Florida

Artist: Jack Graves III (American, 1988-) Title: "Princess" Series: Eclecticism *Signed by Graves lower left. It is also signed, titled, and dated on verso Year: 2024 Medium: Origi...

Artist: Treadway Russell Nash (English, 1724-1811) Title: "A View of Stourbridge", "A View of Upton upon Severn, from Ryal Hill", "Bewdley", and "Tenbury" Portfolio: Collections for the History of Worcestershire Year: 1781-1782 (First edition) Medium: Set of Four Original Engravings on watermarked laid paper Limited edition: Unknown Printer: John Nichols, London, UK Publisher: T. Payne and Son, J. Robson, B. White, Leigh and Sotheby, London, UK; Fletcher, Oxford, UK; and Lewis, Worcester, UK Sheet size (each): approx. 10" x 16.5" Image size (each): approx. 6.88" x 11.75" Reference: Upcott III, page 1330 Condition: A few light handling creases. Have been professionally stored away for decades. They are all strong impressions in excellent condition Notes: Provenance: private collection - Aspen, CO. All four works were engraved by English artist Thomas Sanders (Active: Mid-Late 18th Century) after drawings by himself. Comes from Nash's two volume "Collections for the History of Worcestershire", (1781-1782) (First edition), which consists of 75 engravings. Each work is printed from one copper plate in one color: black. There was a (Second edition) "with Additions" bound in with Volume II of this portfolio published by John White in 1799. And, both the First and Second editions of "Collections for the History of Worcestershire" are based off Thomas Sanders' 1779-1781 "Perspective Views of the Market Towns within the County of Worcester". Both "A View of Stourbridge" and "A View of Upton upon Severn, from Ryal Hill" have unidentified fleur-de-lis watermarks in the center of their sheets. "Bewdley" has an unidentified watermark in the center of its sheet resembling "XV" and "Tenbury" has no watermark. Biography: Treadway Russell Nash (24 June 1724 – 26 January 1811) was an English clergyman, now known as an early historian of Worcestershire and the author of Collections for the History of Worcestershire, an important source document for Worcestershire county histories. He was a fellow of the Society of Antiquaries of London. Treadway Russell Nash was born on 24 June 1724 born at Clerkenleap, in Kempsey, Worcestershire. His family were from Ombersley. They had lands there and at Claines, and had later bought lands in the Reformation around St Peter's, Droitwich. He was related to James Nash and John Nash, both MPs for Worcester. His father Richard, a grandson of Sir Rowland Berkeley, died in 1740, and Richard's eldest son in 1757. As a result, Treadway Russell Nash inherited the Russells' Strensham estates from his brother, as well as the Nash estates, and took both names. He was educated from the age of twelve at King's School, Worcester, and became a scholar at Worcester College, Oxford aged fifteen. In March 1749, he accompanied his brother on a trip to the continent, to aid Richard's health. They visited Paris for about six weeks, before spending the summer "on the banks of the Loire". They then visited "Bourdeaux, Thoulouse, Montpelier, Marseilles, Leghorn, Florence, Rome, Naples, Bologna, Venice, Padua, Verona, Milan, Lyons, and again Paris"; such expeditions are often known as the Grand Tour. On his return in late summer 1751, Nash took up a post as Vicar of Eynsham through his friend and future brother-in-law, John Martin. He also had an income as a tutor at Oxford. He took his Doctor of Divinity degree and left Oxford, having "gone out grand compounder", following the death of his brother. He also left his benefice at Eynsham in 1757. While at Oxford he had proposed a road from there to Witney (now the A40 and B4022), and also stood for Parliament. Nash married Margaret Martin...

A mid 20th Century Chinoiserie decorated room divider screen with six panels. The black lacquer finish is decorated in front with a lavish, richly detailed river scene in relief, wit...

This Sonia B. bombé ring centers on an oval pink tourmaline framed by a halo of bezel-set diamonds. Graduated rows of oval pink sapphires sweep down the dome, prong-set closely so th...

Beautiful Modern Ottoman in the style of Josef Frank, ottoman has four solid wood bun feet, fabric is by Robert Allen. Ready for a new home, excellent condition.One ottoman ready to ...

Unsual finish in this blown Murano Glass Bud Vase from the 1960s. The peblle like finish was attained when the hot glass was blown into a mold, the mold seams seem to be part of the...

Aldo Tura Goatskin Bar Cabinet Original Emerald Green Bibliotech Painted Decoration Tromp L'oeil scene in the style of Fornasetti Interior lights up when opened Glass Shelves and Key...

Vintage French Bicorne Tole Hat jardinière / planter. This piece is designed in the shape of a Napoleonic Bicorne hat to house a flower pot within its decorative hat shaped frame. Th...

A substantial pair of 18K yellow gold hoop earrings by David Yurman, signed "D.Y. 750" with the designer's copyright mark on the underside of each hoop. The wide half-hoop form featu...

Monumental Sculptural Polished Stainless Steel Cantilever Coffee Table, about 3/8 thick stainless. Top is polished, lower section with satin brushed finished. Very heavy, most likely...

Magnificent vintage set of four oval Nantucket baskets, woven from natural wicker and arranged in a complete graduated nesting set. Each basket features an elegant oval form, a light...

Extraordinary antique collection of 23 miniature volumes containing the works of William Shakespeare, published by Knickerbocker Leather and Novelty Co., New York, in the early twent...

This is a ring for someone who wants to feel the material itself. The unheated sapphire is grayish blue, veiled in dense silk and crossed by angular growth zoning, the natural record...

“Butterfly Madness” is an original 2026 painting by contemporary artist Serg Graff, bursting with color, humor, movement, and an extraordinary collection of imaginary characters. Th...

Vintage set of 24 acrylic cocktail glass markers, featuring small monkey figures in three different colors. Each piece hangs from the rim of a glass and serves as a decorative identi...

pair of vintage solid brass lanterns exudes timeless elegance and old-world charm. Crafted from , high-quality solid brass, will not rust ,built to last . Their classic design transc...

This very decorated console table has been made of a wrought iron base and a cast iron ornate frame, which is topped with an elegant white Carrara marble top with rounded edges. This...

A confident study in gold engineering from Tiffany & Co.'s early 1990s workshop. Fluted, marquise-shaped links are woven into a basket-like lattice, building up into a substantia...

This set brings together four antique American medicine bottles in different shapes and sizes, all in aqua glass. The embossed inscriptions of Hall’s Catarrh Cure, Chamberlain’s Coug...

A twisted rope motif in polished yellow gold sweeps into a crossover loop of pavé-set white gold diamonds, the two halves overlapping at the shoulder in a buckle-like knot. The inter...

Robert Padilla (b.1947) Eze, France Landscape, 1985. Oil on linen canvas, 8.75 x 10 inches. Signed and dated lower left. Unframed. Robert Padilla was born in 1947 in Paris, France, and was shuttled in and out of foster homes and orphanages, which played a factor in him turning his paintbrush on those who had been discarded – out-of-sight-out-of-mind. Searching for a place to call home, Padilla enlisted in the French military in his early 20’s before coming to the United States in 1976. With a job already lined up when he arrived, Padilla worked at a ritzy hair salon located on Madison Avenue and 72nd Street in New York City and was doing well for himself. While roaming and exploring the streets of New York City and becoming entrenched in his surroundings, Padilla discovered another creative outlet. “I started painting, drawing and developing my technique,” he said. “It took me about a year to create a painting that meant something, and it was a turning point. He also saw creating art as his “calling,” once he discovered “Thompson Park, the underground capital of homelessness in New York,” he said. Padilla found in their faces that human emotion, the same cloak of despair that he at times felt. He also saw creating art as his “calling,” once he discovered “Thompson Park, the underground capital of homelessness in New York,” he said. Padilla found in their faces that human emotion, the same cloak of despair that he at times felt. As an artist, he was validating their existence. They posed for him as models and he expressed seeing a tenderness in their eyes that he connected with. Their faces have been positioned just so on the walls of Detour Gallery in great anticipation of the opening of their show, for all to see and for them to be admired, acknowledged and invited in as part of the human family. “His work is about real people,” said artist, Julia Rivera...

A pair of elegant Mid-Century wall sconces made in Murano, Italy, in the style of Venini. Each sconce is composed of a ribbed amber-toned Murano glass shade supported by a brass back...

Original vintage oil painting on canvas depicting a traditional English fox hunt scene with mounted riders in red hunting coats accompanied by hounds across an open countryside lands...

An oval black opal sits at the center of this platinum ring. Its dark body shows green and blue with flashes of orange and violet, and the colors shift as the hand moves. Four claw p...

Pair of Murano art glass vases made using the celebrated Sommerso technique, featuring a striking combination of deep green, orange and transparent glass. The pieces have a sculptur...

Exceptional set of three English Burmese art glass vases manufactured by Thomas Webb & Sons in England during the Victorian period, circa the late 19th century. The pieces displa...

Edwin Kosarek (b.1929). Abstract Head in Profile, 1953. Oil on canvas, 12 x 16 inches. Signed and dated on verso. As found condition. The piece would b...

Playfulness takes shape in the Wiggle pendant light by Schema. Inspired by natural movement and feather-like lightness, its undulating shape brings a casual, relaxed feel to contempo...

A striking vintage oil painting on wood panel depicting a traditional English fox hunting scene with mounted riders and a pack of hounds moving through an expansive countryside lands...

Bearded Male Nude, ca. 1960's. Oil on illustration board. Measuring 13 x 20 inches. Unframed. Unsigned and unattribted.

A sculptural pair of amethyst earrings designed by Paloma Picasso for Tiffany & Co., each centered on a substantial cabochon amethyst cradled in a swirling, hand-finished 18k gol...

Elevate your collection or home decor with this breathtaking, handcrafted vintage solid brass kaleidoscope. Resting majestically on an elegant alabaster/onyx marble base with a full...

Florida recycled license plate tag custom made vintage handbag.Snap closure Metal embellished with different colors crystals Lined in felt.Please see pictures for condition reference...

A striking vintage enamelware cookware collection comprising seven saucepans in graduated sizes and one coordinating lid. Each piece features a white enameled body with vivid red tri...

1970s Designer Sofa with Floating Side Tables, Split Pencil Reed design with Mirror glass on the side tables. Very unique sofa. Sofa has new foam cushions and was recovered in an off...

Fisher Ross Embrace 3, ca. 1977. 5 7/8 × 4 3/8 inches. 2026 archival pigment print on Canson satin paper from the original. From an edition of 15 on archival paper produced by ...

Edgar A. (Ted) Batzell (1915=1996) Cubist Tabletop Still Life Composition, ca. 1960. Oil on artist board measuring 16 x 20 inches. Measuring 24 x 28 inches in a wide white frame. Signed by the artist lower right. Ted Batzell, was listed in Who's Who in American Art in 1957, and is now listed in Who Was Who in American Art. First in his class in the Master's of Fine Art program at Syracuse University he was awarded the highest honor along with the Augusta Hazard scholarship to study abroad. In high school he entered a nationwide poster contest and won a four year scholarship to Syracuse, where today for one year's tuition the cost is $45,000. But he never got to use the Augusta Hazard award because World War II broke out and he went to New York City where he studied at the Art Students League and with artist Walt Kuhn as well as others. Hired by the General Electric company art department in Schenectady, N.Y. , he progressed over the 35 years he was there (the only job he had until retirement), to an art director. At General Electric he was a "Madison Avenue Ad Man" for many years, like those in the series "Mad Men", spending every week at General Electric headquarters in New York City. He was known to his fellow artists, many also renowned, as "the Renaissance Man" having a voracious appetite for reading and collecting art books...

Mid Century Modern Gondola Sofa in the Style of Adrian Pearsall c.1960’s. Fully restored top to bottom, all new foam, and upholstered in quality dark teal chenille fabric. Walnut tri...

A remarkable vintage American Ekco kitchen collection comprising 15 hanging utensils accompanied by their wall-mounted storage rack. Fourteen of the utensils feature warm wooden hand...

An English Chinese-Chippendale style bookcase in mahogany, circa 1970. On top a single flat shelf is finished with a pie-crust edge. Below, V-shaped shelves make the ‘trough’, framed...

Exceptional mid-century Scandinavian bud vase made of emerald green art glass with a distinctive spherical base featuring controlled bubbles, a decorative technique commonly known as...

Henry Chalfant (b.1940) Lee, 1978. Unique photographic pentaptych (five sections) mounted to black matboard. Complete image measurement: 3.5 x 17 inches. Signed by artist and titled in gold ink on matboard verso. "Lee" was produced in an edition of 20 in 1978 in a conventional format on a single sheet of photographic paper. The piece offered here is a unique experimental version created that same year, comprised of 5 image sections. Original, period custom frame with 1970's frame stamp on verso (no area code). Henry Chalfant (born January 2, 1940) is an American photographer and videographer most notable for his work on graffiti, breakdance, and hip hop culture. One of Chalfant's prints is held in the collection of the Metropolitan Museum of Art in New York City. Education and career Chalfant is a graduate of Stanford University, where he majored in classical Greek. Starting out as a sculptor in New York City in the 1970s, Chalfant turned to photography and film to do an in-depth study of hip-hop culture and graffiti art. One of the foremost authorities on New York subway art, and other aspects of urban youth culture, his photographs record hundreds of ephemeral, original art works that have long since vanished.[1] His photographs have appeared in exhibitions of graffiti art from its early appearances in New York/New Wave at P.S.1 Contemporary Art Center to retrospectives such as Art in the Streets at the Museum of Contemporary Art, Los Angeles and City as Canvas: Graffiti Art From the Martin Wong Collection at the Museum of the City of New York, in addition to galleries and museums in the United States, Europe, and Asia. In 1983, Chalfant co-produced the PBS documentary Style Wars, the seminal documentary about graffiti and hip hop culture.[2] Among Chalfant's other films are Flyin' Cut Sleeves, a documentary about Bronx street gang leaders in the 1970s and Visit Palestine: Ten Days on the West Bank, based on his visit to the occupied territories in 2000. His 2006 documentary From Mambo to Hip Hop: A South Bronx Tale chronicles two generations who grew up on the same blocks of the Bronx, NY, using rhythm as their form of rebellion—for the older generation of the 1950s it was the rhythms of Cuba; for their children of the 1970s it was the rhythms of rap.[3] The film was featured in the Latino Public Broadcasting series Voces in 2006-2007, and won an Alma Award for Best Documentary. He has co-authored an account of New York graffiti art...

One Swivel Chair by Gianni Moscatelli for Formanova Milano, 1970s. Fabric is very stained, we recommend to reupholster. We offer upholstery services.

An elegant pair of Murano glass wall sconces made in Italy. The demi-lune shaped shades are formed from translucent ribbed glass panels supported by a brass structure and accented wi...

Éva Németh (1930–2019) Riders in a Botanical a Landscape, ca. 1970. Dyed woven wool, panel measures 79 x 54 inches. Signed in the weave with artist's monogram, lower right. Exc...

Custom Sculptural Bar or Counter Stool in the style of Gio Ponti. Solid walnut frames, upholstered backs and seats. Available seat height is 26" - 30". Made in the USA. Price is for ...

French luxury cigar humidor by Elie Bleu Paris from the “Flor de Tabacos” collection, dating to circa 1990. The exterior is veneered in olive-green stained sycamore, traditionally kn...

John Joseph Enneking: 1841-1916. Very well listed and very important 19th and early 20th century American artist. he painted in several styles, including tonalist,limpressionist and ...

A striking collection of 20 antique American Ball Mason jars dating to the late 19th century, crafted in luminous blue glass and retaining their zinc lids. The set comprises ten jars...

French Silver-Mounted Marie Antoinette Jasperware Snuff Box, 19th Century A 19th-century French silver-mounted jasperware snuff or patch box with a relief portrait of Marie Antoinet...

Elegant set of eight individual Berry Bowls made of fine Haviland Limoges porcelain, dating to circa 1900. Each bowl features a gracefully rounded, gently curved form, originally int...

Pink Murano Glass Mirror with Scalloped Frame and Brass Accents, in Stock Handcrafted by a team of artisans in Italy. Can be easily hung vertically or horizontally with metal bracket...

Mel Smilow Slatted Solid Walnut Mid-Century Modern Bench or Table. Original condition, no damages.

A pair of Chippendale style scrolled wingback chairs. Sculptural wings meet outward rolled arms that frame square seats. Upholstered in a blue and off-...

Beautiful abstract landscape by American artist, Judith Ingram (1926-2012). Landscape, ca. 1960. Oil on linen canvas measures 12 x 18 inches; 18 x 24 inches framed. Frame is custom ...

Extraordinary collection of five antique kitchen mashers crafted in turned wood, each distinguished by subtly different proportions, finials, and surfaces. Gathered together, they fo...

Pair of Martini Side Table in Wrought Iron, Art Deco style, in stock Hammered and forged iron Hand Made in France Warm black patina that gives it a timeless aesthetic. Available indi...

This platinum band is pure Mid-Century design, its fishtail prongs splaying outward between each diamond in the graduated, architectural style so distinctive to the era. Seven round ...

Cubist/Modernist Composition, ca. 1930's. Oil on artist panel, measuring 9.5 x 11 inches; 10.5 x 12 inches in original frame. Unsigned.

Fisher Ross Embrace 5, ca. 1977. 4 3/8 × 5 7/8 inches. 2026 digital print from the original in the Fisher Ross Archive. From an edition of 15 on archival paper produced by the F...