New York City - Drawings

This charming drawing is a preliminary study for the larger drawing, Trois etudes de femme assise, coiffee d'une fontange, in the British Museum. This little gem comes from Brooke A...

A set of five original antique etchings depicting horses by Antonio Tempesta, Italian, 1555 to 1630. Engraved circa 1590. Antonio Tempesta, also called il Tempestino, was an Italian ...

Drawing of a naked man in the academic hot seat 1910 France. This young man poses in a relaxed manner, leaning on a harness. His raised foot rests on a bar of furniture. The model's...

Framed Gio Ponti drawing Accompanied by Gio Ponti Archive certificate attached to verso.

This Mughal miniature was painted at one of the princely courts of India. It depicts a raven-haired princess in a gold-trimmed saffron-colored silk sari. Under a glowering evening sky she dawdles on a white marble terrace, with a pet fawn on a leash, before a landscape dotted with buildings nestled amongst trees beyond a river. Her hair, falling loosely about her shoulders, rather than carefully dressed on her head, indicates that she is a maiden. The overall mood is one of expectancy. Perhaps walking a pet and catching an evening breeze is a pretext to escape palace scrutiny for a lovers’ assignation. In Mughal India tender sentiments were a bridge to the erotic – and if this seems contradictory, so too is the balance of realism and caricature, and naturalism with the schematic. Both are hallmarks of miniatures painted in this place and time. The earliest Mughal Indian miniatures date to the 16th century. They were inspired by those painted at the refined Moslem courts of the neighboring Persian empire. They incorporated figures in spite of the Moslem faith’s proscription against depicting the human form. Such was the nature of sophisticated courtly life everywhere that beauty and pleasure trumped systems of morality. This was no less the case at the provincial Indian courts, where our miniature, marked by a charming pictorial naiveté, was most likely painted. Yet the artist was undeniably accomplished. His command of perspective, introduced by Jesuit missionaries in the 17th century, is seen in the landscape, which rolls back to a distant horizon, contrary to the flat two-dimensional ones following Indian-painting traditions. And if Mughal artists were influenced by Western art, the compliment was returned by Rembrandt and Sir Joshua Reynolds, among others, who collected Indian miniatures (as did, perhaps, Giovanni Bellini who painted in Mughal style the famous miniature of a Persian man...

Joe Bradley Etching, Untitled. This piece is signed, dated, and numbered to verso '21/100 Joe Bradley 18'. This work is number 21 from the edition of 100 published by Paupers Press, ...

Santa Maria della Salute drawing by Hercules Brabazon Brabazon (1821-1906). Crayon and pencil on tinted paper in water-gilt frame. Signed wi...

Oil Pastel on Paper by Edith Isaac-Rose

An antique Megillah The Book of Esther, hand written on parchment by an expert Sephardi scribe and richly decorated with hand painted illustrations. The text panels are surrounded by...

This exquisite watercolor and gouache study of La Femme aux Iris (Woman with Irises) depicts a woman with vibrant ginger hair adorned with a crown of French bearded irises. Her left ...

Emilio Terry -- architect, interior, and furniture designer -- was the inventor and sole-practitioner of what was drolly referred to as his “Louis XVII style...

Charcoal abstract of geometric forms on paper (1959 signed: MICHAEL LOEW).      Though the painter Michael Loew is today best known for his colorful and gestural Abstract Expression...

A Double-sided Drawing: Studies of a Man Holding a Horn Madonna and Child with Saint John the Baptist, and study for an Ecce Homo Black chalk on buff paper 14 3/4″ high x 10 3/8″ wi...

19th Century Study of a Foot, Charcoal on Paper. A finely executed academic study of a human foot rendered in charcoal, demonstrating refined tonal gradation and confident chiaroscur...

Study of a Foot, Charcoal on Paper, 19th Century. A compelling academic study of a human foot rendered in charcoal, demonstrating confident draftsmanship and refined tonal modeling c...

Burton Stanley Hasen (New York City, 1921 - 2007) abstract expressionist mixed media (watercolor and ink) on paper. A New York native, Hasen relocated to Paris to study art at the Ac...

Abstract expressionist still life drawing on paper by Salvatore Grippi, 1960s. Gorgeous colored graphite still-life on paper. Signed and dated. From artist’s estate.

One of a series of drawings Bernard Boutet de Monvel made circa 1922 while participating in the Croisière Citroën, an expedition comprising scientists and artists who traversed the S...

One of a series of drawings Bernard Boutet de Monvel made circa 1922 while participating in the Croisière Citroën, an expedition comprising scientists and artists who traversed the S...

During her first years in New York Blaine's work, which had previously been tightly realist, turned abstract, inspired by Mondrian, Leger and Jean Helion. At one time she was the you...

Portraits pair Danish early 19th century, Denmark mahogany Frame. A pair of portraits of Queen Frederikke and King Christian VIII. In original mahogany frames.

Mixed Media Figure Sketch on Paper

Gorgeous collage of layered paper resembling bundles of falling textile but in two dimensions. A great melding of the figural and the completely abstract as well as various media. Si...

Contemporary abstract black and white etching by English artist Oliver Gaiger. Matted and framed in a charcoal grey wood frame. Part of a large collection of black and white etchings...

A wonderfully whimsical concept drawing of a vase. Authentication papers from the Gio Ponti archives provided with drawing.

One of a series of drawings Bernard Boutet de Monvel made circa 1922 while participating in the Croisière Citroën, an expedition comprising scientists and artists who traversed the S...

An original framed Maison Jansen pencil drawing depicting an architectural detail "Rosace de Plafond" page 137 Stamped: Jansen, 9 Rue Royale Paris 8e. This is one of a series of six...

Hercules Brabazon Brabazon watercolor of Venetian view. Signed with initials HBB inscribed in artist's hand. Dimension: Frame: 12.5" x 16" ...

An exceptional French oil on canvas, "Feeding the Doves", Signed and Dated by E. Munier, 1890. Émile Munier is one of the most sought after and most talented French artists of the 18...

Monica Perez "Yes" Original Charcoal on Canvas, 2023. W 80" x H 48" Monica Perez’s works are expressions of emotion—impulsive, spontaneous gestures of h...

Ivan Alexandrovich Gerassimoff, 1885-1954, was active in the 30s in Shanghai and Harbin, moving to Tashkent after WWII. His style was strongly influenced by Alexander Yakovlev, a not...

Rare Yves Saint Laurent Original Pencil Croquis from the 1960's. Gifted to an American business partner who help to launch YSL Rive Gauche ...

One of a series of drawings Bernard Boutet de Monvel made circa 1922 while participating in the Croisière Citroën, an expedition comprising scientists and artists who traversed the S...

"Peche au Cachalot" (Sperm whale fishing) Original colored lithograph enhanced with watercolor by Louis Lebreton (? - 1866).

An original Maison Jansen pencil drawing depicting an architectural detail "Petit Panneau Directoire" page 70 Stamped: Jansen, 9 Rue Royale Paris 8e

A fantastic gouache on paper from 2008 by Michael Glier, a recipient of a National Endowment Fellowship in drawing and a Guggenheim Fellowship in painting. The drawing "Wall Street,...

5125 Antique charcoal drawing of a landscape as viewed from the Charles river in Boston from 1927 Signed J.G.Berry

Original watercolor opera costume design by Charles Betout, the principal costume designer for the Comédie-Française in Paris from 1919 til his death in 1939. Betout was renowned for...

A. Licola. Italian Dove Sketches. Charming annotated studies of Italian doves/pigeons newly framed. Italy, 20th Century. Dimensions: 13.5" W x 16.5" H x 1'D; sight:  7.5" x 10.5"

Bruno Pasquiier Desvignes (1930- ) In Cyclo Melodia, 1992. Ink on paper original Surreal style drawing in vintage cream and gold bead frame. France, 1992. Dimensions: 18" W x 14.25...

Large mono-print by Harry Bertoia, initialed and numbered 1857 on rice paper set mounted in oiled walnut frame. From the Bertoia Family collection. A beautiful rendering of his sculp...

Exceptional pencil charcoal drawing of Michael Jackson (one of our best customers), signed Charlotte and dated 1983, matted and mounted in giltwood frame measuring 13 1/2 by 25 1/2 b...

Italian Lake Palace Ink Drawing. Italian ink drawing of island palace La Casina Vanvitelliana sul Lago Fusaro. Eighteenth century ink on paper drawing in a...

Charles Betout was the principal costume designer for the Comedie-Francaise in Paris for twenty years until his death in 1939. This is costume was designed for the 1926 production of...

This series of framed vintage pen and ink drawings on paper depicts a curious relationship between two groups of parent-and-child figures who seem to mirror each other. Each frame pr...

An elegant 18th-century red crayon drawing depicting a muscular male arm grasping a staff, executed with fine hatching, subtle shading, and anatomical precision indicative of academi...

An energetic abstract work on paper by the artist M.P. Landis. The artist's abstract paintings and works on paper are the type that take form through the artist's layering of materia...

Edme Saint-Marcel (1819-1890) pencil, black crayon and watercolor drawing of a lion attributed to Edme Saint-Marcel-Cabin, France, 19th century. Dimensions: 12" W x 8.25" H x 1.75"...

A watercolor on board by Angelo Testa. Signed and dated (1962) Measures: 29½ H × 19½ W in. Angelo Testa was one of the foremost American textile designers of the mid-20th century. In 1945, he became the first graduate of the Institute of Design (formerly the New Bauhaus) in Chicago, where he studied under artist László Moholy-Nagy, architect George Fred Keck, and weaver Marli Ehrman...

An original Maison Jansen pencil drawing on velum, depicting an architectural detail "Rosace de Plafond" page 135 Stamped: Jansen, 9 Rue Royale Paris 8e

Giuseppe Casciaro, Venetian figure study. Framed ink drawing of a Venetian gondolier with a hand and head study; with inscription and date on reverse ...

Lombard School ink figural study of the Three Graces inscribed "Le Parmesan," and "Ecole Lombard." Pen and brown ink. Girolamo Francesco Maria Mazzola, Il Parmigianino (1503-1540.) P...

White Bunny Drawing by Oleg Cassini for Playboy October 1979, Signed. Illustration of a woman wearing a white body suit, choker, and hat. Signed by Oleg Cassini. Notice the body suit is in the shape of the head of a bunny with clever use of the 'whiskers'. Approximate Measurements: Length: 11" Width: 14" Property from the Collection of Steven Rosengard, Chicago, Illinois This original drawing was commissioned by Playboy and included in the October 1979 issue of Playboy Magazine (pages 225-227) in a feature that included works from designers such as Bill Blass, Oleg Cassini, Edith Head, Fernando Sanchez, and Monika Tilley, among others, who create their versions of the Playboy bunny costume. Candace Collins can be seen modeling some of the designs in the feature. Oleg Cassini is an icon of twentieth-century fashion. Though born to Russian aristocracy and raised in Italy, he built a fashion empire that was unmistakably American. Cassini is perhaps best known for the hundreds of designs he created for First Lady Jacqueline Kennedy (see images 4-8), but his achievements as a collector, connoisseur, and quintessential twentieth-century man go far beyond Camelot. In 1913, Oleg Cassini was born in Paris to the Russian diplomat Count Alexander Loiewski and Countess Marguerite Cassini, a Russian aristocrat of Italian ancestry who also had an interesting link to America. The daughter of Count Arthur Cassini, Russian Ambassador to the United States during the McKinley and Roosevelt administrations, Marguerite dazzled turn-of-the-century Washington as her father’s official hostess and left her mark on the capital city. Stationed in Denmark when the Russian Revolution toppled the czar, Ambassador Cassini and family were exiled to Switzerland before settling in Florence, Italy, where young Oleg was raised. A true Renaissance man, he spoke Russian, French, and Danish before adding Italian and English; he studied medieval and modern European military history and costume and learned to draw; he learned horseback riding, fencing, and the art of chivalry; and, most importantly, he came to understand the struggles of the Russian titled class and other European aristocrats in the wake of the Russian Revolution and World War I. Countess Cassini started a successful fashion business in Florence, and soon the talented young Oleg was sent to Paris to sketch the latest collections for recreation in Italy. In Rome in his early 20s, Cassini created fashions for high society women and designed for a few films, which planted the seed for his move to Hollywood. The drive to reinvent himself brought Cassini to America in the 1930s; in his autobiography he describes arriving nearly penniless in mid-Depression New York City where his title as an exiled Russian Count meant even less than in war-devastated Europe. Down and out, Cassini struggled for employment, having sketching skills but no knowledge of the wholesale trade required for survival in Manhattan’s Seventh Avenue fashion district. However, he excelled at making connections, and Cassini slowly entered New York society. He was soon joined by younger brother Igor (who had studied in America and travelled with the young Emilio Pucci) and his parents, the once-dazzling Countess and his father, the displaced diplomat still loyal to Russia. The family settled in Washington, D.C., and Igor worked his way up the Hearst newspaper chain to become the famous society columnist Cholly Knickerbocker. In New York, Oleg Cassini married the troubled socialite Merry Fahrney (who would go on to marry eight times), but the marriage ended in scandal for Oleg, and he decided to follow his original intention and head for Hollywood. Despite initial difficulties, Cassini gained access to Hollywood’s elite (partially through his skills on the tennis court), and was soon hired as a designer at Paramount Pictures alongside the redoubtable Edith Head. In her 1941 film debut I Wanted Wings, Veronica Lake wore a memorable Cassini design. That same year, Cassini met and married the newest young Hollywood star on the scene, the beautiful 20th Century Fox–talent Gene Tierney. With the outbreak of World War II, Cassini enlisted in the Coast Guard but was transferred to the U.S. Army Cavalry which allowed officers of foreign birth. He attended basic training at Fort Riley, Kansas, and the horsemanship he learned as a boy served him greatly. He attended Officer Candidate School and reached the rank of First Lieutenant (he also became an American citizen at this time, losing his title of Count). Cassini spent several years posted at Fort Riley, where Tierney joined him before he landed a convenient military post in Hollywood. As Tierney’s career thrived (she played the title role in Otto Preminger’s Laura in 1944), she was able to assert her influence over 20th Century Fox’s head Daryl Zanuck, who hired Cassini as designer for Tierney on her 1946 film The Razor’s Edge, which proved to be a brilliant showcase for his talents. The pair separated the same year and, again seeking reinvention, Cassini re-established himself in New York City as a fashion designer. By 1950, the Oleg Cassini label was born. Combining his knowledge of Old World and modern Europe, Hollywood, the tennis courts of Palm Beach and Newport, and of course, New York City, Oleg Cassini invented a new brand of fashion that was distinctly American and of its moment. For his first collection, Cassini took to the stage, narrating the looks and imbuing the scene with his personality, unusual in an industry where the designers typically remained backstage and the models were called by number over a PA. The first collection was a smash — the president of Lord & Taylor devoted all of their storefront windows to his designs — and by 1955 sales had reached $5,000,000. Oleg Cassini’s career had turned a very positive corner. Cassini spent the early 1950s traversing the country, personally selling his collections to department stores in the interior, something his predecessors had never done, and moving between the Hollywood and New York scenes. Cassini’s brother Igor coined the term “the Jet Set” for this generation that constantly flew from New York to Los Angeles (then a ten-hour flight), Las Vegas, Paris, Rome, and the Riviera. In 1954, Cassini set out to woo Grace Kelly and sent her roses every day. The two were briefly engaged before her marriage to Prince Rainier of Monaco. In December 1960, Cassini’s career-defining opportunity came when he was chosen by Jacqueline Kennedy to design her fashions for the White House. Cassini had long known Joe Kennedy and his war-hero son John, and had first met Jacqueline Bouvier before her marriage in the early 1950s. Invited by President-Elect Kennedy to meet Jacqueline at Georgetown Hospital (she had just given birth to son John Jr.) to present to her drawings of potential dresses and First Lady looks, Cassini worked furiously to prepare a new line for the First Lady. Mrs. Kennedy had always had her clothes made by the top French couturiers of the day, but for the White House she wanted an American designer. Cassini wrote in his autobiography that he told the First Lady: “‘You have an opportunity here,’ I said, ‘for an American Versailles.’ She understood completely what I was trying to communicate; she began to talk excitedly about the need to create an entirely new atmosphere at the White House. She wanted it to become the social and intellectual capital of the nation” (Oleg Cassini, In My Own Fashion, 1987, p. 327). Mrs. Kennedy loved Cassini’s design for a gown to wear to the Inaugural Gala (she had already ordered a dress from Bergdorf’s for the Inaugural Ball), and Cassini was selected as the First Lady’s designer and was soon dubbed the “Secretary of Style.” From 1960 to 1963, Oleg Cassini would design over 300 items for Mrs. Kennedy, creating the “Jackie Look” that contributed not only to a fashion revolution but also the dawn of a new age. Cassini wrote that “Jackie played a very active role in the selection of her clothes. She loved brilliant colors — pistachio, hot pink, yellow, and white among others. Her sense of style was very precise; she would make editorial comments on the sketches I sent her. She always knew exactly what she wanted; her taste was excellent” (Oleg Cassini, In My Own Fashion, 1987, p. 334). After the Camelot years, Cassini’s business flourished and grew into a major industry; his name appeared on everything from couture to tennis-, sport-, and swimwear, car interiors, housewares, and perfume. He collected beautiful and rare artwork, arms and armor, and antique furniture, and lived the lifestyle projected by his image. From this period onward, Cassini also came to live in important homes. Of his Gothic Gramercy Park townhouse on Manhattan’s 19th Street he would write imaginatively, “I walked into the foyer and immediately fell in love. It was a place unlike any other in New York, a sixteenth-century Dutch house transported brick by brick from Europe by the Wells Fargo family in the early twentieth century. There was a vaulted, twenty-foot ceiling in the living room, leaded windows, elegantly carved wood paneling...

A richly-hued abstract work on paper by the artist M.P. Landis. The artist's abstract paintings and works on paper are the type that take form through the artist's layering of materi...

The title of this original illustration by the artist George Venson is "Jumping Ship: An Illustration of the Way I See Things Right Now". It is a...

Gouache and pen work by André Arbus (1903-1969). Signed Andre Arbus. Origin: Drawing of dining table by Andre Arbus for the apartment of Mme Pedersen, Paris, 1938. Literature:...

Original watercolor opera costume design by Charles Betout, the principal costume designer for the Comédie-Française in Paris from 1919 til his death in 1939. Betout was renowned for...

Ash wood frame, glass, charcoal on paper. Charcoal study of sculpture.

This 17th-century French School drawing of a hand is a masterful work of art, presented in an elegant silver gilt frame. Measuring 20.75 inches by 20.75 inches, the drawing showcases...

Contemporary blue and gray cartoon of a man in the jungle crouched down firing a gun with text in the lower left corner reading \"East of West\"in white matting and a black rectangul...