Donkey Antique

Gabriele Galantara (1865-1937) was a journalist and one of the leading Italian caricaturists and cartoonists. ''The Donkey'' weekly magazine published in 1892 of which Galantara sign...

Gabriele Galantara (1865-1937) was a journalist and one of the leading Italian caricaturists and cartoonists. ''The Donkey'' weekly magazine published in 1892 of which Galantara sign...

Gabriele Galantara (1865-1937) was a journalist and one of the leading Italian caricaturists and cartoonists. ''The Donkey'' weekly magazine published in 1892 of which Galantara sign...

Gabriele Galantara (1865-1937) was a journalist and one of the leading Italian caricaturists and cartoonists. ''The Donkey'' weekly magazine published in 1892 of which Galantara sign...

Gabriele Galantara (1865-1937) was a journalist and one of the leading Italian caricaturists and cartoonists. ''The Donkey'' weekly magazine published in 1892 of which Galantara sign...

Gabriele Galantara (1865-1937) was a journalist and one of the leading Italian caricaturists and cartoonists. ''The Donkey'' weekly magazine published in 1892 of which Galantara sign...

Gabriele Galantara (1865-1937) was a journalist and one of the leading Italian caricaturists and cartoonists. ''The Donkey'' weekly magazine published in 1892 of which Galantara sign...

These were used in pairs over a horse or donkey saddle, folded at the center seam (which you can clearly see in pictures), with one decorated face on each side.

This happens to be one of the more complex of Verschuur's stable scenes, with the addition of no less than three attendants and multiple livestock surrounding the main pair of horses...

A young woman stands beneath a blossoming tree, holding the skin of a donkey and a group of turkeys that animate the landscape with quiet movement and charm.

Gabriele Galantara (1865-1937) was a journalist and one of the leading Italian caricaturists and cartoonists. ''The Donkey'' weekly magazine published in 1892 of which Galantara sign...

Italy, late 1600’s Dimensions: Donkey 8” long x 4” wide base x 4 3/4” tall Rooster 5” long x 3 1/2” base 6 1/4” tall Cow 6 3/4” long x 2 1/2” wide x 4 1/2” tall

Orchies: the company started producing majolica at the end of the 19th century and by the early 1900's produced over twenty humorous majolica jugs including modeled animals including...

Women dressed in traditional garments, accompanied by children and donkeys, converse and move through the crowd, while the backdrop of ancient architecture anchors the scene in a war...

A mother watches as her daughter rides a donkey Medium: Oil on Canvas Signature: Signed Upper Left Good Housekeeping Magazine Cover, August 1905

The Massier family produced different pieces with birds in a very creative style in Vallauris on the French Riviera, they excelled in the representation of all animals at the end of ...

This antique cast iron figural mechanical bank, dating to circa 1880, features a charming design with a donkey and a house or barn. The bank is crafted from cast iron and showcases i...

The scenes depicted include a mother and child, a man leading a donkey, two people dancing on a colorful rug with two musicians seated nearby, as well as a large blue bird, tress and...

This drawing was published in the Donkey magazine. On the left side there is the caption of the drawing.This is an original drawing representing a goose and three figures of men look...

Gabriele Galantara (1867-1937), journalist and one of the major Italian caricaturists and satirical designers. The Donkey was a political satire magazine in 1892, the year of the fir...

He was a journalist and one of the leading Italian caricaturists and cartoonists. "The Donkey" weekly magazine published in 1892 of which Galantara signed the illustrations, met the ...

The central figure—a Black man in rustic attire, riding boots, and red waistcoat—is shown recoiling in alarm as the donkey beneath him jolts forward, eyes wide, startled mid-stride.

A Russian artist, a talented painter and a graphic artist, one of the leading practitioners and theoreticians of avant-garde, in particular, a member of «The Donkey’s Tail group», th...

This charming landscape depicts a woman seated on a donkey accompanied by a man walking alongside her, making their way along a rustic pathway.

Gabriele Galantara(1867-1937), journalist and one of the major Italian caricaturists and satirical designers. The Donkey was a political satire magazine in 1892, the year of the firs...

He was a journalist and one of the leading Italian caricaturists and cartoonists. "The Donkey" weekly magazine published in 1892 of which Galantara signed the illustrations, met the ...

He was a journalist and one of the leading Italian caricaturists and cartoonists. "The Donkey" weekly magazine published in 1892 of which Galantara signed the illustrations, met the ...

Delphin specialized in freestanding figures of birds, animals, and shellfish – including swans, chickens, sparrows, goats, donkeys, frogs, and crabs – ranging from six to thirty-six ...

He was a journalist and one of the leading Italian caricaturists and cartoonists. "The Donkey" weekly magazine published in 1892 of which Galantara signed the illustrations, met the ...

In the lower section, four shepherds are depicted with a donkey and an ox. The Christ Child is positioned in the center (note that the halo resembles a cradle, or vice versa), with t...

In the foreground figures lead donkeys across the sand. Signed and dated to the lower right.

A finely detailed 19th century watercolour depicting an Italian mountain town or village, with figures leading donkeys over an ancient stone bridge. The manner and handling of the sc...

Mudevi is shown riding a donkey, a traditional symbol of her role in creating strife and misfortune.

The nomadic tribes wove kilims and carpets as well as a wide range of storage bags and sacks, such as saffrash, khurgin and chula, and donkey and horse trappings. Smaller bags for sa...

The original animals were relatively restrained and featured the horses, cows, donkeys, pigs and chickens familiar to the local farming community.

He was a journalist and one of the leading Italian caricaturists and cartoonists. "The donkey" weekly magazine published in 1892 of which Galantara signed the illustrations, met the ...

While we see a young man climbing a tree to cut branches in the upper right corner, others branches have already been scattered on the ground beneath the donkey's hooves. The bearded...

The central focus is a traditional vetturino carriage drawn by a team of donkeys, a common sight in Italy during this period.

The Massier family produced different pieces with birds in a very creative style in Vallauris on the French Riviera; they excelled in the representation of all animals at the end of ...

The rider, armed with a musket, carries baskets filled with oranges and produce — a vivid representation of the rural trade routes of southern Spain during the late 18th century. The...

He was a journalist and one of the leading Italian caricaturists and cartoonists. "The Donkey" weekly magazine published in 1892 of which Galantara signed the illustrations, met the ...

He was a journalist and one of the leading Italian caricaturists and cartoonists. "The Donkey" weekly magazine published in 1892 of which Galantara signed the illustrations, met the ...

He was a journalist and one of the leading Italian caricaturists and cartoonists. "The Donkey" weekly magazine published in 1892 of which Galantara signed the illustrations, met the ...

The Massier family produced different pieces with birds in a very creative style in Vallauris on the French Riviera; they excelled in the representation of all animals at the end of ...

The 3rd book is "Peau d'Ane": Donkey Skin (French: Peau d'âne; also known in English as Once Upon a Time and The Magic Donkey) "Donkeyskin" is a French literary fairytale written in ...

A brilliant star appears in the night sky at the far left, guiding the visitors to the holy scene, while the ox and donkey look on quietly from within the stable. Mary is seated bes...

The Massier family produced different pieces with birds in a very creative style in Vallauris on the French Riviera; they excelled in the representation of all animals at the end of ...

He was a journalist and one of the leading Italian caricaturists and cartoonists. "The Donkey" weekly magazine published in 1892 of which Galantara signed the illustrations, met the ...

A pastoral scene with shepherds by a woodland bonfire, accompanied by a donkey. Signed G. Morland 1792. Condition: Excellent condition.

A veiled woman riding sidesaddle on a donkey, conversing with a standing man who carries goods.

Beside them, a brown donkey is resting under a tree while a chestnut horse, more finely groomed, stands quietly eating from the grass.

He was a journalist and one of the leading Italian caricaturists and cartoonists. "The Donkey" weekly magazine published in 1892 of which Galantara signed the illustrations, met the ...

To the left, a man leads a donkey loaded with baskets; beside him, another figure runs barefoot.

To the left, an ânier (donkey driver) leads his animal through the narrow street, the scene framed by the distinctive domes, arches, and mashrabiya balconies of Islamic architecture.

A River Landscape With A Figure On A Donkey 1800's Dutch School oil painting on canvas, framed framed: 21 x 27 inches canvas: 18 x 24 inches provenance: private collection, England ...

Antique Chinese porcelain snuff bottle in meiping form, painted in underglaze blue and white of a winter scene with a donkey riding scholar and an attendant, on crackle glaze includi...

The lower scene illustrates the Flight into Egypt (Matthew II, 13–15). Joseph leads the donkey on which Mary sits holding the infant Jesus, guiding his family across a rugged landsca...

Her response is "Yes, yes, child- Many will be upset before it's over.-" The donkey, wearing a rosette and elaborate saddle, bucks his rider, Bergami, who says "I'm not a great rider...

He was a journalist and one of the leading Italian caricaturists and cartoonists. "The Donkey" weekly magazine published in 1892 of which Galantara signed the illustrations, met the ...

The figural group depicts a scene with two arguing Arab boys, one sits on a wagon drawn by a donkey, made in the manner of Franz Xavier Bergman, Austrian, 1861 to 1936.