De Nicola

He was part of the New Ecole de Paris along with Nicolas de Staël, André Lanskoy, Pierre Soulages, and Jean René Bazaine. 1966: Contacts with scientists (CERN, School of Chemistry, F...

Like Kandinsky and Miro, Villon believed that art could evoke music’s spiritual depth through pure form, while his chromatic harmonies inspired later artists such as Sonia and Robert...

His constant search for balance between form and color, as well as his passion for Nicolas de Staël, André Lanskoy, Alfred Manessier... lead him down different paths from what we typ...

His art influenced later painters including Nicolas de Stael, Richard Diebenkorn, and David Hockney, who admired his balance of form and radiance.

His art influenced later painters including Nicolas de Stael, Richard Diebenkorn, and David Hockney, who admired his balance of form and radiance.

His art influenced later painters including Nicolas de Stael, Richard Diebenkorn, and David Hockney, who admired his balance of form and radiance.

His art influenced later painters including Nicolas de Stael, Richard Diebenkorn, and David Hockney, who admired his balance of form and radiance.

His art influenced later painters including Nicolas de Stael, Richard Diebenkorn, and David Hockney, who admired his balance of form and radiance.

His art influenced later painters including Nicolas de Stael, Richard Diebenkorn, and David Hockney, who admired his balance of form and radiance.

His art influenced later painters including Nicolas de Stael, Richard Diebenkorn, and David Hockney, who admired his balance of form and radiance.

His art influenced later painters including Nicolas de Stael, Richard Diebenkorn, and David Hockney, who admired his balance of form and radiance.

His art influenced later painters including Nicolas de Stael, Richard Diebenkorn, and David Hockney, who admired his balance of form and radiance.

His art influenced later painters including Nicolas de Stael, Richard Diebenkorn, and David Hockney, who admired his balance of form and radiance.

His art influenced later painters including Nicolas de Stael, Richard Diebenkorn, and David Hockney, who admired his balance of form and radiance.

His art influenced later painters including Nicolas de Stael, Richard Diebenkorn, and David Hockney, who admired his balance of form and radiance.

His art influenced later painters including Nicolas de Stael, Richard Diebenkorn, and David Hockney, who admired his balance of form and radiance.

His art influenced later painters including Nicolas de Stael, Richard Diebenkorn, and David Hockney, who admired his balance of form and radiance.

His art influenced later painters including Nicolas de Stael, Richard Diebenkorn, and David Hockney, who admired his balance of form and radiance.

Soyer's technique bears subtle echoes of Nicolas de Staël's structured approach to abstraction, particularly in the way he builds textural elements that catch and reflect light.

In his maps, he largely adopted and adapted the work of his French counterparts, especially the brothers de Vaugondy. Nicolas Sanson, often referred to as the "father of French cart...

While Soyer acknowledges Nicolas de Staël's influence in his broader body of work, this particular piece seems to draw more heavily from the gestural spontaneity of Georges Mathieu a...

This approach reflects influences from Nicolas de Staël's thick impasto technique, where paint becomes a physical presence rather than merely a colorful surface.

The painting reveals a dialogue between Soyer's contemporary vision and the rich legacy of abstract masters. While Nicolas de Staël's influence can be seen in the structured color bl...

The gestural freedom and emphasis on movement echoes Georges Mathieu's calligraphic approach, while the bold contrasts and structural elements suggest an appreciation for Nicolas de ...

The work evokes the gestural freedom and emotional intensity characteristic of Abstract Expressionism, while the bold color contrasts and dynamic movement suggest influences from bot...

During the 1880s and 1890s Stanier often painted the view from the Mirador de San Nicolas. Inspired by the rich cultural legacy of Granada’s Moorish past, he also produced a number o...

Vieira da Silva’s work bridged the precision of Constructivism with the lyricism of Surrealism, inspiring later artists such as Nicolas de Stael, Pierre Soulages, Bridget Riley, and ...

Vieira da Silva’s work bridged the precision of Constructivism with the lyricism of Surrealism, inspiring later artists such as Nicolas de Stael, Pierre Soulages, Bridget Riley, and ...

Vieira da Silva’s work bridged the precision of Constructivism with the lyricism of Surrealism, inspiring later artists such as Nicolas de Stael, Pierre Soulages, Bridget Riley, and ...

Vieira da Silva’s work bridged the precision of Constructivism with the lyricism of Surrealism, inspiring later artists such as Nicolas de Stael, Pierre Soulages, Bridget Riley, and ...

Vieira da Silva’s work bridged the precision of Constructivism with the lyricism of Surrealism, inspiring later artists such as Nicolas de Stael, Pierre Soulages, Bridget Riley, and ...

Vieira da Silva’s work bridged the precision of Constructivism with the lyricism of Surrealism, inspiring later artists such as Nicolas de Stael, Pierre Soulages, Bridget Riley, and ...

Vieira da Silva’s work bridged the precision of Constructivism with the lyricism of Surrealism, inspiring later artists such as Nicolas de Stael, Pierre Soulages, Bridget Riley, and ...

Vieira da Silva’s work bridged the precision of Constructivism with the lyricism of Surrealism, inspiring later artists such as Nicolas de Stael, Pierre Soulages, Bridget Riley, and ...

Like Kandinsky and Miro, Villon believed that art could evoke music’s spiritual depth through pure form, while his chromatic harmonies inspired later artists such as Sonia and Robert...

His art influenced later painters including Nicolas de Stael, Richard Diebenkorn, and David Hockney, who admired his balance of form and radiance.

Reminiscent of the Charlotte Perriand designed 'Applique Cylindrique' made for her mountain chalet Le Vieux Matelot in Saint Nicolas de Véroce in the early 30s. Price is per item. 6...

In 1637, after a period of time in Aix-en-Provence with Nicolas-Claude Fabri de Peiresc, he returned to Paris, where he adopted an idiosyncratic technique, in which, instead of creat...

This period saw the continued development of large landscape structures, as well as "side-roads" into sculptural subjects and minimalist colour paintings, which openly acknowledged t...

The constant search for balance between shapes and colors as well as his passion for Nicolas de Staël, André Lanskoy, Alfred Mannessier… takes him on different paths from what we kno...

Vieira da Silva’s work bridged the precision of Constructivism with the lyricism of Surrealism, inspiring later artists such as Nicolas de Stael, Pierre Soulages, Bridget Riley, and ...

Vieira da Silva’s work bridged the precision of Constructivism with the lyricism of Surrealism, inspiring later artists such as Nicolas de Stael, Pierre Soulages, Bridget Riley, and ...

Vieira da Silva’s work bridged the precision of Constructivism with the lyricism of Surrealism, inspiring later artists such as Nicolas de Stael, Pierre Soulages, Bridget Riley, and ...

While Soyer acknowledges Nicolas de Staël and Fabienne Verdier among his influences, this particular work seems to embrace a more visceral, immediate approach that aligns with the ac...

From 1678 onward Murillo worked on another series of paintings, for the Hospicio de Venerables Sacerdotes in Sevilla, which included the celebrated Soult Immaculate Conception (1678)...

Making the acquaintance of Hans Hartung, Nicolas de Staël, Pierre Soulages, Viera da Silva, Sam Francis, Norman Bluhm and Jean-Paul Riopelle, they often gather at the Galerie Nina Da...

Soyer's acknowledged influences from Nicolas de Staël can be seen in the structural balance between color fields, while the dynamic gestural quality echoes Georges Mathieu's calligra...

The dramatic color contrast and textural depth also bring to mind the works of Pierre Soulages, whose exploration of light and dark created similar emotional resonance. While Nicolas...

Like Kandinsky and Miro, Villon believed that art could evoke music’s spiritual depth through pure form, while his chromatic harmonies inspired later artists such as Sonia and Robert...

Various well-known artists have come together in Tapis Vert such as Anton Prinner, Bemelmans, Albert Thiry, Marcel Vertes, the Prince of Faucigny Lucinges, Nicolas de Staël and Jacqu...

Le Yaouanc studied at the École nationale supérieure des Beaux-Arts in Paris, where he was influenced by the work of artists such as Nicolas de Staël and Pierre Soulages. He began ex...

Reminiscent of the Charlotte Perriand designed 'Applique Cylindrique' made for her mountain chalet Le Vieux Matelot in Saint Nicolas de Véroce in the early 30s. Price is per pair. 6...

His influence extended to later artists including Pierre Soulages, Hans Hartung, and Nicolas de Stael, as well as contemporary painters inspired by his synthesis of discipline and in...

Beautiful engraving made by Nicolas de Launay after the work of Peter Paul Rubens.This engraving represents a bacchanalian scene featuring Silenus a mythological character.

Following Paris’ liberation by the Allies, Bolin returned to the city and immersed himself in the artistic milieu around the Café Dôme, becoming good friends with Alberto Giacometti ...

Following Paris’ liberation by the Allies, Bolin returned to the city and immersed himself in the artistic milieu around the Café Dôme, becoming good friends with Alberto Giacometti ...

A key figure of the School of Paris, he exhibited alongside Jean Helion, Jean Fautrier, and Nicolas de Stael, who shared his pursuit of a lyrical abstraction that transcended mere fo...

The constant search for balance between shapes and colors as well as his passion for Nicolas de Staël, André Lanskoy, Alfred Mannessier… takes him on different paths from what we kno...

Like Kandinsky and Miro, Villon believed that art could evoke music’s spiritual depth through pure form, while his chromatic harmonies inspired later artists such as Sonia and Robert...

The principal transavantgarde artists were Sandro Chia, Francesco Clemente, Enzo Cucchi, Nicola de Maria, Mimmo Paladino, and Remo Salvadori.