E Paintings

It is important to Amann to give the viewer a certain amount of freedom, which gives them the opportunity to interpret the paintings individually. Most of the artist’s works are crea...

It is important to Amann to give the viewer a certain amount of freedom, which gives them the opportunity to interpret the paintings individually. Most of the artist’s works are crea...

On the yellow wall in the frame at the top center is an illustration of the painting by E. Degas "Ballerinas". The image is made in a sketchy manner.

ROBERT SARGENT AUSTIN, RA, PRWS, RE (1895-1973) Going to Mass, Spain Black, brown and white chalks on grey paper Framed 49 by 38 cm., 19 ¼ by 15 in. (frame size 73 by 60.5 cm., 2...

Classical music inspires me in all its forms , I hope the viewer loses himself in the atmosphere that I try to create on the canvas. I lose myself in the music and try to capture m...

“If you put my work next to an aggressive A.E. painting, I'll eat most of ‘em up. And I want to compete with the kids.

“If you put my work next to an aggressive A.E. painting, I'll eat most of ‘em up. And I want to compete with the kids.

“If you put my work next to an aggressive A.E. painting, I'll eat most of ‘em up. And I want to compete with the kids.

Following a brief stay in Paris, a long article praising his work was dedicated to him in the magazine "Natura e Arte." Alongside painting he tried his hand at producing engravings ...

New York, NY 2024 ICON Iowa Contemporary Art / "Paintings by Jim Weidle" Fairfield, IA (April-June) 2025 Blue Mountain Gallery / "(Have a look ?)"

“If you put my work next to an aggressive A.E. painting, I'll eat most of ‘em up. And I want to compete with the kids.

“If you put my work next to an aggressive A.E. painting, I'll eat most of ‘em up. And I want to compete with the kids.

“If you put my work next to an aggressive A.E. painting, I'll eat most of ‘em up. And I want to compete with the kids.

“If you put my work next to an aggressive A.E. painting, I'll eat most of ‘em up. And I want to compete with the kids.

“If you put my work next to an aggressive A.E. painting, I'll eat most of ‘em up. And I want to compete with the kids.

“If you put my work next to an aggressive A.E. painting, I'll eat most of ‘em up. And I want to compete with the kids.

“If you put my work next to an aggressive A.E. painting, I'll eat most of ‘em up. And I want to compete with the kids.

We can only say it is a lovely work and I can't attribute the work to Mary Ethel Young-Hunter 1878-1936 or 1872-1947, numerous major auction houses have paintings signed E. Hunter an...

This funerary motif, familiar from Dutch painting (e.g. Emanuel de Witte, 1657), evokes the vanitas theme and the transience of earthly life.

“If you put my work next to an aggressive A.E. painting, I'll eat most of ‘em up. And I want to compete with the kids.

“If you put my work next to an aggressive A.E. painting, I'll eat most of ‘em up. And I want to compete with the kids.

“If you put my work next to an aggressive A.E. painting, I'll eat most of ‘em up. And I want to compete with the kids.

“If you put my work next to an aggressive A.E. painting, I'll eat most of ‘em up. And I want to compete with the kids.

“If you put my work next to an aggressive A.E. painting, I'll eat most of ‘em up. And I want to compete with the kids.

Witz has had retrospectives at the New York Studio School and at m+e gallery.

Witz has had retrospectives at the New York Studio School and at m+e gallery.

Witz has had retrospectives at the New York Studio School and at m+e gallery.

His early work shows the influence of the Torii school of ukiyo-e painting, particularly Torii Kiyonobu I, and he likely learned from the examples of Torii Kiyomasa and the early uki...

His early work shows the influence of the Torii school of ukiyo-e painting, particularly Torii Kiyonobu I, and he likely learned from the examples of Torii Kiyomasa and the early uki...

This goal was reflected in his embrace of the Nihonga style, which fused traditional Japanese sumi-e ink painting with the conventions of western naturalism.

This goal was reflected in his embrace of the Nihonga style, which fused traditional Japanese sumi-e ink painting with the conventions of western naturalism.

Torii Kiyonaga (born 1752, Sagami Province, Japan—died June 28, 1815, Edo [Tokyo]) was one of the most important Japanese artists of the Ukiyo-e movement (paintings and wood-block pr...

“If you put my work next to an aggressive A.E. painting, I'll eat most of ‘em up. And I want to compete with the kids.

“If you put my work next to an aggressive A.E. painting, I'll eat most of ‘em up. And I want to compete with the kids.

“If you put my work next to an aggressive A.E. painting, I'll eat most of ‘em up. And I want to compete with the kids.

Hashimura creates each photo-based print as a unique work of art, through a process in which he combines darkroom printing with calligraphic brushwork that recalls traditional Japane...

“If you put my work next to an aggressive A.E. painting, I'll eat most of ‘em up. And I want to compete with the kids.

She was the 2015 Edward E. Elson Artist-in-Residence at the Addison Gallery of American Art and has received the Blanche E.

Hellmann was the 2015 Edward E. Elson Artist-in-Residence at the Addison Gallery of American Art and received the Blanche E.

For his first word painting, E.Ruscha (1959), he intentionally miscalculated the space it would take to write his first initial and surname on the canvas, inserting the last two lett...

At bottom sides: "R. Wilson dip. - E. Ragona inc.". After a painting by Richard Wilson.

For his first word painting, E.Ruscha (1959), he intentionally miscalculated the space it would take to write his first initial and surname on the canvas, inserting the last two lett...

For his first word painting, E.Ruscha (1959), he intentionally miscalculated the space it would take to write his first initial and surname on the canvas, inserting the last two lett...

Works from this time show Pearson’s interest and experimentation in shkishi, traditional Japanese painting on small gold-edged boards, and sumi-e, illustrative paintings done in blac...

For his first word painting, E.Ruscha (1959), he intentionally miscalculated the space it would take to write his first initial and surname on the canvas, inserting the last two lett...

For his first word painting, E.Ruscha (1959), he intentionally miscalculated the space it would take to write his first initial and surname on the canvas, inserting the last two lett...

His works have been shown in many exhibitions at home (China) and abroad and are written about in both domestic and global art newspapers, as well as featured in a TV series in China...

His works have been shown in many exhibitions at home (China) and abroad and are written about in both domestic and global art newspapers, as well as featured in a TV series in China...

L Richards Blue Cord Composition Multimedia collage and coloured drawing 20 x 25 cm Both compositions signed to bottom right Provenance: Family of A. E. Halliwell Little is known...

For his first word painting, E.Ruscha (1959), he intentionally miscalculated the space it would take to write his first initial and surname on the canvas, inserting the last two lett...

His works have been shown in many exhibitions at home (China) and abroad and are written about in both domestic and global art newspapers, as well as featured in a TV series in China...

His works have been shown in many exhibitions at home (China) and abroad and are written about in both domestic and global art newspapers, as well as featured in a TV series in China...

Ricard's cursive is reminiscent of Japanese Sumi-e ink paintings, an association enhanced by the use of handmade Japanese paper.

The long narrow format is inspired by the height of the trees and by Asian scroll paintings. Though I t is a photo, it is reminiscent of traditional Chinese sumi-e ink paintings of c...

The long narrow format is inspired by the height of the trees and by Asian scroll paintings. Though I t is a photo, it is reminiscent of traditional Chinese sumi-e ink paintings of c...

For his first word painting, E.Ruscha (1959), he intentionally miscalculated the space it would take to write his first initial and surname on the canvas, inserting the last two lett...

Iwata, Eikyu Matsuoka, and other leading Kyoto artists established "Shinko Yamato-e Kai" in 1921 (dissolved in 1931) to revitalize traditional Japanese painting, Yamato-e.

He has created works which are essential to the history of ukiyo-e, such as“Twenty-eight Famous Murders with Verse”, a series of chimidoro-e (bloody paintings) which Yoshiiku and Tsu...

He was known for his kacho-e or birds and flowers paintings. He studied under Suisho Nishiyama in Kyoto City University of Arts, and exhibited works in the renowned Japanese art exhi...

For his first word painting, E.Ruscha (1959), he intentionally miscalculated the space it would take to write his first initial and surname on the canvas, inserting the last two lett...