Fire Mark

Fire Association of Philadelphia fire marker. Used primarily for advertising purposes, fire marks were used from 1752 to circa 1900.

Used primarily for advertising purposes, fire marks were used from 1752 to circa 1900. Going back to their early practices, the Philadelphia Contributionship and The Baltimore Equit...

Surface displays characteristic glaze variation including fire marks and melt fissures inherent to the reduction firing process and original to the making.

Surface displays characteristic glaze variation including ash deposits, fire marks, and melt fissures inherent to the reduction firing process and original to the making.

Surface variation, firing marks, and irregularities are part of its character.

Used primarily for advertising purposes, fire marks were used from 1752 to circa 1900. Going back to their early practices, the Philadelphia Contributionship and The Baltimore Equit...

Signed . More of kiln fire mark to one side but doesn’t distract from its beauty.

This new company issued a fire mark depicting a steam fire engine which was the latest in technology in the fight against fire. 11" x 8 1/2".

The lower plate has some firing marks on the fishes face.

Very good condition with some marks in the porcelain and glaze. Please note images, small fire mark on rim and bubble under the clay.

Finished with a muted green glazed interior and a natural, earth-toned exterior showing organic firing marks and textural variation. The underside is unglazed with visible maker’s ma...

The full frontal female figure is suspended in mid-air with both arms in motion, seemingly about to jump off the canvas. The blurred figure is set against a clear, graphic backdrop o...

A large stoneware jar by Paul Chaleff (1947-) made in 1987 and was purchased directly from the artist's studio in New York. Wood fired ceramic vessel with handcut lower body and pron...

Surface pitting, firing marks, and irregularities are part of its character.

In good vintage condition, some firing marks – no losses Dimensions H: 19.3 in/49 cm W: 16.9 in/43 cm ear to ear Dm: 15.75 in/40 cm.

Late 18th Century Pair Porcelain Busts depicting the Greek figures Homer and Artemis, both featuring firing marks. The bust of Homer is based on a much-restored Roman copy of a Hell...

Artist: Mark Kostabi Title: Light My Fire Year: 1989 Medium: Oil on Canvas, signed l.r. and verso Size: 68 x 40 inches (172.7 x 101.6 cm) Frame Size: 70 x 42 inches Accompanied by o...

The root structure of an olive tree must be centuries old with signs of fire marks. Mounted on a bicycle fork - reference to Marcel Duchamp - the artwork can be turned and viewed all...

This grand terracotta fish pond is cloaked in a beautiful, blue glaze with tonal variation from dark cobalt to pale grey to bright, robin's egg blue. Firing marks add intrigue to the...

The shallow rounded sides rise from a short footrim with an unglazed base showing age-related grit and kiln firing marks. Wear consistent with age, minor rim fritting, and glaze imp...

The rim on the backside is decorated with a stylized depiction of flying dragons among clouds. Appropriate firing marks centered on back. Outstanding beauty and quality of late Edo ...

Surface displays characteristic glaze variation including ash deposits, fire marks, and melt fissures inherent to the reduction firing process and original to the making.

The piece is in very good condition, with age-appropriate surface wear and firing marks that verify its authentic desert provenance.

The composition invites the viewer’s eye from the intimate texture of the birch bark in the foreground to the open expanse of farmland beyond, where fire and human activity dot the l...

The reverse shows an unglazed terracotta surface with visible firing marks and age, consistent with handmade production.

Subtle imperfections, firing marks, and tonal shifts further contribute to its individuality.

Gently flaring rims and deeply carved lotus-petal panels define the elegant form, achieving a balance of sculptural clarity and restraint, while characteristic firing marks at the ba...

Main features: Type: Decorative/sculptural vase Origin: France Period: 1960s Material: Glazed stoneware Colors: Olive green, brown, mineral hues Finish: Matte glaze, slightly granula...

Visible surface wear, firing marks, and minor imperfections enhance its authenticity and character, making it an excellent decorative accent or study piece.

Over time, the surface has developed a natural craquelure, creating depth and emphasizing the passage of decades, while small firing marks are consistent with the original production...

Original vintage Soviet film poster for a 1931 black and white drama movie directed by Mark Donskoy - Fire / Огонь - about the fight against the remnants of the patriarchal-clan syst...

Mark Acetelli’s oil and mixed media paintings awaken the viewer’s sense of exploration and adventure; they demand a new discovery. His artworks exhibit a chemistry of complexity and ...

Light glaze imperfections, small firing marks and minor age-related wear typical for early Fajalauza.

Influenced by late nineteenth-century expeditionary photographers such as Timothy O'Sullivan, who documented the "unexplored" territories of the West, Mark Klett visually explores th...

One piece has a small firing mark under the arm (as seen in the video).

Visible wear, firing marks, and surface abrasions are consistent with age and authentic use, enhancing its historical integrity.

The reverse retains its original glazed finish with firing marks and old French inventory labeling. This antique tray is in excellent condition commensurate with age and use, with li...

Marked "Tue" Designer: Ernst Faxe / Tue Manufacturer: Studio pottery, Europe Material: Glazed stoneware Dimensions: H. 11 cm, D. 7 cm / H. 13 cm, D. 9 cm Signature: Incised undernea...

Salt-glazed surface in warm ochre tones with visible craquelure and firing marks. The jug is adorned with beautiful and very detailed stamped decoration.

The underside reveals unglazed, raw clay with visible tooling and firing marks, further supporting its studio-made or outsider art origin.Likely dating to the mid to late 20th century.

Hand-thrown, each small vessel features a softly rounded body, a narrow neck with a subtle spout, and is finished in a beautiful creamy white glaze speckled with natural firing marks...

Designer: Jette Schrader and Unknown Manufacturer: Schrader Stoneware, Farum / Studio pottery, Europe Material: Glazed stoneware Dimensions: H. 11 cm, D. 13 cm / H. 18 cm, D. 9 cm Si...

There are some natural fire marks to the surface of the waiter, in keeping with age.

Mark was born in Yorkshire and studied photography at Wolverhampton Polytechnic before moving to London in 1991. He initially worked as a photographer before focusing more on illustr...

Date: Circa 1573-1619, Wanli period Dimensions: Diameter: 29 cm (11.4 in) Height: 5.5 cm (2.2 in) Condition: Very good condition for age, with typical glaze wear, light surface craqu...

The surface reveals the irregularities, glaze movement, and firing marks characteristic of authentic antique Puglian pottery.

The surface reveals the irregularities, glaze movement, and firing marks characteristic of authentic antique Puglian pottery.

This piece is in great vintage condition, displaying minor surface variations and faint glaze firing marks that serve as an authentic patina, underscoring its unique artisanal herita...

The underside reveals the characteristic barbotine glaze pooling and firing marks consistent with early 20th century production.

The base is unglazed and shows expected wear, firing marks, and age-related cracks consistent with early or traditional firing methods.

It is preserved in beautiful vintage condition, displaying the subtle variations and firing marks inherent to handcrafted ceramics, which enhance its character and authenticity.

Its surface shows age-related wear, firing marks, and patina consistent with genuine vintage Berber pottery, all of which enhance its authenticity and sculptural appeal.

Minor glaze imperfections, small firing marks, and tiny edge nibbles are consistent with 19th-century craftsmanship and use.

There are some natural fire marks to the surface of each salt; this does not detract from the aesthetic appearance of the items.

The surface reveals the irregularities, glaze movement, and firing marks characteristic of authentic antique Puglian pottery.

The surface reveals the irregularities, glaze movement, and firing marks characteristic of authentic antique Puglian pottery.

Time-softened variations in tone, firing marks, and surface irregularities further enhance the rustic authenticity and sculptural presence of the piece.