizontal energy and bold color contrasts evoke the dynamic force found in Nicolas de Staël's landscape abstractions, while the gestural freedom recalls the spontaneo...

The painting's dramatic interplay between stormy greys and electric blues bears subtle resonance with Nicolas de Staël's architectural approach to color blocking, while the dynamic b...

He was also associated with the Art Informel and Tachisme and Cobra Painters, Lyrical Abstraction, Outsider Art, Asger Jorn, Pierre Alechinsky, Nicolas de Stael, Karel Appel, Sam Fr...

While the artist acknowledges influence from Nicolas de Staël and Georges Mathieu, this particular work seems to channel more of the raw energy found in Hans Hartung's abstract expre...

The painting's horizontal composition and bold gestural marks echo the powerful abstractions of Nicolas de Staël, while the textural complexity achieved through combing techniques br...

His art influenced later painters including Nicolas de Stael, Richard Diebenkorn, and David Hockney, who admired his balance of form and radiance.

His art influenced later painters including Nicolas de Stael, Richard Diebenkorn, and David Hockney, who admired his balance of form and radiance.

His art influenced later painters including Nicolas de Stael, Richard Diebenkorn, and David Hockney, who admired his balance of form and radiance.

His innovations in form, collage, and spatial construction deeply influenced later artists, including Jean Dubuffet, Nicolas de Stael, Henry Laurens, Ellsworth Kelly, Richard Diebenk...

As a key figure in the Nouvelle Ecole de Paris alongside Nicolas de Stael, Jean Bazaine, and Alfred Manessier, Poliakoff helped renew European modernism in the aftermath of war, offe...

Jean-Baptiste Oudry Jean-Baptiste Oudry was born on 17 March 1686 in Paris, rue de la Ferronnerie. He began his apprenticeship around 1705-1707 with Nicolas de Largillière, with who...

His art influenced later painters including Nicolas de Stael, Richard Diebenkorn, and David Hockney, who admired his balance of form and radiance.

His art influenced later painters including Nicolas de Stael, Richard Diebenkorn, and David Hockney, who admired his balance of form and radiance.

His art influenced later painters including Nicolas de Stael, Richard Diebenkorn, and David Hockney, who admired his balance of form and radiance.

His art influenced later painters including Nicolas de Stael, Richard Diebenkorn, and David Hockney, who admired his balance of form and radiance.

His art influenced later painters including Nicolas de Stael, Richard Diebenkorn, and David Hockney, who admired his balance of form and radiance.

Nevertheless, Jean-Baptiste Santerre was never considered a rival by the great portrait painters of his time, Nicolas de Largillierre, Hyacinthe Rigaud or François de Troy, and it wa...

RELATED ARTISTS AND STYLISTIC REFERENCES Nicolas de Staël (1914–1955): for the synthesis of planes and the expressive use of muted color.

Marcel Demagny is a French artist, former architect, mostly influenced by Nicolas de Staël, Pierre Ambrogiani and Bernard Cathelin.

While Soyer acknowledges influences from Nicolas de Staël, this piece shows a unique approach to abstracted landscape that also resonates with the gestural freedom of Hans Hartung.

Marchand’s influence extended to younger artists such as Zao Wou-Ki, Pierre Soulages, and Nicolas de Stael, who admired his synthesis of formal rigor and expressive depth.

His art influenced later painters including Nicolas de Stael, Richard Diebenkorn, and David Hockney, who admired his balance of form and radiance.

🌍 Comparable International Artists Martínez Lozano’s expressive urban scenes resonate with the works of several internationally renowned artists: Leon Kossoff & Frank Auerbac...

Vieira da Silva’s work bridged the precision of Constructivism with the lyricism of Surrealism, inspiring later artists such as Nicolas de Stael, Pierre Soulages, Bridget Riley, and ...

The "Carte de L’Isle de Sainte Lucie" by Jacques Nicolas Bellin, a prominent figure as the Royal Hydrographer and engineer of the French Navy, is a remarkable antique map showcasing ...

The thick impasto and textural reliefs, achieved through Soyer's characteristic use of large brushes and combs, give the piece a sculptural quality reminiscent of Nicolas de Staël's ...

(Guy Vignoht "Universe of the Arts") Museum of Modern Art of the City of Paris Petit Palais Museum, Geneva. Museum of Ile-de-France, Fontainebleau Museum of Vârlden, Sweden Museum o...

A leading figure in the Salon des Realites Nouvelles, Poliakoff shared in the broader dialogue of postwar abstraction alongside Nicolas de Stael, Jean Bazaine, Pierre Soulages, and H...

At the center of the composition stand the iconic Tour Saint-Nicolas and Tour de la Chaîne, twin medieval towers that mark the entrance to the old harbour and serve as enduring symbo...

He was a skilled maker who was influenced by both earlier decorative trends and the ingenious clocks originally designed by Nicolas Grollier De Servierè that were illustrated in DeSe...

Oblong Album including 1 frontispiece and 50 richly watercolored etchings showing romans' costumes at the beginning of 19th century. Printed in Roma by Nicola de Antoni and published...

This work is in the Neo Expressionist style made popular in the 1980's by Sandro Chia, Francesco Clemente, Enzo Cucchi, Nicola De Maria and Mimmo Paladino the Transavanguardia Philip...

A leading figure in the Salon des Realites Nouvelles, Poliakoff shared in the broader dialogue of postwar abstraction alongside Nicolas de Stael, Jean Bazaine, Pierre Soulages, and H...

A leading figure in the Salon des Realites Nouvelles, Poliakoff shared in the broader dialogue of postwar abstraction alongside Nicolas de Stael, Jean Bazaine, Pierre Soulages, and H...

select group shows 1970 Salon de la Jeune Peinture, Paris 1971 Grands et Jeunes d’Aujourd’hui, Paris 1973 New Talent, Tibor de Nagy, Gallery, New York 1974 Polly Friedlander, Galle...

Soyer's acknowledged influences from Nicolas de Staël are evident in the architectural quality of his color blocks, while the spontaneous, calligraphic gestures recall Georges Mathie...

While Soyer acknowledges Nicolas de Staël's influence in his work, this particular piece also resonates with the gestural freedom of Georges Mathieu's action painting and the energet...

There's a fascinating tension between controlled technique and spontaneous expression that calls to mind the balanced compositions of Nicolas de Staël, though Soyer pushes further in...

While Soyer often cites Nicolas de Staël as an influence, this particular piece seems more aligned with the spontaneous gestural approach of Georges Mathieu, whose calligraphic mark-...

While Soyer acknowledges Nicolas de Staël as an influence in his broader body of work, this particular piece seems to draw more heavily from the gestural freedom of Georges Mathieu, ...

One can detect the influence of Nicolas de Staël in Soyer's attention to textural elements and material presence, while the sweeping, calligraphic quality of the brushstrokes recalls...