Flemish Painters

Flemish painter of the 18th century - Follower of Jan van der Meer, called Vermeer d'Utrecht (Schoonhoven, verses 1630 - 1692) Courtship scene at the entrance of an inn oil on canva...

Jan Peeter Verdussen or Jan Pieter Verdussen (Antwerpc. 1700 - Avignon,1763) was a Flemish painter, draftsman and printmaker. Son of art, he is best known for his battle scenes, inci...

Thomas van Apshoven (1622– 1664) was a Flemish painter known for his landscapes with peasant scenes and genre scenes in interiors.

Passepartout included ：49 x 34 cm Jan Peeter Verdussen (1700-1767) was a Flemish painter, draftsman and printmaker. He is best known for his battle scenes or equestrian paintings bu...

From Wikipedia, the free encyclopedia: Jan Josef Horemans the Younger (baptised 15 January 1714 - 9 February 1792) was an 18th-century Flemish painter. He is mainly known for his ge...

It’s said that the two met during a stay in Paris when Boudewijns was in the service of Flemish painter Adam Frans van der Meulen. By collaborating, the viewer is presented with the ...

Passepartout included : 49 x 69 cm Jan Peeter Verdussen (1700-1767) Flemish painter draftsman and printmaker, best known for his battle scenes or equestrian paintings.

This painting is a charming and accomplished example of that tradition, combining elegant storytelling, technical refinement, and rich iconographic content. Hendrick Van Balen, Flem...

The proposed painting is the work of a Flemish painter active between the 16th and 17th centuries from the circle of Michael Coxie (Malines, 1499 - Malines, 1592).

Jan Peter Verdussen (Antwerp, c. 1700 - Avignon, 31 March 1763) was a Flemish painter, draftsman. He is well-known for his battle scenes, field life incidents and equestrian paintings.

Adrian Van Ostade (1610-1685) was a Flemish painter, one of the most popular in Holland, famous for his genre paintings, and above all for his scenes of ordinary peasant life.

As confirmed by Professor Fred Meijer, following his in-depth study, it is a typical painting by the Flemish painter Hans de Jode (The Hague, 1630 - Vienna, 1663) and is a true colle...

The painting, which dates back to the second half of the 17th century, echoes the famous compositions of the Flemish painter Abraham van Cuylenborch (Utrecht, 1620 - 1658), and is ce...

The tenderly natural interpretation reveals a representation made by an artist active in the full seventeenth century: with greater precision we can attribute the execution to an Ita...

As confirmed by Professor Fred Meijer, following his in-depth study, it is a typical painting by the Flemish painter Hans de Jode (The Hague, 1630 - Vienna, 1663) and is a true colle...

Pieter Casteels III (1684–1749) was a Flemish painter and engraver mainly known for his flower pieces, game pieces and bird scenes.

Dominique Yee (b. 1960), a Flemish painter with Chinese roots, was inspired by Auzoux’s model of the Troglodytes Gorilla and made four acrylic paintings of it.

Dominique Yee (b. 1960), a Flemish painter with Chinese roots, was inspired by Auzoux's model of the Troglodytes Gorilla and made four acrylic paintings of it.

Pieter van Bloemen (Antwerp, 1657–1720) – "Scene of a Gang of Robbers During a Raid" Medium: Oil on canvas Period: Late 17th – Early 18th Century Dimensions: [Include dimensions if a...

Ferdinand de Braekeleer (1792-1883), sometimes spelled as Ferdinand de Braeckeleer, was a Flemish painter. He is known for his historical paintings and genre scenes and is called 'th...

From an attributional standpoint, our canvas can be included in the catalog of Joseph van Bredael (Antwerp 1688 – Paris 1739), a celebrated Flemish painter belonging to a renowned dy...

Albert Saverys Deinze 1886 – 1964 Petegem-aan-de-Leie Belgian (Flemish) Painter 'Market Scene in Deinze – The Toll Gate, 1920' Signature: signed lower left ‘Albert Saverys’ Medium:...

Frans Masereel (1889 – 1972). He was a Flemish painter and graphic artist who worked mainly in France, known especially for his woodcuts focused on political and social issues, such ...

Frans Masereel (1889 – 1972). He was a Flemish painter and graphic artist who worked mainly in France, known especially for his woodcuts focused on political and social issues, such ...

The style of the painting and the subject matter allow us to identify the artist as one of the exponents of the so-called ‘Bamboccianti school’, a group of mainly Flemish and Dutch p...

Biography: Gillis Mostaert the Elder (27 or 28 November 1528 – 28 December 1598) was a prominent Flemish Renaissance painter and draughtsman whose artistic versatility and distinctiv...

The mythological and allegorical subject of the work shown is typical of the style and themes addressed by the artists of this school; the second Fontainebleau school, in particular,...

Franciscus de Neve (c.1632-1704) 'Landscape with Shepherdess Playing a Tambourine' and 'Echo & Narcissus' Engravings Both signed in the lower margin: 'Franciscus de Neue In. e fecit'...

., an element that allows the works to be connected with the Flemish painter Adam Frans van der Meulen (1632–1690).

A Military Encampment with Horses held by a Groom, and A Military Encampment with a Grey Horse and a Hound Oil on canvas in carved wood frames 17 ¼ x 21 ¼ in A Pair (2) THE ARTI...

Comment: identical composition, only St Joseph with the donkey is different) • Christie's New York sale, 29/01/1998, Pieter Van Avont, oil on copper, h. 23.8 cm, w. 24.8 cm • Dorothe...

She grew fascinated by the works of Flemish painters Vermeer and Rembrandt whose symbolic use of light influences her practice up to this day.

Livio Mehus (1630 - 1691) was a Flemish painter, draughtsman and engraver of the Baroque period, who trained and worked in Italy.

Frans Masereel (1889 – 1972). He was a Flemish painter and graphic artist who worked mainly in France, known especially for his woodcuts focused on political and social issues, such ...

These particular plates are after paintings by Maerten de Vos, a Flemish painter and draughtsman. His father was Pieter de Vos, from whom he learned.

These particular plates are after paintings by Maerten de Vos, a Flemish painter and draughtsman. His father was Pieter de Vos, from whom he learned.

These particular plates are after paintings by Maerten de Vos, a Flemish painter and draughtsman. His father was Pieter de Vos, from whom he learned.

These particular plates are after paintings by Maerten de Vos, a Flemish painter and draughtsman. His father was Pieter de Vos, from whom he learned.

These particular plates are after paintings by Maerten de Vos, a Flemish painter and draughtsman. His father was Pieter de Vos, from whom he learned.

These particular plates are after paintings by Maerten de Vos, a Flemish painter and draughtsman. His father was Pieter de Vos, from whom he learned.

These particular plates are after paintings by Maerten de Vos, a Flemish painter and draughtsman. His father was Pieter de Vos, from whom he learned.

These particular plates are after paintings by Maerten de Vos, a Flemish painter and draughtsman. His father was Pieter de Vos, from whom he learned.

These particular plates are after paintings by Maerten de Vos, a Flemish painter and draughtsman. His father was Pieter de Vos, from whom he learned.

These particular plates are after paintings by Maerten de Vos, a Flemish painter and draughtsman. His father was Pieter de Vos, from whom he learned.

These particular plates are after paintings by Maerten de Vos, a Flemish painter and draughtsman. His father was Pieter de Vos, from whom he learned.

These particular plates are after paintings by Maerten de Vos, a Flemish painter and draughtsman. His father was Pieter de Vos, from whom he learned.

These particular plates are after paintings by Maerten de Vos, a Flemish painter and draughtsman. His father was Pieter de Vos, from whom he learned.

These particular plates are after paintings by Maerten de Vos, a Flemish painter and draughtsman. His father was Pieter de Vos, from whom he learned.

These particular plates are after paintings by Maerten de Vos, a Flemish painter and draughtsman. His father was Pieter de Vos, from whom he learned.

These particular plates are after paintings by Maerten de Vos, a Flemish painter and draughtsman. His father was Pieter de Vos, from whom he learned.

These particular plates are after paintings by Maerten de Vos, a Flemish painter and draughtsman. His father was Pieter de Vos, from whom he learned.

These particular plates are after paintings by Maerten de Vos, a Flemish painter and draughtsman. His father was Pieter de Vos, from whom he learned.

These particular plates are after paintings by Maerten de Vos, a Flemish painter and draughtsman. His father was Pieter de Vos, from whom he learned.

These particular plates are after paintings by Maerten de Vos, a Flemish painter and draughtsman. His father was Pieter de Vos, from whom he learned.

These particular plates are after paintings by Maerten de Vos, a Flemish painter and draughtsman. His father was Pieter de Vos, from whom he learned.

These particular plates are after paintings by Maerten de Vos, a Flemish painter and draughtsman. His father was Pieter de Vos, from whom he learned.

These particular plates are after paintings by Maerten de Vos, a Flemish painter and draughtsman. His father was Pieter de Vos, from whom he learned.

These particular plates are after paintings by Maerten de Vos, a Flemish painter and draughtsman. His father was Pieter de Vos, from whom he learned.

These particular plates are after paintings by Maerten de Vos, a Flemish painter and draughtsman. His father was Pieter de Vos, from whom he learned.

David Teniers the Younger (1610–1690) was one of the most successful Flemish painters of the 17th century. Born in Antwerp, he trained with his father, David Teniers the Elder, and w...