Gazette Du Bon Ton

Dior, Renee in Gazette du Bon Ton, 1954. Image size is 22" x 32" (for 24" x 36" paper size). All

Dior, Renee in Gazette du Bon Ton, 1954. Image size is 10" x 15" (for 11" x 17" paper size). All

Dior, Renee in Gazette du Bon Ton, 1954. Image size is 13.75" x 20" (for 17" x 22" paper size). All

and 1925 he collaborated in the famous magazine fashion la Gazette du Bon Ton .

and 1925 he contributed to the fashion review very prominent, the Gazette du Bon Ton.

, such as Le rire or La Baionette, and for fashion magazines, such as La gazette du bon ton, to which he

du Bon Ton. She is also known for her greeting postcard illustrations.

Costumes Parisiens or the Gazette du Bon Ton. He was one of the closest friend of the French couturier Paul

, Harper’s Bazaar, Les Costumes Parisiens or the Gazette du Bon Ton. He was one of the closest friend of the

magazines, such as La gazette du bon ton, to which he supplied not only drawings but also texts, Modes et

du bon ton. In the mid-1920s he worked with Erté to design sets and costumes for the Folies Bergère.

paintings. Taquoy illustrated prolifically, for publications such as Gazette du Bon Ton for instance. He

well as contributor to fashion journals such as the Gazette du Bon Ton and the Journal des Dames et des

well as contributor to fashion journals such as the Gazette du Bon Ton and the Journal des Dames et des

contributed to the Gazette du Bon Ton, depicting a dress by Paul Poiret, who commissioned him to create a

, Gazette du Bon Ton and Les Feuillets d'Art. Brunelleschi was also the artistic director of the short lived

, Gazette du Bon Ton and Les Feuillets d'Art. Brunelleschi was also the artistic director of the short lived

, Gazette du Bon Ton and Les Feuillets d'Art. Brunelleschi was also the artistic director of the short lived

, Gazette du Bon Ton and Les Feuillets d'Art. Brunelleschi was also the artistic director of the short lived

, Gazette du Bon Ton and Les Feuillets d'Art. Brunelleschi was also the artistic director of the short lived

, Gazette du Bon Ton and Les Feuillets d'Art. Brunelleschi was also the artistic director of the short lived

, Gazette du Bon Ton and Les Feuillets d'Art. Brunelleschi was also the artistic director of the short lived

, Gazette du Bon Ton and Les Feuillets d'Art. Brunelleschi was also the artistic director of the short lived

, Gazette du Bon Ton and Les Feuillets d'Art. Brunelleschi was also the artistic director of the short lived

, Gazette du Bon Ton and Les Feuillets d'Art. Brunelleschi was also the artistic director of the short lived

, Gazette du Bon Ton and Les Feuillets d'Art. Brunelleschi was also the artistic director of the short lived

, Gazette du Bon Ton and Les Feuillets d'Art. Brunelleschi was also the artistic director of the short lived

, Gazette du Bon Ton and Les Feuillets d'Art. Brunelleschi was also the artistic director of the short lived

, Gazette du Bon Ton and Les Feuillets d'Art. Brunelleschi was also the artistic director of the short lived

, Gazette du Bon Ton and Les Feuillets d'Art. Brunelleschi was also the artistic director of the short lived

, Gazette du Bon Ton and Les Feuillets d'Art. Brunelleschi was also the artistic director of the short lived

, Gazette du Bon Ton and Les Feuillets d'Art. Brunelleschi was also the artistic director of the short lived

, Gazette du Bon Ton and Les Feuillets d'Art. Brunelleschi was also the artistic director of the short lived

, Gazette du Bon Ton and Les Feuillets d'Art. Brunelleschi was also the artistic director of the short lived

, Gazette du Bon Ton and Les Feuillets d'Art. Brunelleschi was also the artistic director of the short lived

, Gazette du Bon Ton and Les Feuillets d'Art. Brunelleschi was also the artistic director of the short lived

every single issue of La Gazette du Bon Ton from 1912 to 1925 and soon other periodicals such as Femina

every single issue of La Gazette du Bon Ton from 1912 to 1925 and soon other periodicals such as Femina

every single issue of La Gazette du Bon Ton from 1912 to 1925 and soon other periodicals such as Femina

The Gazette du Bon Ton was a small but influential fashion magazine published in France from 1912

pochoir (stencil) prints for the fashion magazine Gazette du Bon Ton. Many of his illustrations are

is known for his pochoir (stencil) prints for the fashion magazine Gazette du Bon Ton published by

linear emphasis in fashion design at the time. Benito also contributed to the Gazette du Bon Ton, L'Homme

contributed to Le Gout du Jour and La Gazette du Bon Ton Magazines. He is known for his uniquely elegant style

, ballet, and theatre designer, as well as contributor to fashion journals such as the Gazette du Bon Ton

Bon Ton and Le Gout du Jour. He exhibited at a special show named "Fashion as seen by Painters

continued to provide illustrations for the Gazette du Bon Ton, as well as for Vogue, Vanity Fair

rival Harper's Bazaar and the Gazette du Bon Ton. An engraver, watercolourist and costume designer

Pochoir From:Gazette du Bon Ton, Paris Published by Lucien Vogel 1912-1928 Note: The

Bon Ton in the 1910s and after Conde Nast purchased the Gazette in 1920 they brought him to New York

, decorator and illustrator who was a frequent contributor to the Gazette du Bon Ton. He exhibited in

important European and American magazines of those years such as Gazette du Bon Ton, Vogue, Harper's Bazaar

provided fashion designs and illustrations for women magazines like La Gazette du Bon Ton and Le Gout du

well as contributor to fashion journals such as the Gazette du Bon Ton and the Journal des Dames et des

illustrations for French fashion magazines like La Gazette du Bon Ton and Le Gout du Jour. He exhibited at a

fashion magazines like La Gazette du Bon Ton and Le Gout du Jour. He exhibited at a special show named

designs and illustrations for women's magazines like La Gazette du Bon Ton and Le Gout du Jour. He