Plate Glass Mixed Media

The Element ‘Gold, (Au) can only be make in the nuclear reactor of stars. It came to our planet when the Earth was first forming, as dust from catastrophic astronomical events –sta...

Jennifer Losch Bartlett #7 (Glass Houses), 2000 Mixed Media: 3D Sculpted plate glass over silkscreen grid on baked enamel and steel plate, housed in a box frame Signed 'J. Bartlett' and dated on the reverse, with the artist's original label. Unique Frame included Floated and framed in a museum quality white wood frame with UV plexiglass and a die-cut window in the back revealing the artist's original label and signature Provenance: The original owner acquired this work directly from the artist; bears the artist's bespoke studio label and signature This unique, exceptional 3-D mixed media work is signed 'J. Bartlett' and dated on the reverse, with the artist's original label. Measurements: Frame: 15.75 x 15.75 x 2 inches Artwork: 12 x 12 inches About Jennifer Bartlett: By the mid-1970s, Jennifer Bartlett (1941-2022, b. Long Beach, California) had emerged as a leading American artist of her time—particularly following the landmark presentation at Paula Cooper Gallery of Rhapsody (1976), Bartlett’s magnum opus, now in the collection of the Museum of Modern Art, New York. Bartlett’s first survey exhibition was held in 1985 at the Walker Art Center, Minneapolis, and traveled to the Brooklyn Museum, New York, and the Carnegie Museum of Art, Philadelphia, among others. In 2006, the Addison Gallery of American Art surveyed Bartlett’s early enameled steel plate paintings in the period from 1968–76. In 2013-14, Klaus Ottmann curated her second traveling survey, which visited the Pennsylvania Academy of the Fine Arts and the Parrish Art Museum, New York. In 2014, the Cleveland Museum of Art united her three monumental plate...

The Element ‘Gold, (Au) can only be make in the nuclear reactor of stars. It came to our planet when the Earth was first forming, as dust from catastrophic astronomical events –sta...

Georges MANZANA PISSARRO (1871-1961) La baigneuse Circa : 1902 Stained glass, painting on glass and lead hooping Format of the work: 26 x 23 cm Signed at the bottom Provenance: Fam...

Archipelago 8, Acrylic on glass, silver salt print from smartphone, wood and aluminum frame, 24.5x15 cm, 2024

The work takes its cue from the "Glass Air" series in which the interaction between the photographic and pictorial elements is developed. In this series, the glass stands like a scre...

Archipelago 19, Acrylic on glass, silver salt print from smartphone, wood and aluminum frame, 24x14 cm, 2024

The work takes its cue from the "Glass Air" series in which the interaction between the photographic and pictorial elements is developed. In this series, the glass stands like a scre...

Archipelago 66, Acrylic on glass, silver salt print from smartphone, wood and aluminum frame, 21x14 cm, 2024 Archipelago is a series of interconnected elements exploring the concept ...

Archipelago 38, Acrylic on glass, silver salt print from smartphone, wood and aluminum frame, 19.5x16 cm, 2024 Archipelago is a series of interconnected elements exploring the concep...

Archipelago 45 - 46 - 47 - 48 - 49, Acrylic on glass, silver salt print from smartphone, wood and aluminum frame, 23.5x15 cm, 2024 - composition of 5 elements Archipelago is a seri...

Memento is the root of her odyssey, it is both a pilgrimage and its migration. These mixed media pieces vividly reflect on what is both past and present. Angelica’s multi-layered ...

Archipelago 69, Acrylic on glass, silver salt print from smartphone, wood and aluminum frame, 21x14 cm, 2024 Opera unica

Archipelago 59, Acrylic on glass, silver salt print from smartphone, wood and aluminum frame, 21x14 cm, 2024

Ardan Özmenoğlu draws from her own experiences as a Turkish woman to explore ideas about history, popular culture, and the formation of a national and cultural identity. Known for he...