Fire Mark

. Beginning in the 1750s, some American insurance companies issued metal fire marks to policyholders to

Fire Association of Philadelphia fire marker. Used primarily for advertising purposes, fire marks

advertising purposes, fire marks were used from 1752 to circa 1900. Going back to their early practices, the

glaze with fire marks and melt fissures Dimensions: 4¼ h × 4¾ dia in (11 × 12 cm) Signed to underside

ash deposits, fire marks, and melt fissures Dimensions: 3½ h × 6¼ dia in (9 × 16 cm) Signed to

: Heavy firing marks with natural patina Dimensions: Height 40cm × Width 25cm Fittings: E27 lamp holder

with firing marks Dimensions: Height 43.5cm × Width 27cm Fittings: E27 lamp holder Antique bronze

primarily for advertising purposes, fire marks were used from 1752 to circa 1900. Going back to their early

. Ming dynasty. Underside with burnt orange firing mark otherwise glazed throughout.

. More of kiln fire mark to one side but doesn’t distract from its beauty.

Insurance Company of Philadelphia. This new company issued a fire mark depicting a steam fire engine which

. Sold individually. The lower plate has some firing marks on the fishes face.

in the porcelain and glaze. Please note images, small fire mark on rim and bubble under the clay

muted green glazed interior and a natural, earth-toned exterior showing organic firing marks and

I’ve spent my whole life trying to get there because its my home." -- Mark Gilmore Mark Gilmore is an

firing marks and ash glaze. It is marked with the artist's incised signature and date 87. Also comes with

Shape, Circa 1880's. Per the last photograph, there is a small firing mark on the back of the plate

by dense firing and natural pitting, with small cratered marks and irregular texture formed through

good vintage condition, some firing marks – no losses Dimensions H: 19.3 in/49 cm W: 16.9 in/43 cm ear

featuring firing marks. The bust of Homer is based on a much-restored Roman copy of a Hellenistic original

Artist: Mark Kostabi Title: Light My Fire Year: 1989 Medium: Oil on Canvas, signed l.r. and verso

accentuating the vivid grain. The root structure of an olive tree must be centuries old with signs of fire

dark cobalt to pale grey to bright, robin's egg blue. Firing marks add intrigue to the unglazed rim and

unglazed base showing age-related grit and kiln firing marks. Wear consistent with age, minor rim fritting

clouds. Appropriate firing marks centered on back. Outstanding beauty and quality of late Edo or early

. Surface displays characteristic glaze variation including ash deposits, fire marks, and melt fissures

condition, with age-appropriate surface wear and firing marks that verify its authentic desert provenance.

instantly enhance a space. Condition Good antique condition with expected age-related crazing, small firing

from winter yet on the cusp of new leaves, just as the fires mark the cusp of spring. Birger Hjelm

decorative. The reverse shows an unglazed terracotta surface with visible firing marks and age, consistent

artisanal quality and emphasize its handcrafted nature. Subtle imperfections, firing marks, and tonal shifts

sculptural clarity and restraint, while characteristic firing marks at the base attest to period kiln

glaze, slightly granular texture Condition: Very good vintage condition, slight firing marks and natural

firing conditions. Visible surface wear, firing marks, and minor imperfections enhance its authenticity

of decades, while small firing marks are consistent with the original production process. The

Original vintage Soviet film poster for a 1931 black and white drama movie directed by Mark Donskoy

Mark Acetelli’s oil and mixed media paintings awaken the viewer’s sense of exploration and

loss or damage and with normal wear associated with age and use with a small underglaze firing mark at

small firing mark under the arm (as seen in the video). Constance Spry was an educator, florist and

handcrafted character. The reverse retains its original glazed finish with firing marks and old French

through open-pit firing, lending the piece an organic and time-worn presence. Visible wear, firing marks

documented the "unexplored" territories of the West, Mark Klett visually explores these landscapes and the

” Period: 1960s–1970s Condition: Excellent condition, with natural firing marks A decorative pair of

Frechen. Salt-glazed surface in warm ochre tones with visible craquelure and firing marks. The jug is

: 1960s–1970s Condition: Excellent condition, with natural firing marks A decorative pair of European

firing marks. A defining feature is the deliberate, tactile indentation on the front of each vase, giving

quality and in excellent presentation condition. There are some natural fire marks to the surface of the

Mark was born in Yorkshire and studied photography at Wolverhampton Polytechnic before moving to

and firing marks consistent with early 20th century production. The piece remains in excellent

wear, firing marks, and age-related cracks consistent with early or traditional firing methods. This

now serves as a striking decorative object. Its surface shows age-related wear, firing marks, and

, displaying the subtle variations and firing marks inherent to handcrafted ceramics, which enhance its

not legible. The base shows typical kiln and firing marks consistent with handmade studio work. Minor

, adding depth and authenticity to the surface. Minor glaze imperfections, small firing marks, and tiny

age and type. There are some natural fire marks to the surface of each salt; this does not detract

terracotta hues. Speckled mineral deposits, subtle firing marks, and areas of surface wear reveal the

pieces show silvery fire-marks left by the wood fire. To show the unique clay texture, he often includes