Fontana Lucio

LUCIO FONTANA, Rosario di Santa Fe 1899 - Comabbio 1968 Concetto spaziale trasparente nero, 1968 Serigrafia originale stampata su foglio di acetato trasparente e firmata in lastra.

Biography: Lucio Fontana (1899-1968) Exposition, Solomon R.

Lucio Fontana abstract canvas work with glass stone.

A large poster made after Argentinian sculpture artist, Lucio Fontana, whose work has been represented by Galerie Karsten Greve since 1977. 39.375 x 26.75 in 100 x 67.95 cm About t...

1965, Red Desert - Lucio Fontana, Concetto Spaziale, Attese, 2018 Archival Pigment Print, 38 x 43.4 in.

Concetto Spaziale 1960, holes on cardboard, cm 44 x 58 provenance: Blue Gallery, Milan bibliography: Reasoned catalog of the Opera on paper, by Luca Massimo Barbero, Skirà 2013, n...

Concetto Spaziale, Natura, 1968 Bronze in two parts with green patina outside and gold inside 3 7/8 x 3 1/2 x 2 inches Edition of 90 Signed and numbered FONX003

White painted ceramic

Sculpure

Edition of 90 Signed and numbered on each part

Clement Kamena Jar Memory series - Painted after the style of Lucio Fontana Take a simple object - how about the generic trademark of the Mason Ball Jar.

Published: Arti Decorative page 191 Provenance: 1958 - 1963 Flavio Poli 1963 - 1976 Vetri Seguso 1976 - 2006 Maurizio Albarelli,owner and director of Vetri Seguso Lucio Font...

Spatial concept inspired by Lucio Fontana designed and produced by Sele-Arte Italy in 1960.

Huge mirrors (non mirrors) mod. SFG 12 "Lucio mi amor" from the series "Gli amori" Tribute to Lucio Fontana (La Fine di Dio, 1963-1964).

Later on, he became collaborator and close friend of Lucio Fontana (Rosario, 19 febbraio 1899 – Comabbio, 7 settembre 1968) painter & Ceramist.

Befriends Roberto Crippa, Gianni Dova, Marino Marini, Augustine Bonalumi and Bruno Munari but especially with Lucio Fontana adhering to the movement of Spatialism.

Befriends Roberto Crippa, Gianni Dova, Marino Marini, Augustine Bonalumi and Bruno Munari but especially with Lucio Fontana adhering to the movement of Spatialism.

Giulia Barela Eye Big Gold Plated Bronze Pendant The eye that enchants: with a quotation from the sculptor Lucio Fontana, the eye of the serpent interpreted by the Designer is repre...

Gambone began experimenting with canvas and fabrics in the 1950s and developed his signature style that reminds of Lucio Fontana. In the early 1960s he set up in New York where he fr...

Collaboration with famous artists like Lucio Fontana, Agenore Fabbri, Arnaldo and Gio Pomodoro and the opening of his own production called Tecno in the 1950s made him a relevant pos...

Gambone began experimenting with canvas and fabrics in the 1950s and developed his signature style that reminds of Lucio Fontana. In the early 1960s he set up in New York where he fr...

This portrait of the artist Hervé Ic demonstrates one of Pencreac'h's often-used technique of cutting holes in his canvases (a la Lucio Fontana). He claims that the empty space creat...

Their large dimensions (115cm of overall height and spheres measuring 30cm in diameter) made them an ideal complement for the majestic hallways of Milanese buildings, often in dialog...

Gambone began experimenting with canvas and fabrics in the 1950s and developed his signature style that reminds of Lucio Fontana. In the early 1960s he set up in New York where he fr...

Gambone began experimenting with canvas and fabrics in the 1950s and developed his signature style that reminds of Lucio Fontana. In the early 1960s he set up in New York where he fr...

In the 1950s and ‘60s, Soto collaborated with Group Zero artists, including Otto Piene, Heinz Mack, Gunther Uecker, Yves Klein, Lucio Fontana and Jean Tinguely, who stressed unity on...

Gambone began experimenting with canvas and fabrics in the 1950s and developed his signature style that reminds of Lucio Fontana. In the early 1960s he set up in New York where he fr...

Collaboration with famous artists like Lucio Fontana, Agenore Fabbri, Arnaldo and Gio Pomodoro and the opening of his own production called Tecno in the 1950s made him a relevant pos...

In 1958, he was awarded a British Council scholarship to study in Italy ; living in Milano Douglas Swan enjoyed the vibrant Contemporary Art scene of the time provided by Lucio Fonta...

He created pink, black and yellow painted pumpkins with the same pleasure for color and matter as Fausto Melotti and Lucio Fontana. With ceramic he designed plastic vases, as paun...

He created pink, black and yellow painted pumpkins with the same pleasure for color and matter as Fausto Melotti and Lucio Fontana. With ceramic he designed plastic vases, as paunchy...

He created pink, black and yellow painted pumpkins with the same pleasure for color and matter as Fausto Melotti and Lucio Fontana. With ceramic he designed plastic vases, as paunch...

He created pink, black and yellow painted pumpkins with the same pleasure for colour and matter as Fausto Melotti and Lucio Fontana. With ceramic he designed plastic vases, as paunch...

He created pink, black and yellow painted pumpkins with the same pleasure for color and matter as Fausto Melotti and Lucio Fontana. With ceramic he designed plastic vases, as paunchy...

He created pink, black and yellow painted pumpkins with the same pleasure for color and matter as Fausto Melotti and Lucio Fontana. With ceramic he designed plastic vases, as paunchy...

He created pink, black and yellow painted pumpkins with the same pleasure for color and matter as Fausto Melotti and Lucio Fontana. With ceramic he designed plastic vases, as paunch...

Befriends Roberto Crippa, Gianni Dova, Marino Marini, Augustine Bonalumi and Bruno Munari but especially with Lucio Fontana adhering to the movement of Spatialism.

He created pink, black and yellow painted pumpkins with the same pleasure for colour and matter as Fausto Melotti and Lucio Fontana. With ceramic he designed plastic vases, as paun...

He created pink, black and yellow painted pumpkins with the same pleasure for colour and matter as Fausto Melotti and Lucio Fontana. With ceramic he designed plastic vases, as pa...

In the post-war period, after graduation from Polytechnic, he formed friendships with numerous artists like Lucio Fontana, Agenore Fabbri, Aligi Sassu, Roberto Crippa, Fausto Melotti...

His early work was greatly influenced by the work of Jackson Pollock, Franz Kline, and Lucio Fontana, whose abstraction and energetic movement Kounellis found very sympathetic.

His early work was greatly influenced by the work of Jackson Pollock, Franz Kline, and Lucio Fontana, whose abstraction and energetic movement Kounellis found very sympathetic.

His early work was greatly influenced by the work of Jackson Pollock, Franz Kline, and Lucio Fontana, whose abstraction and energetic movement Kounellis found very sympathetic.

In 1965, Simeti was one of several artists from around the world to participate in the “Zero Avantgarde” exhibition held in Lucio Fontana’s Milan studio. From this point onwards, he ...

Salvatore Meli belongs to that initial group of artists, including Guido Gambone and Lucio Fontana among others, who elevated Italian ceramics to a fine art during the post-war perio...

In 1965, Simeti was one of several artists from around the world to participate in the “Zero Avantgarde” exhibition held in Lucio Fontana’s Milan studio. From this point onwards, he ...

He cuts open the canvas (a la Lucio Fontana) in order to allow empty space to be as important an element to the work as the paint itself (and in this case also the photographs).

He graduated in 1947 at the Brera Academy and in 1948 he took part in the Venice Biennale and the Milan Triennale. Friend of Lucio Fontana, he strongly believes in the importance of ...

She became inspired to create art after a chance encounter with one of Lucio Fontana's iconic canvases in Milan in the late 1950s.

Lautenberg read about the Italian artist, Lucio Fontana, who in 1965 went to see the Italian film director Michelangelo Antonioni’s film Red Desert.

Lautenberg read about the Italian artist, Lucio Fontana, who in 1965 went to see the Italian film director Michelangelo Antonioni’s film Red Desert.

Lautenberg read about the Italian artist, Lucio Fontana, who in 1965 went to see the Italian film director Michelangelo Antonioni’s film Red Desert.

Lautenberg read about the Italian artist, Lucio Fontana, who in 1965 went to see the Italian film director Michelangelo Antonioni’s film Red Desert.