Egg And Dart

edge surrounded by a bold egg and dart surround, the trestle base with finely carved scrollwork

Traditional bronze egg & dart rim with tan shade pendant light. Cleaned and restored. Please

with gilt egg-and-dart border, gilt hands and mounts, clock face engraved BIGELOW KENNARD & CO. BOSTON

circumscribing egg and dart pattern, scrolling acanthus leaves, and crosshatched lines, the oval frame also

vase and swag garland motif Broad rim edge adorned with egg and dart pattern, adding formal decorative

in the 1840s and have an egg and dart border frames with carved mouldings. These George IV giltwood

Ormolu egg and dart band accented with foliate scrolls surrounds the mottled red colored glass base with

mounts centered by a carved rosette above. An uninterrupted egg and dart Giltwood band located above each

three drawers each display impressive pierced ormolu mounts of mirrored Vitruvian scrolls within an egg

An early 19th Century Walnut Food Hutch / Panettiere. Turned spindles to the front and sides, egg

capitals with egg and dart, reel and bead and floral detail. You can just imagine these column-style

the circumference. The upper edge is encircled by a cast egg and dart border in relief. Two large

complimentary effect. Bands of gilt bronze in egg-and-dart and foliate motifs frame the intricate Boulle work

niches, with the uppermost one beneath a slightly rolled rim of egg-and-dart with beading. On each of the

supported on an inverted stepped tier adorned with an intertwined laurel band, egg and dart trim, and beaded

and clearly defined, giving the piece a sense of focus. Beyond that, an egg-and-dart border runs along

collar with egg-and-dart detailing. The central body is chased with swirling foliate garlands, floral

beautiful ormolu band with a fine egg and dart design extends along the top crown with an intricately

maiden. Above a beautiful top central floral marquetry panel and egg and dart designed ormolu band, is

edged by egg and dart patterns. At the center of the triangular base is an acorn reserve encases in

, Belgium, late 19th/ early 20th c., stepped cornice with egg-and-dart molding, above a carved crest of a

glass with superb clarity and hand-cut precision, resting on a molded gilt-bronze base with egg-and-dart

, and two further figures. This is framed by an oak frame, carved with stylised egg and dart to the

, breakfront top with modified egg and dart trim and canted corners over a wide drawer flanked by smaller

around their hips. The molded cornice is carved with an egg-and-dart frieze. The lateral panels of

with egg and dart rim. Italian, c.1820, with restorations. Notes: Lorenzo Bartolini was born in

concave stem supports an egg and dart shaped bottom carrying a large frieze representing brown patinated

, with naturally weathered finish in a palette of browns and greys Egg and dart relief casting

fitted with two drawers beautifully carved with parcel-gilt paistries and laurel leaves with egg and dart

flanked by boldly-carved Barock scrolls and foliate decoration, the inner frame very well carved with egg

emblems, the circular foot has stylized egg and dart decoration. The brass harp is original, and so is the

edge design. Below sit egg-and-dart ormolu friezes, plus a repetitive scrolling pattern. The

apron is done in a robust egg and dart upper edge with a modified guilloche and pelmet lower section

handcrafted to a matching neoclassical style design, with scrolling ionic column style corners, an egg and

egg-and-dart border, and gilt bronze mounts accent other elements of the table, such as the

egg and dart rim and the concave fluting above the one inch thick circular base. There are also large

. The arched upper section is topped by a deep egg and dart carved top rail centered by a further ribbon

decorated scrolled legs displaying egg and dart Ormolu plinths below a scrolled Ormolu acanthus leaf. Each

with gilding in egg-and-dart and acanthus reed friezes. Of an unusual and remarkable design, they are

an egg-and-dart frieze, and the piece is further enhanced by ornamental brass key plates featuring

handles flank the vase, joined by a garland of vine branches below an egg-and-dart rim. The Warwick Vase

cabinet is raised on a shaped plinth base with a gilt bronze 'egg and dart' frieze. The cabinet is in

Antico instead. The tazza has an egg and dart carved outspreading rim of campagna design, with wrythen

is embellished with an egg-and-dart and spiraled ribbon trim molding. The glass mirror is in two

slabs within an egg-and-dart moulded surround, the scrolled frieze above a central door of cubed bois

band of lobes, with a smaller ring of egg and dart beneath. Supported by a 2 ¾ inch thick square plinth

with thoughtful detailing. The molded crown is adorned with classic egg-and-dart carving, lending

egg and dart. There is also a bronze pinecone finial and acanthus leaf cup that rises from a cluster

detailed motifs including egg and dart, lamb’s tongue, running coin and beaded pearl. It has been painted a

. On top and below this crowd are decorative bands displaying ripening grape vines, with an egg and

buffet cabinet from Italy is elaborately carved with various egg-and-dart, foliage, and scrolling motifs

include fluted side columns, egg and dart trim and shaped interior shelves with curved plate rests. The

further enhanced with carved rope and egg-and-dart molding, demonstrating the artisan’s attention to

escutcheon that is flanked on either side by pierced Ormolu rosettes. Above the egg and dart Giltwood band is

intertwined. Each torchere is composed of a tiered fluted bronze column with acanthus and egg-and-dart motifs

gilt mounts, egg-and-dart mouldings and a beautifully detailed central panel which gives the piece

features an egg and dart rim, entwined vines handles and a body cast with masks. It is raised on a circular