Diana Vreeland

Christopher Tanner Diana Vreeland, 2011 Mixed media 6 1/2 x 6 1/2 x 3 1/2 inches (16.5 x 16.5 x 8.9 cm)

As Editor-in-Chief, Diana Vreeland brought Vogue to the forefront of international fashion magazines.

Diana Vreeland, New York, 1980

Allure Diana Vreeland First Edition Coffee Table Book, 1980, New York A beautiful, oversized coffee table book ALLURE by author Diana Vreeland with contribution by Christopher Hemph...

This is a unique photographic work of Diana Vreeland and Tinkerbelle photographed by Andy Warhol at a party with Diana Vreeland, Earl McGrath, Paul Simon and Carrie Fisher in 1980.

Rattazzi assisted famed photographer Hiro before publishing her own fashion and portrait photographs in magazines such as VOGUE Italia and New York Magazine, which published the 1982...

As Editor-in-Chief, Diana Vreeland brought Vogue to the forefront of international fashion magazines.

VREELAND, Alexander [edited by] [304] pp. Rizzoli 2013 12 1/4" x 9 1/4" Diana Vreeland Memos: The Vogue Years, a new book from Rizzoli, chronicles the editor's tenure at this ma...

Wonderful historical pen and ink illustration on board by Courrèges of his models done for and notated to Diana Vreeland. Great piece of fashion history. Framed in an original plexig...

Diana Vreeland, Chelsea, New York City, 1981 Photographed by Jonathan Becker Contemporary 14" x 14" Archival Pigment Print Edition Nº 1 of 6 Certificate of Origin Signed and Titled ...

As one of the greatest fashion icons in history, Diana Vreeland had many of her own thoughts on fashion.

Signed by the photographer. Larger sizes also available.

All editions signed by the photographer.

André Leon Talley created this postcard stationary out of Diana Vreeland’s personal letter written to him praising his report on Yves St.

Signed by the photographer on the verso Please inquire about additional limited sizes and editions

Signed by the photographer

Diana Vreeland at home, 550 Park Avenue, New York, 21 July 1979 Photographed by Jonathan Becker Contemporary 44" x 44.5" Archival Pigment Print Edition Nº 1 of 9 Certificate of Orig...

Airbrush Illustration on paper Signed Risko lower right Blindstamp Upper Right Published: Vanity Fair Magazine Unframed

Airbrush Illustration on paper Signed Risko lower right Blindstamp Upper Right Published: Vanity Fair Magazine Unframed

Movies, TV and magazines are constant source of inspiration. Fame, as fleckring and shallow it can be sometimes, is very intriguing to him. The worlds of fashion, society and pop cu...

Movies, TV and magazines are constant source of inspiration. Fame, as fleckring and shallow it can be sometimes, is very intriguing to him. The worlds of fashion, society and pop cu...

Worn on a Cosmopolitan Cover by model Paulina Poritzcova and Diana Vreeland. Pearl 1.50" Wings 2.50"

By Jean d'Ormesson, Charlotte Gere, Vivienne Becker, Jean Schlumberger & Diana Vreeland. This is a beautiful book, being one of limited edition of only 5,000 (copy No. 1009).

Horst with a foreword by Vogue’s Editor-in-Chief throughout the period, Diana Vreeland. This book features over 200 color illustrations by Horst and a series of informative texts by ...

2 volume set w/ silk boards in French/ English text VREELAND, Diana [Bijoux] d'ORMESSON, Jean [Objets] Objets [130] pp.

Eric spect the 1940s attending and documenting fashion shows under the supervision of Diana Vreeland. Eric's work was featured in many publications, including Vogue and Harper's Baza...

Park Avenue Party, 1952: Slim Hawks, Diana Vreeland, and her husband Reed Vreeland at Kitty Miller's New Year's Eve party in her home on Park Avenue in New York.

Among those who collected his work were Bunny Mellon; Babe Paley and Diana Vreeland. His pieces continue to be sought by many.

Jeremiah’s work on the most private quarters of the contemporary American beau monde, including Diana Vreeland, Bruce Weber and David Hick’s living rooms infused his unique sensibili...

Hired by Tiffany in the 1950s, Schlumberger’s work quickly became the talk of the town, attracting collectors such as Jacqueline Kennedy Onassis, Elizabeth Taylor, legendary Vogue ed...

Kennedy, Halston, Gina Lollobrigida, Diana Vreeland, Giancarlo Giannini, Marlene Dietrich, Judy Garland, Sir Laurence Olivier, Alan Bates, and Richard Burton, as well as fellow artis...

Kennedy, Halston, Gina Lollobrigida, Diana Vreeland, Giancarlo Giannini, Marlene Dietrich, Judy Garland, Sir Laurence Olivier, Alan Bates, and Richard Burton, as well as fellow artis...

His clients included Cole Porter, Marlene Dietrich, Greta Garbo, Daisy Fellowes, The Duchess of Windsor, Diana Vreeland and Mona Bismarck, who were some of the great collectors of th...

Kennedy, Halston, Gina Lollobrigida, Diana Vreeland, Giancarlo Giannini, Marlene Dietrich, Judy Garland, Sir Laurence Olivier, Alan Bates, and Richard Burton, as well as fellow artis...

Kennedy, Halston, Gina Lollobrigida, Diana Vreeland, Giancarlo Giannini, Marlene Dietrich, Judy Garland, Sir Laurence Olivier, Alan Bates, and Richard Burton, as well as fellow artis...

Bijoux de Jean Schlumberger presentaton par Diana Vreeland 148 pages. Objets de Jean Schlumberger presantion par Jean d'Ormesson 130 pages.

Lots of insider talk from John Fairchild, Diana Vreeland, C.Z. Guest, Anna Wintour, etc. Photographs by Irving Penn, Bert Stern, Steven Meisel, Harry Benson, Richard Avedon, Patrick ...

Upon the recommendation of the legendary editor Diana Vreeland, who took an abiding interest in the young artist, Hannon had her first solo exhibition in 1960 at the Country Gallery ...

Founded in 1948, David Webb created bold jewellery worn by figures such as The Duchess of Windsor, Diana Vreeland, Elizabeth Taylor & Jackie Kennedy Onassis.

Warhol created his bound books to promote his commercial illustration and sent them to clients. One such recipient, Diana Vreeland, then fashion editor for Harper’s Bazaar and later ...

It wasn’t until his conversation with Diana Vreeland many years later that he would think about creating shoes again.

It wasn’t until his conversation with Diana Vreeland many years later that he would think about creating shoes again.

Upon the recommendation of the legendary editor Diana Vreeland, who took an abiding interest in the young artist, Hannon had her first solo exhibition in 1960 at the Country Gallery ...

Upon the recommendation of the legendary editor Diana Vreeland, who took an abiding interest in the young artist, Hannon had her first solo exhibition in 1960 at the Country Gallery ...

Upon the recommendation of the legendary editor Diana Vreeland, who took an abiding interest in the young artist, Hannon had her first solo exhibition in 1960 at the Country Gallery ...

Upon the recommendation of the legendary editor Diana Vreeland, who took an abiding interest in the young artist, Hannon had her first solo exhibition in 1960 at the Country Gallery ...

Upon the recommendation of the legendary editor Diana Vreeland, who took an abiding interest in the young artist, Hannon had her first solo exhibition in 1960 at the Country Gallery ...

Upon the recommendation of the legendary editor Diana Vreeland, who took an abiding interest in the young artist, Hannon had her first solo exhibition in 1960 at the Country Gallery ...

Upon the recommendation of the legendary editor Diana Vreeland, who took an abiding interest in the young artist, Hannon had her first solo exhibition in 1960 at the Country Gallery ...

Upon the recommendation of the legendary editor Diana Vreeland, who took an abiding interest in the young artist, Hannon had her first solo exhibition in 1960 at the Country Gallery ...

Upon the recommendation of the legendary editor Diana Vreeland, who took an abiding interest in the young artist, Hannon had her first solo exhibition in 1960 at the Country Gallery ...

Upon the recommendation of the legendary editor Diana Vreeland, who took an abiding interest in the young artist, Hannon had her first solo exhibition in 1960 at the Country Gallery ...

Upon the recommendation of the legendary editor Diana Vreeland, who took an abiding interest in the young artist, Hannon had her first solo exhibition in 1960 at the Country Gallery ...

Upon the recommendation of the legendary editor Diana Vreeland, who took an abiding interest in the young artist, Hannon had her first solo exhibition in 1960 at the Country Gallery ...

Upon the recommendation of the legendary editor Diana Vreeland, who took an abiding interest in the young artist, Hannon had her first solo exhibition in 1960 at the Country Gallery ...

Upon the recommendation of the legendary editor Diana Vreeland, who took an abiding interest in the young artist, Hannon had her first solo exhibition in 1960 at the Country Gallery ...

Upon the recommendation of the legendary editor Diana Vreeland, who took an abiding interest in the young artist, Hannon had her first solo exhibition in 1960 at the Country Gallery ...