Flemish Masters

This support allowed Barker to refine his skills by copying the works of Dutch and Flemish masters. His talent soon gained recognition, and he became a regular exhibitor at prestigio...

Furthermore, another version of the Coronation with Thorns, rectangular in shape and slightly weaker in its invoice, was sold at Christie's with the wrong attribution to Giovanni Bat...

This fantastic Flemish 17th century Old Master oil painting is by Thomas Van Apshoven.

Daniël Seghers or Daniel Seghers (1590-166) was a Flemish Jesuit brother and painter who specialized in flower still lifes.

The Cavalry Skirmish Flemish School, 17th century circle of Pieter Wouvermans, unsigned oil on canvas, framed framed: 12 x 14 inches canvas: 9.5 x 11.5 inches Provenance: private col...

Bonaventura Peeters the Elder (1614–1652) attr., Stormy Coastal Scene with Merchant Vessels, Galliot, and Dolphins Framed by rugged cliffs and illuminated under a dark, swirling sk...

Daniël Seghers or Daniel Seghers (1590-166) was a Flemish Jesuit brother and painter who specialized in flower still lifes.

This painting is a charming and accomplished example of that tradition, combining elegant storytelling, technical refinement, and rich iconographic content. Hendrick Van Balen, Flem...

The depiction of fast-flowing water in a convincing manner is one of the greatest challenges of landscape painting that seems to have particularly fascinated van Ruisdael, making him...

Biography: Sir Anthony van Dyck (Dutch: 22 March 1599 – 9 December 1641) was a Flemish Baroque artist who became the leading court painter in England after success in the Spanish Net...

LANDSCAPE WITH FLIGHT TO EGYPT, JASPER VAN DER LANEN (ANTWERP, 1585 - 1634) 17TH CENTURY FLEMISH SCHOOL ANTWERP CIRCA 1630 Oil on copper, dimensions: h. 10.23 in, w. 14.96 in Flemi...

The still-life composition itself draws on a tradition stretching back to the Dutch Golden Age — the same vocabulary of abundance, texture and botanical precision that animated the c...

Flemish painter of the 18th century - Follower of Jan van der Meer, called Vermeer d'Utrecht (Schoonhoven, verses 1630 - 1692) Courtship scene at the entrance of an inn oil on canva...

Provenance: Christie's (London, Old master Painting 12.12.1996) lot 82 This magnificent composition depicts two cupids holding a garland of flowers, placed on a fine architecture wi...

The hill where a castle stands is bathed in a mist that is reminiscent of the works of Jan Brueghel, who may have been his master. Although the subject of the Virgin and Child surro...

As a distinguished artist of his time, Brown contributed significantly to the evolution of American still life painting, bridging the precision of earlier Dutch and Flemish masters w...

Flemish School, 1600s Landscape With Pan and Syrinx painted around the 1600s oil on copper 19 x 23.5 cm frame 29 x 34 cm Hand-made oak frame by Swedish frame maker Christer Björkma...

Flemish school from the beginning of the 17th century (Circle of Martin DE VOS) Drawing Pen and wash 38 x 32 cm (58 x 52 cm with the frame) Inscription "Martin de Vos" Excellent cond...

Virgin and Child in a Garland of Flowers Studio of Frans Francken II (1581-1642) This work is unsigned 17th century Antwerp School Oil on oak panel Dimensions: h. 63 cm, w. 48,5 cm (...

In 1642, at the age of 26 he moved to Madrid, where he most likely became familiar with the work of Velazquez, and would have seen the work of Venetian and Flemish masters in the roy...

The artwork is executed on copper, a prized 17th-century support favored by Flemish masters for its smooth surface and ability to produce jewel-like luminosity and exceptional detail.

This is a beautifully executed still life painting of flowers, presented in an elegant gilt frame and evocative of the Dutch or Flemish Old Master tradition Good size at well over th...

Rest during the Flight into Egypt - The Virgin and Child with St. John the Baptist and the angels in a Landscape. Attributed to Pieter Van Avont (1600-1652) 17th century Antwerp Scho...

The Crossing of the Red Sea Workshop of Frans Francken II (Antwerp, 1581–1642) Antwerp, first half of the 17th century Oil on oak panel Dimensions: H. 49.5 cm × W. 64.5 cm Moulded a...

Minichino paints a very modern subject but her paintings are heavily influenced by Dutch and Flemish masters’ use of light and composition. Similarly, Minichino draws on the 17th Ce...

Minichino paints a very modern subject but her paintings are heavily influenced by Dutch and Flemish masters’ use of light and composition. Similarly, Minichino draws on the 17th Ce...

Minichino paints a very modern subject but her paintings are heavily influenced by Dutch and Flemish masters’ use of light and composition. Similarly, Minichino draws on the 17th Ce...

Minichino paints a very modern subject but her paintings are heavily influenced by Dutch and Flemish masters’ use of light and composition. Similarly, Minichino draws on the 17th Ce...

Minichino paints a very modern subject but her paintings are heavily influenced by Dutch and Flemish masters’ use of light and composition. Similarly, Minichino draws on the 17th Ce...

Minichino paints a very modern subject but her paintings are heavily influenced by Dutch and Flemish masters’ use of light and composition. Similarly, Minichino draws on the 17th Ce...

Minichino paints a very modern subject but her paintings are heavily influenced by Dutch and Flemish masters’ use of light and composition. Similarly, Minichino draws on the 17th Ce...

Minichino paints a very modern subject but her paintings are heavily influenced by Dutch and Flemish masters’ use of light and composition. Similarly, Minichino draws on the 17th Ce...

Minichino paints a very modern subject but her paintings are heavily influenced by Dutch and Flemish masters’ use of light and composition. Similarly, Minichino draws on the 17th Ce...

Minichino paints a very modern subject but her paintings are heavily influenced by Dutch and Flemish masters’ use of light and composition. Similarly, Minichino draws on the 17th Ce...

Minichino paints a very modern subject but her paintings are heavily influenced by Dutch and Flemish masters’ use of light and composition. Similarly, Minichino draws on the 17th Ce...

Ascension Day in Venice with view of San Marco basin 17th century Antwerp School Louis de Caullery (1582-1621) Oil on oak panel Dimensions: h. 12.8 in, w. 23.03 in (h. 32,5 cm, w. 58...

The print is engraved after a composition by the Flemish master David Teniers the Younger, one of the most celebrated painters of rustic genre scenes in the 17th century.

The print is engraved after a composition by the Flemish master David Teniers the Younger, one of the most celebrated painters of rustic genre scenes in the 17th century.

A 19th-century Dutch winter landscape, painted in the style of Flemish Baroque masters. The composition captures a snow-covered riverside village with muted earthy tones and somber a...

Dutch/ Flemish School, early 1800's oil on canvas, framed framed: 19 x 24 inches canvas: 13.5 x 18.5 inches provenance: private collection, France condition: good and sound condition...

The painting is attributed to a follower of the Flemish Baroque master Gerard Seghers (1591–1651), whose career bridged the artistic currents of Caravaggio’s tenebrism and the colori...

His crisp, somewhat flat pattern and detail have been likened to the microscopic approach of the fifteenth-century Flemish masters. Lucioni's attention to detail can also be traced t...

This magnificent handwoven wool and silk antique French Aubusson tapestry exudes the grandeur and elegance of the Early 19th Century, drawing inspiration from the works of Italian Ba...

Belgium / 19th century / painting / oil on canvas, wooden frame / Baroque / Antique / Mid-century A beautiful painting in the style of the Flemish old masters. This enchanting pain...

Evoking the lively tavern interiors of the Dutch and Flemish Old Masters, this engaging pair of antique genre paintings captures intimate scenes of men gathered over drinks, pipes, a...

19th Century Still Life on Copper – Flemish School Tradition Oil on copper, 15.3 × 20.3 cm A finely executed 19th century still life, painted in the manner of the Flemish Baroque ma...

Ca 735 (the naked child) • Paris, Hotel Georges V, 18/12/2002, lot no. 2, attributed to Giampietrino, oil on walnut panel, 67 cm x 52 cm (comment: the dressed child) • Milan, Galerie...

By the time he departed in 1806 for his residency in Rome, his style—revealing his close study of Italian and Flemish Renaissance masters—was fully developed, and would change little...

A 1930 article in *Larousse mensuel illustré* praised the "realism of his figures—poles apart from conventional academicism... flawless, exquisite execution... heir to the fine tradi...

After graduating high school, he organized several conferences in his hometown on Italian and Flemish masters and on the first Jewish painters, including Josef Israels (1824-1911).

In 1642, at the age of 26, he moved to Madrid, where he most likely became familiar with the work of Velázquez, and would have seen the work of Venetian and Flemish masters in the ro...

At this time Largillière painted several still life paintings in the manner of the Dutch and Flemish masters. Thereafter he practiced this branch of painting with consummate skill, a...

Smooth paint, flattened out, provides a lacquered effect, and brings to mind the great Flemish masters’ works. Of the generation of great post war French artists he has shown with Je...

Smooth paint, flattened out, provides a lacquered effect, and brings to mind the great Flemish masters’ works. Of the generation of great post war French artists he has shown with Je...

The figure most probably originates from an important Utrecht workshop, which at this time created playful, lively depictions with varied, naturalistic hairstyles, which were not onl...

Smooth paint, flattened out, provides a lacquered effect, and brings to mind the great Flemish masters’ works. Of the generation of great post war French artists he has shown with Je...

There is a virtuoso quality to Masseria's work that is similar to Rubens, the 17th Century Flemish master, and the Frenchman Delacroix. While the compositions of these artists altern...

Smooth paint, flattened out, provides a lacquered effect, and brings to mind the great Flemish masters’ works. Of the generation of great post war French artists he has shown with Je...

After 1830, Delacroix identified increasingly with the great tradition of the Venetians and Flemish masters, particularly Veronese and Rubens.

Drawing inspiration from Renaissance and Old Flemish masters, in which the central space is fully exploited and the urban or natural landscape becomes the background, Vitali’s photog...