$1,516Sale Price|20% Off
Vintage American Abstract Pop Art Large Original Signed Oil Painting
By Robert Reitzfeld
Located in Buffalo, NY
Vintage American modernist abstract signed oil painting by Robert Reitzfeld. Oil on canvas. Signed verso.
Canvas, Oil
Untitled from Cartoon Series
By Robert Reitzfeld
Located in Surfside, FL
"New York artist Robert Reitzfeld has a devoted cult following, but his paintings are not nearly as well known as they ought to be....The paintings show a witty merger of Pop art idi...
Oil
Untitled Abstract Acrylic Painting from Cartoon Series
By Robert Reitzfeld
Located in Surfside, FL
"New York artist Robert Reitzfeld has a devoted cult following, but his paintings are not nearly as well known as they ought to be....The paintings show a witty merger of Pop art idi...
Canvas, Acrylic
$2,915
H 46 in W 35 in
Huge French Contemporary Modernist Abstract Oil Painting Boats in Harbor
Located in Cirencester, Gloucestershire
Abstract Composition signed by Jacqueline VERDET (French, 1931-2023) oil painting on canvas, unframed canvas: 46 x 35 inches condition: the work is in overall very sound and good co...
Canvas, Oil
$18,000
H 66 in W 52 in D 2 in
"James BOB" Pop Art James Dean Painting 66 x 52 inch by John Paul Fauves
By John Paul Fauves
Located in Culver City, CA
"James BOB" Pop Art James Dean Painting 66 x 52 inch by John Paul Fauves From "Alts iz farloyrn" ("All is lost") series 2019 Mixed media, acrylic and oil on canvas 66" × 52" inch "Alts iz farloyrn" ("All is lost") "Alts iz Farloyrn” – the latest series by John Paul Fauves featuring large-scale mixed media paintings, sculptures, and his famous art masks. Inspired by American idols James Dean and Steve McQueen, "Alts iz Farloyrn,” which translates to "All is Lost," was Steve McQueen’s first ever line on stage and represents Fauves own struggle with losing it all yet discovering his true self. “Alts iz Farloyrn” dives deep into the darkness that surrounded James Dean and Steve McQueen and explores their need to live fast. Through this new series, viewers are reminded that although both men overcame challenges to become the Hollywood elite, they struggled to mentally escape their troubled childhood and demons. Recognized internationally for his Neo-Pop Expressionism, Fauves paintings deal with identity through art, mainstream culture and social media. About this series, Fauves says “I have personally lost it all and what I’ve learned is when you lose it all you can win it all again and create a new beginning!” ABOUT John Paul FAUVES: John Paul Fauves (born in 1980) is a contemporary Artist from Costa Rica . His artistic journey started at a very young age after he became a student of Joaquin Rodriguez del Paso , one of the most important Costa Rican modern art tutors. John Paul spent 15 years studying and mastering his technique, and only a few years ago he finally started showcasing his work. In his paintings he engages questions of identity as they relate to art history as well as our everyday interactions with mainstream culture and social media. Greatly inspired by modernist masters as wellas pop-artists, Fauves mixes fragments of different iconic images in vivid and colourful compositions. Of his experimental and high eclectic style, he says, “art is an expression from the soul, and the soul is somethinglimitless. This is why I am always searching for different elements to bring into the work.” 2019: Alts Iz farloyrn, Los Angeles, CA Portraits of Someone, London 2018: [ Mi / Me ] solo exhibition at DOPENESS ART LAB, Taipei, Taiwan Arte de La Peer Papi Chulo group exhibition, Krause gallery, NYC Down the Rabbit Hole group exhibition, Imitate London, London, UK ARCO Madrid Art Palm Beach, Miami 2017: Art Basel Miami PIXELS Pre-Basel group exhibition by JM Art Management at Laurent & Martin gallery LA Style Fashion week FACES, group exhibition by JM Art Management at HOMME gallery A Loss of Innocence, solo exhibition Guy Hepner...
Canvas, Mixed Media, Oil, Acrylic
$3,054
H 39.5 in W 29 in
Huge French Contemporary Modernist Abstract Oil Painting Colorful Washing Lines
Located in Cirencester, Gloucestershire
Abstract Composition by Jacqueline VERDET (French, 1931-2023) oil painting on canvas, unframed canvas: 39.5 x 29 inches condition: the work is in overall very sound and good conditio...
Canvas, Oil
$3,193
H 39 in W 29 in
Huge French Contemporary Modernist Abstract Oil Painting Sailing Yachts at Sea
Located in Cirencester, Gloucestershire
Abstract Composition signed by Jacqueline VERDET (French, 1931-2023) oil painting on canvas, unframed canvas: 39 x 29 inches inscribed verso condition: the work is in overall very so...
Canvas, Oil
$1,388
H 20 in W 20 in
Large French Contemporary Modernist Abstract City Scape Futurist Oil Painting
Located in Cirencester, Gloucestershire
Abstract Composition signed by Jacqueline VERDET (French, 1931-2023) oil painting on canvas, framed framed: 20 x 20 inches canvas: 19.5 x 19.5 inches condition: the work is in overal...
Canvas, Oil
$19,000
H 70 in W 54 in D 2 in
"Breaking Good" Pop Art Painting 70 x 54 inch by John Paul Fauves
By John Paul Fauves
Located in Culver City, CA
"Breaking Good" Pop Art Painting 70 x 54 inch by John Paul Fauves From "Alts iz farloyrn" ("All is lost") series 2019 Mixed media, acrylic and oil on canvas 70" × 54" inch "Alts iz farloyrn" ("All is lost") "Alts iz Farloyrn” – the latest series by John Paul Fauves featuring large-scale mixed media paintings, sculptures, and his famous art masks. Inspired by American idols James Dean and Steve McQueen, "Alts iz Farloyrn,” which translates to "All is Lost," was Steve McQueen’s first ever line on stage and represents Fauves own struggle with losing it all yet discovering his true self. “Alts iz Farloyrn” dives deep into the darkness that surrounded James Dean and Steve McQueen and explores their need to live fast. Through this new series, viewers are reminded that although both men overcame challenges to become the Hollywood elite, they struggled to mentally escape their troubled childhood and demons. Recognized internationally for his Neo-Pop Expressionism, Fauves paintings deal with identity through art, mainstream culture and social media. About this series, Fauves says “I have personally lost it all and what I’ve learned is when you lose it all you can win it all again and create a new beginning!” ABOUT John Paul FAUVES: John Paul Fauves (born in 1980) is a contemporary Artist from Costa Rica . His artistic journey started at a very young age after he became a student of Joaquin Rodriguez del Paso , one of the most important Costa Rican modern art tutors. John Paul spent 15 years studying and mastering his technique, and only a few years ago he finally started showcasing his work. In his paintings he engages questions of identity as they relate to art history as well as our everyday interactions with mainstream culture and social media. Greatly inspired by modernist masters as wellas pop-artists, Fauves mixes fragments of different iconic images in vivid and colourful compositions. Of his experimental and high eclectic style, he says, “art is an expression from the soul, and the soul is somethinglimitless. This is why I am always searching for different elements to bring into the work.” 2019: Alts Iz farloyrn, Los Angeles, CA Portraits of Someone, London 2018: [ Mi / Me ] solo exhibition at DOPENESS ART LAB, Taipei, Taiwan Arte de La Peer Papi Chulo group exhibition, Krause gallery, NYC Down the Rabbit Hole group exhibition, Imitate London, London, UK ARCO Madrid Art Palm Beach, Miami 2017: Art Basel Miami PIXELS Pre-Basel group exhibition by JM Art Management at Laurent & Martin gallery LA Style Fashion week FACES, group exhibition by JM Art Management at HOMME gallery A Loss of Innocence, solo exhibition Guy Hepner...
Canvas, Mixed Media, Oil, Acrylic
$1,207
H 21.66 in W 17.72 in D 0.79 in
"Shady pond". summer landscape in oil of Volskya Lilya.
Located in Zofingen, AG
Shady pond."summer landscape in oil of Volskya Lilya. Have you ever traveled in the woods? Go into the most secret corners? To discover very beautiful landscapes? It's amazing. You'...
Canvas, Lacquer, Oil
$18,500
H 67 in W 54 in D 2 in
"Hello Dean" (James Dean) Pop Art Painting 67 x 54 inch by John Paul Fauves
By John Paul Fauves
Located in Culver City, CA
"Hello Dean" (James Dean) Pop Art Painting 67 x 54 inch by John Paul Fauves From "Alts iz farloyrn" ("All is lost") series 2019 Mixed media, acrylic and oil on canvas 63" × 53" inch "Alts iz farloyrn" ("All is lost") "Alts iz Farloyrn” – the latest series by John Paul Fauves featuring large-scale mixed media paintings, sculptures, and his famous art masks. Inspired by American idols James Dean and Steve McQueen, "Alts iz Farloyrn,” which translates to "All is Lost," was Steve McQueen’s first ever line on stage and represents Fauves own struggle with losing it all yet discovering his true self. “Alts iz Farloyrn” dives deep into the darkness that surrounded James Dean and Steve McQueen and explores their need to live fast. Through this new series, viewers are reminded that although both men overcame challenges to become the Hollywood elite, they struggled to mentally escape their troubled childhood and demons. Recognized internationally for his Neo-Pop Expressionism, Fauves paintings deal with identity through art, mainstream culture and social media. About this series, Fauves says “I have personally lost it all and what I’ve learned is when you lose it all you can win it all again and create a new beginning!” ABOUT John Paul FAUVES: John Paul Fauves (born in 1980) is a contemporary Artist from Costa Rica . His artistic journey started at a very young age after he became a student of Joaquin Rodriguez del Paso , one of the most important Costa Rican modern art tutors. John Paul spent 15 years studying and mastering his technique, and only a few years ago he finally started showcasing his work. In his paintings he engages questions of identity as they relate to art history as well as our everyday interactions with mainstream culture and social media. Greatly inspired by modernist masters as wellas pop-artists, Fauves mixes fragments of different iconic images in vivid and colourful compositions. Of his experimental and high eclectic style, he says, “art is an expression from the soul, and the soul is somethinglimitless. This is why I am always searching for different elements to bring into the work.” 2019: Alts Iz farloyrn, Los Angeles, CA Portraits of Someone, London 2018: [ Mi / Me ] solo exhibition at DOPENESS ART LAB, Taipei, Taiwan Arte de La Peer Papi Chulo group exhibition, Krause gallery, NYC Down the Rabbit Hole group exhibition, Imitate London, London, UK ARCO Madrid Art Palm Beach, Miami 2017: Art Basel Miami PIXELS Pre-Basel group exhibition by JM Art Management at Laurent & Martin gallery LA Style Fashion week FACES, group exhibition by JM Art Management at HOMME gallery A Loss of Innocence, solo exhibition Guy Hepner...
Canvas, Mixed Media, Oil, Acrylic
$1,850
H 24 in W 36 in
Forever Florals, Abstract Oil Painting on Canvas, 24x36 inches
Located in Baton Rouge, LA
I intuitively paint each of my paintings based on my mood of the day or at that moment. I never know what I am going to create until I see the end result. Sometimes it is a colorful,...
Canvas, Oil
$1,328
H 18.12 in W 21.66 in D 0.79 in
Surrealist Underwater Scene with Female Swimmer Jellyfish and Marine Landscape
By Sula Repani
Located in FISTERRA, ES
Surrealist underwater painting in oil on canvas featuring a female swimmer surrounded by jellyfish and flowing marine vegetation in deep ocean hues. This dreamlike underwater scene by Sula Repani captures a suspended moment beneath the surface, where a lone female figure glides among jellyfish and sea currents. Painted in oil on canvas, this surrealist marine composition blends figurative clarity with gestural abstraction, evoking serenity, transformation, and immersion in nature. The palette of sea green, cobalt blue, and soft turquoise creates a layered aquatic space, vibrant yet meditative. Rooted in her Mediterranean heritage and shaped by her Galician surroundings, Repani’s practice often explores the relationship between body and water, myth and reality. This underwater oil painting...
Oil, Canvas
$9,500
H 24 in W 52 in
Private Showing, Pop Art Acrylic Painting by Michael Knigin
By Michael Knigin
Located in Long Island City, NY
Artist: Michael Knigin, American (1942 - 2011) Title: Private Showing Year: 1990 Medium: Acrylic and Enamel on Canvas on board, signed, titled and dated verso Size: 24 x 52 inches
Enamel
$19,500
H 44 in W 64 in D 2 in
"Can We Keep Him" Mickey and Minnie and G 44x64" Oil and Acrylic on Canvas
By Ceravolo
Located in Southampton, NY
Ceravolo's "Can We Keep Him" oil and acrylic original painting on canvas measures a large 44:x64" There are no silkscreens or stencils used in creating this painting, it is all hand painted in oil and acrylic. One of The Hampton's most popular urban Pop artists whose work is collected by Elton John, Rod Stewart, Pete Davidson...
Canvas, Oil, Acrylic
Untitled from Cartoon Series
By Robert Reitzfeld
Located in Surfside, FL
"New York artist Robert Reitzfeld has a devoted cult following, but his paintings are not nearly as well known as they ought to be....The paintings show a witty merger of Pop art idioms and post-painterly abstraction, like a mutant blend of John Wesley, Michael Bevilacqua and Gerhard Richter. In each of the exuberant compositions, Reitzfeld offers a unique balance of formalist elements and absurdist drama." from David Ebony's Top Ten @ Artnet At first, Robert Reitzfeld's distinctive melange of Ab Ex. Pop, Op and other postwar painting styles appears to be a send-up of the source material. Among the 25 recent paintings and works on paper in this show, a number of pieces, including Minnie Mouse, Olive. Che. Marilyn and others, feature cartoons and familiar Pop-art iconography, Reitzfeld's versions often appropriating passages from Warhol and Lichtenstein. But Reitzfeld's images are very often fragmented, with roughly torn edges in the paper pieces and colorful abstract passages of paint in the canvases obscuring and sometimes rearly obliterating the subjects. Rather than a nihilistic gesture, however, his distortions may be viewed as a kind of archeology of recent art. They also reveal a rather personal relationship with specific works that have inspired the veteran New York artist over the years. 1961, I Was There (2007), for instance, Is a painting featuring Donald Duck in his blue-and-white sailor suit—a fragment of Lichtenstein's 1961 painting Look, Mickey!, partly painted over with layered patches of red and pink acrylic as well as a sprinkling of glitter. The title of Reitzfeld's piece alludes to his attendance at a 1961 opening at New York's Sidney Janis Gallery, where Lichtenstein showed this seminal Pop work. Reitzfeld is at his best here in several relatively large (about 36 inches square) intricate hard-edge compositions, such as TBT 56 (Marriage), 2006, and T8T 63 (2007). The latter contains another Lichtenstein reference: a detail of the Whitney Museum's 1973 Still Life with Crystal Bowl set...
Oil
Sold
H 24 in W 30 in D 2 in
Untitled Abstract Acrylic Painting from Cartoon Series
By Robert Reitzfeld
Located in Surfside, FL
"New York artist Robert Reitzfeld has a devoted cult following, but his paintings are not nearly as well known as they ought to be....The paintings show a witty merger of Pop art idioms and post-painterly abstraction, like a mutant blend of John Wesley, Michael Bevilacqua and Gerhard Richter. In each of the exuberant compositions, Reitzfeld offers a unique balance of formalist elements and absurdist drama." from David Ebony's Top Ten @ Artnet At first, Robert Reitzfeld's distinctive melange of Ab Ex. Pop, Op and other postwar painting styles appears to be a send-up of the source material. Among the 25 recent paintings and works on paper in this show, a number of pieces, including Minnie Mouse, Olive. Che. Marilyn and others, feature cartoons and familiar Pop-art iconography, Reitzfeld's versions often appropriating passages from Warhol and Lichtenstein. But Reitzfeld's images are very often fragmented, with roughly torn edges in the paper pieces and colorful abstract passages of paint in the canvases obscuring and sometimes rearly obliterating the subjects. Rather than a nihilistic gesture, however, his distortions may be viewed as a kind of archeology of recent art. They also reveal a rather personal relationship with specific works that have inspired the veteran New York artist over the years. 1961, I Was There (2007), for instance, Is a painting featuring Donald Duck in his blue-and-white sailor suit—a fragment of Lichtenstein's 1961 painting Look, Mickey!, partly painted over with layered patches of red and pink acrylic as well as a sprinkling of glitter. The title of Reitzfeld's piece alludes to his attendance at a 1961 opening at New York's Sidney Janis Gallery, where Lichtenstein showed this seminal Pop work. Reitzfeld is at his best here in several relatively large (about 36 inches square) intricate hard-edge compositions, such as TBT 56 (Marriage), 2006, and T8T 63 (2007). The latter contains another Lichtenstein reference: a detail of the Whitney Museum's 1973 Still Life with Crystal Bowl set...
Canvas, Acrylic
Untitled from Cartoon Series
By Robert Reitzfeld
Located in Surfside, FL
"New York artist Robert Reitzfeld has a devoted cult following, but his paintings are not nearly as well known as they ought to be....The paintings show a witty merger of Pop art idioms and post-painterly abstraction, like a mutant blend of John Wesley, Michael Bevilacqua and Gerhard Richter. In each of the exuberant compositions, Reitzfeld offers a unique balance of formalist elements and absurdist drama." from David Ebony's Top Ten @ Artnet At first, Robert Reitzfeld's distinctive melange of Ab Ex. Pop, Op and other postwar painting styles appears to be a send-up of the source material. Among the 25 recent paintings and works on paper in this show, a number of pieces, including Minnie Mouse, Olive. Che. Marilyn and others, feature cartoons and familiar Pop-art iconography, Reitzfeld's versions often appropriating passages from Warhol and Lichtenstein. But Reitzfeld's images are very often fragmented, with roughly torn edges in the paper pieces and colorful abstract passages of paint in the canvases obscuring and sometimes rearly obliterating the subjects. Rather than a nihilistic gesture, however, his distortions may be viewed as a kind of archeology of recent art. They also reveal a rather personal relationship with specific works that have inspired the veteran New York artist over the years. 1961, I Was There (2007), for instance, Is a painting featuring Donald Duck in his blue-and-white sailor suit—a fragment of Lichtenstein's 1961 painting Look, Mickey!, partly painted over with layered patches of red and pink acrylic as well as a sprinkling of glitter. The title of Reitzfeld's piece alludes to his attendance at a 1961 opening at New York's Sidney Janis Gallery, where Lichtenstein showed this seminal Pop work. Reitzfeld is at his best here in several relatively large (about 36 inches square) intricate hard-edge compositions, such as TBT 56 (Marriage), 2006, and T8T 63 (2007). The latter contains another Lichtenstein reference: a detail of the Whitney Museum's 1973 Still Life with Crystal Bowl...
Sold
H 24 in W 30 in D 2 in
Untitled Abstract Acrylic Painting from Cartoon Series
By Robert Reitzfeld
Located in Surfside, FL
"New York artist Robert Reitzfeld has a devoted cult following, but his paintings are not nearly as well known as they ought to be....The paintings show a witty merger of Pop art idioms and post-painterly abstraction, like a mutant blend of John Wesley, Michael Bevilacqua and Gerhard Richter. In each of the exuberant compositions, Reitzfeld offers a unique balance of formalist elements and absurdist drama." from David Ebony's Top Ten @ Artnet At first, Robert Reitzfeld's distinctive melange of Ab Ex. Pop, Op and other postwar painting styles appears to be a send-up of the source material. Among the 25 recent paintings and works on paper in this show, a number of pieces, including Minnie Mouse, Olive. Che. Marilyn and others, feature cartoons and familiar Pop-art iconography, Reitzfeld's versions often appropriating passages from Warhol and Lichtenstein. But Reitzfeld's images are very often fragmented, with roughly torn edges in the paper pieces and colorful abstract passages of paint in the canvases obscuring and sometimes rearly obliterating the subjects. Rather than a nihilistic gesture, however, his distortions may be viewed as a kind of archeology of recent art. They also reveal a rather personal relationship with specific works that have inspired the veteran New York artist over the years. 1961, I Was There (2007), for instance, Is a painting featuring Donald Duck in his blue-and-white sailor suit—a fragment of Lichtenstein's 1961 painting Look, Mickey!, partly painted over with layered patches of red and pink acrylic as well as a sprinkling of glitter. The title of Reitzfeld's piece alludes to his attendance at a 1961 opening at New York's Sidney Janis Gallery, where Lichtenstein showed this seminal Pop work. Reitzfeld is at his best here in several relatively large (about 36 inches square) intricate hard-edge compositions, such as TBT 56 (Marriage), 2006, and T8T 63 (2007). The latter contains another Lichtenstein reference: a detail of the Whitney Museum's 1973 Still Life with Crystal Bowl...
Canvas, Acrylic