Digital Collage

Libra, by Deming King Harriman; collage, print, figurative, gold, tarot, horoscope, metallic gold edge, on glossy heavy card stock with pink design on reverse.

He works at a small studio space in his home that offers natural light, allowing him to evaluate colors accordingly. Photography and digital collaging take part in his process of cre...

Monica DeSalvo’s “This is a Leaky Place” is a 24 x 36 inch surreal collage on watercolor paper. A digital montage of two photos in opposite orientations show illuminated cloudy skies...

This digital print on handmade paper comes in a natural wood archival framing presentation I have called the body of work that I have done over the past decade “Imaging Biodiversity...

Photograph collage of Jenny Helzer and Barbara Kruger sitting in an Oshkosh car. The work is signed and titled by the artist Scott Griesbach who was known for photo collage works. It...

Cancer, 2018, collage, print, figurative, gold, tarot, horoscope, metallic gold edge, on glossy heavy card stock with pink design on reverse.

Monica DeSalvo’s “Up-sun-down” is a surreal mixed media collage over a digital inkjet photo montage printed on Yupo paper.

"Growth Happens in Two Worlds" is a mixed media photo-based piece that includes a printed organza layer atop a framed digitally collaged photo on canvas. This work features hues of b...

'Double Peony' It is a black and white still life film photography collage, a limited edition of 5. Photograph is shot on a 4x5 large format camera Linhof.

'Double Peony' It is a black and white still life film photography collage, a limited edition of 5. Photograph is shot on a 4x5 large format camera Linhof. All processing and prin...

Ray Beldner blurs the line between sculpture and collage in this dynamic wall-mounted relief work. Using cut archival prints mounted to custom-cut wood forms, Beldner reimagines the ...

Schapiro's work from the 1970s onwards consists primarily of collages assembled from fabrics, which she called "femmages".

Contemporary digitally reprinted collage by Florence Alfano McEwin.

Monica DeSalvo’s “A Bus Tour in the Woods—Stage 6” is a 36 x 24 inch surreal collage on a digital enlargement of two acrylic monotypes printed onto archival foamcore.

My process deliberately blurs the lines between what is real and what is a construct. I begin by digitally collaging photographs, then translate these manipulated images onto canvas ...

My process deliberately blurs the lines between what is real and what is a construct. I begin by digitally collaging photographs, then translate these manipulated images onto canvas ...

While sculpture is her main focus, it coexists with other mediums in her arsenal such as: Film / Digital Photography, Collage, Welding, Textiles and Video.

While sculpture is her main focus, it coexists with other mediums in her arsenal such as: Film / Digital Photography, Collage, Welding, Textiles and Video.

The collage is built on a digital enlargement of acrylic monotype remnants created with a Gelli plate, and the surface is embellished with pastel, colored pencil and marker.

'Superman' by DJ Leon, 2020. 39 x 27 in. A dye-sublimation print on aluminum that is saturated in colors of reds and blues. The print incorporates, appropriates, and combines found i...

While sculpture is her main focus, it coexists with other mediums in her arsenal such as: Film / Digital Photography, Collage, Welding, Textiles and Video.

The impetus for Human Tides (Conflicts II) began seventeen years ago at a time when Cervera was investigating pictorial landscapes, battle paintings and genre paintings using digital...

The impetus for Human Tides (Conflicts II) began seventeen years ago at a time when Cervera was investigating pictorial landscapes, battle paintings and genre paintings using digital...

The impetus for Human Tides (Conflicts II) began seventeen years ago at a time when Cervera was investigating pictorial landscapes, battle paintings and genre paintings using digital...

The impetus for Human Tides (Conflicts II) began seventeen years ago at a time when Cervera was investigating pictorial landscapes, battle paintings and genre paintings using digital...

The impetus for Human Tides (Conflicts II) began seventeen years ago at a time when Cervera was investigating pictorial landscapes, battle paintings and genre paintings using digital...

The impetus for Human Tides (Conflicts II) began seventeen years ago at a time when Cervera was investigating pictorial landscapes, battle paintings and genre paintings using digital...

The impetus for Human Tides (Conflicts II) began seventeen years ago at a time when Cervera was investigating pictorial landscapes, battle paintings and genre paintings using digital...

The impetus for Human Tides (Conflicts II) began seventeen years ago at a time when Cervera was investigating pictorial landscapes, battle paintings and genre paintings using digital...

The impetus for Human Tides (Conflicts II) began seventeen years ago at a time when Cervera was investigating pictorial landscapes, battle paintings and genre paintings using digital...

The impetus for Human Tides (Conflicts II) began seventeen years ago at a time when Cervera was investigating pictorial landscapes, battle paintings and genre paintings using digital...

The impetus for Human Tides (Conflicts II) began seventeen years ago at a time when Cervera was investigating pictorial landscapes, battle paintings and genre paintings using digital...

The impetus for Human Tides (Conflicts II) began seventeen years ago at a time when Cervera was investigating pictorial landscapes, battle paintings and genre paintings using digital...

While sculpture is her main focus, it coexists with other mediums in her arsenal such as: Film / Digital Photography, Collage, Welding, Textiles and Video.

is a 48 x 24 inch surreal collage built on a digital enlargement of collaged monotype fragments and a black and white xerox on watercolor paper.

Further manipulation may come in the form of archival images digitally collaged within the piece, using the image as a digital negative for cyanotype or as the base image for physica...

The result of profound patience and vision, the photographs have not been digitally collaged or superimposed; they record what the artist himself saw through the lens.

After the shoots are completed, the work of post-production begins, where extensive digital collaging of subjects and background is often required.

After the shoots are completed, the work of post-production begins, where extensive digital collaging of subjects and background is often required.

After the shoots are completed, the work of post-production begins, where extensive digital collaging of subjects and background is often required.

After the shoots are completed, the work of post-production begins, where extensive digital collaging of subjects and background is often required.

After the shoots are completed, the work of post-production begins, where extensive digital collaging of subjects and background is often required.

After the shoots are completed, the work of post-production begins, where extensive digital collaging of subjects and background is often required.

After the shoots are completed, the work of post-production begins, where extensive digital collaging of subjects and background is often required.

After the shoots are completed, the work of post-production begins, where extensive digital collaging of subjects and background is often required.

In the Easyfun and Easyfun-Ethereal series, culling images from magazines and product packaging, particularly those involving food and sex, Koons used computer software to create den...

After the shoots are completed, the work of post-production begins, where extensive digital collaging of subjects and background is often required.

After the shoots are completed, the work of post-production begins, where extensive digital collaging of subjects and background is often required.

After the shoots are completed, the work of post-production begins, where extensive digital collaging of subjects and background is often required.

After the shoots are completed, the work of post-production begins, where extensive digital collaging of subjects and background is often required.

After the shoots are completed, the work of post-production begins, where extensive digital collaging of subjects and background is often required.

After the shoots are completed, the work of post-production begins, where extensive digital collaging of subjects and background is often required.

After the shoots are completed, the work of post-production begins, where extensive digital collaging of subjects and background is often required.

After the shoots are completed, the work of post-production begins, where extensive digital collaging of subjects and background is often required.

After the shoots are completed, the work of post-production begins, where extensive digital collaging of subjects and background is often required.

After the shoots are completed, the work of post-production begins, where extensive digital collaging of subjects and background is often required.

After the shoots are completed, the work of post-production begins, where extensive digital collaging of subjects and background is often required.

After the shoots are completed, the work of post-production begins, where extensive digital collaging of subjects and background is often required.

After the shoots are completed, the work of post-production begins, where extensive digital collaging of subjects and background is often required.

After the shoots are completed, the work of post-production begins, where extensive digital collaging of subjects and background is often required.