Peter Laszlo Peri

Mother and Child

1940s

A beautiful 1940s etching representing scenes of motherhood, from Péri’s observations of people on the streets of London. Artist: Peter László Péri...

A striking etching, from Péri’s observations of people on the streets of London. Artist: Peter László Péri Date: 1940s Framed size: 40cm x 50cm Mou...

Three etchings representing the cycle of love, from Péri’s observations of people on the streets of London. These small prints were intended to be sold in groups as folding booklets, like postcards. Artist: Peter László Péri...

A beautiful etching from Péri’s observations of people on the streets of London. Artist: Peter László Péri Date: 1940s Framed size: 26.5cm x 32cm M...

Three etchings from Péri’s observations of people on the streets of London. These small prints were intended to be sold in groups as folding booklets, like postcards. The top etching is closely reminiscent of Péri’s “Class System” which is in the Tate collection (as pictured). “In Class System 1946 (Tate P14973) Peri used close observation of social difference to make a political point about reconstruction and inequality after the end of the Second World War. On the left a man dressed in a suit and hat stands on the pavement, his hand on his hip, leaning on his umbrella. On the right the same pose is adopted by a man standing in the road, wearing a flat cap, shirt-sleeves and heavy boots, but he leans on a pneumatic drill. The figures are clearly identified as upper class and working class by their clothing, and the composition juxtaposes the idleness of the man standing on the pavement with the active manual labourer ready to begin work, implying their relative contribution to the reconstruction of Britain in the aftermath of the Second World War.” Artist: Peter László Péri Date: 1940s Framed size: 22 x 42cm Mounting: Raised-float mounted using acid-free Japanese wheat-starch paste and Japanese paper...

A uniquely hand-coloured etching with acquatint also represented in the Tate collection: “Selling the Daily Worker c.1947 (Tate P14975) is an etching that depicts a woman selling the Communist newspaper The Daily Worker with the headline ‘The British Turn to Socialism’. She is standing in front of a factory wall, her baby in its pram temporarily ignored. The Daily Worker reached its peak circulation in the years after the Second World War, when concerns about workers’ rights and inequality inspired many to turn to socialism. ” Artist: Peter László Péri...

Original engraving #4 by Ernst FUCHS from Kabbalah (THIRTY-TWO PATHS OF WISDOM by SEFER YETZIRA), 1978 Etching signed and numbered 16/30 E.A. Page size - 30 x 22 in 76 x 56 cm Image...

Original engraving #5 by Ernst FUCHS from Kabbalah (THIRTY-TWO PATHS OF WISDOM by SEFER YETZIRA), 1978 Etching signed and numbered 16/30 E.A. Page size - 30 x 22 in 76 x 56 cm Image...

Original engraving #7 by Ernst FUCHS from Kabbalah (THIRTY-TWO PATHS OF WISDOM by SEFER YETZIRA), 1978 Etching signed and numbered 16/30 E.A. Page size - 30 x 22 in 76 x 56 cm Image...

Original engraving #13 by Ernst FUCHS from Kabbalah (THIRTY-TWO PATHS OF WISDOM by SEFER YETZIRA), 1978 Etching signed and numbered 16/30 E.A. Page size - 30 x 22 in 76 x 56 cm Imag...

Original engraving #3 by Ernst FUCHS from Kabbalah (THIRTY-TWO PATHS OF WISDOM by SEFER YETZIRA), 1978 Etching signed and numbered 16/30 E.A. Page size - 30 x 22 in 76 x 56 cm Image...

Original engraving #12 by Ernst FUCHS from Kabbalah (THIRTY-TWO PATHS OF WISDOM by SEFER YETZIRA), 1978 Etching signed and numbered 16/30 E.A. Page size - 30 x 22 in 76 x 56 cm Imag...