Festival Of Britain

A scarce mid-century Studio Pottery Festival of Britain vase by renowned modernist potter Dame

Festival of Britain Lithographic poster map 45x58cm Folding map published for London Transport and British

1951 Festival of Britain, situated between Waterloo Station and the Royal Festival Hall. Whilst press

the South Bank restaurant at the 1951 Festival of Britain. The striking plywood shell combines with

table designed by Edward Ihnatowicz for Mars Furniture and exhibited at the 1951 Festival of Britain

midcentury low table are typical of the 1951 festival of Britain style championed by British designers such

Goodden. Ray Leigh was one of the group of designers involved with the 1951 Festival of Britain

those for Morley College, the Festival of Britain and Campion Hall, Oxford.

. Made for the 1951 Festival of Britain, the chairs are of original vintage. The chairs bear remnants of

counterparts. Ercol furniture was exhibited at the 1951 Festival of Britain, as it represented the latest

England. Circa late 1950's. Originally designed for the Festival of Britain 1951 as an interior and al

war he taught at Camberwell College of Art. He painted a mural for the Festival of Britain in 1951

for the Country Pavilion of the Festival of Britain exhibition of 1951 (now in the collection of the

was exhibited at the 1951 Festival of Britain, as it represented the latest style and fashion in

for the Country Pavilion of the Festival of Britain exhibition of 1951 (now in the collection of the

was a key part of the Festival of Britain in the early 1950s. He designed posters for the London

Festival of Britain in 1951. Sizes of width given with both gates together each gate being 136cm w

. Bawden did decorations for the SS Orcades and Oronsay and for the Unicorn Pavilion for the Festival of

long wall hanging for the Festival of Britain. O'Connell focused on the wall hanging or 'painted

longer coffee table and a table with a hole created to hold a snack bowl! A lovely 50's Festival of

) rose to fame in 1951 when he was appointed Director of Architecture for the Festival of Britain. It was

1941 and the 'Festival Star', designed for the 1951 Festival of Britain.

printers. Bawden had been commissioned by the 1951 Festival of Britain to produce a mural for the South

became attracted to the art world at the time of the 1951 Festival of Britain, when he began collecting

56 meters long wall hanging for the Festival of Britain. O'Connell focused on the wall hanging or

of his works are in MoMA. His long-lost Festival of Britain sculpture 'The Sunbathers' was recently

56 meters long wall hanging for the Festival of Britain. O'Connell focused on the wall hanging or

wave of designers. Exhibiting at the Festival of Britain in 1951. In excellent condition

appointed Director of Architecture for the Festival of Britain. It was for this that he received his

century British architect and artist, Sir Hugh Casson. It depicts a small figure in a kneeling pose as if

1951, the Arts Council of Britain commissioned him to produce a large-scale sculpture for the Festival

in short supply. In 1951 he made a 10 x 30 ft. fluorescent paint mural for the Festival of Britain

Britain’s greatest linocut printers. Bawden had been commissioned by the 1951 Festival of Britain to produce

printers. Bawden had been commissioned by the 1951 Festival of Britain to produce a mural for the South

the Festival of Britain. It was for this that he received his knighthood, remaining in the public eye

Festival of Britain’s South Bank site (1951). Other murals included those for the P&O liners Orcades and

’s greatest linocut printers. Bawden had been commissioned by the 1951 Festival of Britain to produce a mural

of Discovery and the Regatta Restaurant at the Festival of Britain’s South Bank site (1951). Other

of Discovery and the Regatta Restaurant at the Festival of Britain’s South Bank site (1951). Other

of Discovery and the Regatta Restaurant at the Festival of Britain’s South Bank site (1951). Other

importance were his murals for the Dome of Discovery and the Regatta Restaurant at the Festival of Britain

and Modern British Art section 1920-1940, and several of his works are in MoMA. His long-lost Festival

and Modern British Art section 1920-1940, and several of his works are in MoMA. His long-lost Festival

and Modern British Art section 1920-1940, and several of his works are in MoMA. His long-lost Festival

and Modern British Art section 1920-1940, and several of his works are in MoMA. His long-lost Festival

were his murals for the Dome of Discovery and the Regatta Restaurant at the Festival of Britain’s South

Air Ministry, in 1948 he was appointed as director of architecture for the Festival of Britain. A

he was appointed as director of architecture for the Festival of Britain. A close friend of the Royal

the Festival of Britain. A close friend of the Royal Family, he undertook designs for the 1953

Britain’s greatest linocut printers. Bawden had been commissioned by the 1951 Festival of Britain to produce

and Modern British Art section 1920-1940, and several of his works are in MoMA. His long-lost Festival

and Modern British Art section 1920-1940, and several of his works are in MoMA. His long-lost Festival

Ministry, in 1948 he was appointed as director of architecture for the Festival of Britain. A close friend

War 2 by the Air Ministry, in 1948 he was appointed as director of architecture for the Festival of

the Air Ministry, in 1948 he was appointed as director of architecture for the Festival of Britain. A

War 2 by the Air Ministry, in 1948 he was appointed as director of architecture for the Festival of

the Air Ministry, in 1948 he was appointed as director of architecture for the Festival of Britain. A