French Finial

The bases contain the original Dore Bronze gilding, done with mercury, as well as the original finials. France, Circa: 1850 Dimensions: Depth: 10" Width: 15.5" Height: 14.5"

The ribbon tied backplate hung with finial pinecone. Origin: French Date: 19th century Dimension: 24 in (H) x 19 in (W) x 13 in (D).

A pair of Ormolu-mounted Beau Bleu 'Sèvres' porcelain vases Beautifully hand-painted on a dark cobalt blue background, each vase supported on square ormolu bases with incurved cor...

Each bowl is of the finest French opaque white porcelain, with gorgeous hand chased doré bronze mounts, rams heads handles and topped off with a doré bronze acorn finial.

The pate-de-verre rests upon a wrought iron base also incised with tiger-like grooves. The fin de siècle French populace was captivated by exotic and dangerous subjects, such as the ...

This set includes: 20 Large Dinner Size Knives with ball finials and French stainless blades, 10 1/8" 20 Large Dinner Forks, 8 5/8" 20 Luncheon Knives with ball finials and French ...

These wall sconces are attributed to Henry Dasson or Alfred Beurdeley, after a model of Pierre-Philippe Thomire (French, 1751-1843). Fin XIX° Period, Circa: 1880.

This fine chandelier has a gilt-bronze acanthus cast corona hung with octagonal flatbacks and faceted pear-shaped drops above a blue enamel band from which is suspended chains of oct...

The scene captures the refined leisure culture of fin-de-siècle France, combining Parisian couture with a light, airy coastal atmosphere.

Courtesy Art Directory L’Estampe originale, 1893-1895) Original printmaking faced an uncertain time in fin-de-siècle France. Popular tastes ran to reproductions of famous paintings...

Chinese Carved Jadeite Guanyin with Cat, Mounted as a Lamp on French Bronze Base with Longevity Finial, Circa 1920, Two pieces of Jadeite, the Lamp (complete with complimentary shade...

Its crisp lithographic colours and charming detail make it a rare artwork celebrating French railway history, tourism, and fin-de-siècle graphic design.

Antique Japanese red and black lacquer over porcelain compote. With French bronze doré acorn finial, pedestal, trim and handles.

Beyond its graphic brilliance, this poster is a powerful cultural document—one that reveals the aesthetics, ambitions, and contradictions of fin-de-siècle France. It also helped defi...

Shaped x-stretchers with large center finial. French polish finish. Some missing gilt trim.

Österlind’s works are represented in prestigious collections, including the French state’s purchase of "La fin de la journée" for the museum in Tours, as well as pieces in the museum...

Much of his career was focused on illustrations and commercial advertisements for the newspaper, and although he was trained in Paris as a painter, his work was not publicly exhibite...

Eugène Anatole Carrière (16 January 1849 – 27 March 1906) was a French Symbolist artist of the Fin de siècle period.

The lithograph Femme Sous la Lampe (Woman Under the Lamp) marked the original print debut of its creator, József Rippl-Rónai, as well as the height of the color print revival in Fran...

A Fine Pair of Bronze Urns or Vases and Covers After a Design Believed to Have Been Made By the French Animalier Auguste Nicolas Cain c.1870 The urns each on a shaped black marble s...

At this stage Sloan had become interested in Japanese prints, Fin de Siecle French posters; also, of course, there’s the hint of aWhistlerian aesthetic here.

Rather it seems to be a personal evocation of an exotic world distant from fin-de-siècle France. The central figure, her arm and hip belt adorned with jewelry, has removed her top sh...