Face Masks

symbolism. The woman’s simplified, mask-like face is framed by dark hair and a small golden crown set

color contrasts. The figure’s mask-like face and loosely rendered hands echo modernist influences

a space where realism and surrealism intersect. The most arresting element is the small, mask-like

discomfort. The earthy tones and stylized, almost mask-like faces create a dreamlike, introspective

robes, rendered in Buffet’s unmistakable graphic style—angular lines, stark contrasts, and somber, mask

features stylized pharaonic mask-like faces integrated into a rhythmic field of lotus and flame motifs

scroll feet faced with engraved central mask. Restored. Circa 1750.

, and emotional intensity—animates the mask-like face and the calligraphic mapping of the garment and

light return and mask inclusions in face-up appearance, giving exceptional visual impact for a stone of

with ceremonial significance. Its oversized mask-like face, deep insisted patterns and abstract body

he wants to tell. Often he presents new ways of looking at the human face – sometimes as a mask

looking at the human face – sometimes as a mask, other times brimming with words and thoughts – and an

Expressionist style and spiritual depth. The subject’s mask-like face, rendered in thick brushstrokes and

social acts, including material and spiritual masks of the face. Parenthood becomes the role of curators

). The bold design features a stylized, mask-like face formed from bands of vivid color—blue, brown

red background that amplifies its emotional presence. The face, frontal and mask-like, is composed of

A Wonderful Hand Painted White With Gold Chinoiserie Tole Lions Head With Paw Feet And Lions Mask

on three large paw feet with the top of the foot in the form of a mask face. The cover with a loop

face. The ‘eyes’ of the mask are adorned with a cast taken from the wings of a large bird, the fine

literally two-faced, a mask concealing his or her true expression. A few elbow-high children are the only

—locked in a dynamic relationship with a vividly patterned mask-like face. The creature’s body is

the ancient faces of tribal sculptures, masks and idols. With – Homage – he conjures African Art

white make up face of passive mask like expression. The print bears Horst embossed stamp on the lower

the series into an architectural format. Each portrait presents a simplified, mask-like face rendered

pressures that compel individuals to hide their true identities. The gas masks obscure the face, rendering

features a mask-like face—part totem, part guardian—conveying a strong folkloric presence. The entire

the fluted plinths, Greek scroll bands, and the twin-handles faced with bacchanalian satyr masks

/Brazil, 20th C). A stylized face is shown as a mask, with one eye clearly visible. The other is obscured

A set of vintage brass bar items - a corkscrew and bottle-opener. With African masks or faces. The

fragments. The face, part mask and part human, peers out with a spectral presence, suggesting both witness

joy, recalling the ancient faces of tribal sculptures, masks and idols. With – Homage – he conjures

across a warm, striated taupe field. Each animal pictorial features a dual-toned, mask-like face—part

shapes framing the face, adding abstract, mask-like quality. A wide-brimmed hat in earthy green and

ancient faces of tribal sculptures, masks and idols. With – Homage – he conjures African Art embraced by

” (2001) by Sanat Kar is a surreal tempera painting that portrays a haunting, mask-like face filled with

A monochrome minimalist portrait in a restrained palette. The white face, resembling a mask, is

dramatically condensed: the sailor's hands are convulsively curved, his body unnaturally twisted, his face a

tell. Often he presents new ways of looking at the human face – sometimes as a mask, other times

woman wearing a black mask over her face. Two old rose cut diamonds peek through the openings in the

monumental work captures a beautiful woman at a masquerade as she peels her mask from her face, revealing her

happy face and a sad face. The masks are accented by round cut colorless diamonds set in 18K yellow gold

vase creates a cheerful face offset by protruding ears; a fruit bowl inspired by a tribal mask; and a

and patinated lion mask and sunburst face. Beautifully carved and gilded. Gilding original. French

to dolphins and masks with the faces of bearded men. A winged mythological figure stands out in the

positioned at the top and two at the bottom, each featuring what appears to be a stylized mask or face motif

carved female mask, the two doors are faced with superiorly carved female masks with a fitted interior

, which features faces painted like masks. As an introverted person, she often observes people more than

, which features faces painted like masks. As an introverted person, she often observes people more than

horned mask face This is a very old piece it has an excellent patina and it is in good condition for its

stylized mask-like faces and organic leaf reliefs. The surface features a richly textured granite-like

describe this painting: face, devil, snakes, floral, fantasy, mask, exotic, colorful, animals, people

, repetition and symbolic visual language. The composition presents a frontal figure whose face dissolves into

stylization. The elongated limbs, mask-like face, and slightly exaggerated features give the subject a puppet

central support, the scrolled candle arms project from sculpted female masks, their expressive faces

extend from the upper shoulders of the vases. At the base of each handle, molded grotesque mask faces are

, each face carved with an animal mask, the domed cover similarly decorated and surmounted by a Buddhist

elongated neck. The carafe is decorated with medallions of lion and mask faces in high relief surrounded