Gérard Souzay Art

Original 1964 abstract oil painting “Jacob’s Ladder” by American modernist Beverly Rosen, a Colorado artist known for her expressive compositions and mid‑century exploration of form ...

Mark Acetelli’s oil and mixed media paintings awaken the viewer’s sense of exploration and adventure; they demand a new discovery. His artworks exhibit a chemistry of complexity and ...

Robert Goodnough (American, October 23, 1917 – October 2, 2010) Title: "L-7" Acrylic and Oil on canvas 46 x 68 inches Signed lower Right Signed and dated 1990 on reverse

Masri Hayssam (Lebanese, Italian, born 1965) "Travedo" 2020 Oil Paint, Acrylic Paint, Mixed Media, Canvas, Stretcher Bars The artist signed the bottom right and the back of the paint...

Fernando de Szyszlo Abolicion de la Muerte, 1987 Titled dated verso: "Abolicion de la Muerte" NY/87 Signed lower bottom edge center "Szyszlo" Oil on canvas 56 1/2 x 37 1/2 inches Fernando de Szyszlo was a Peruvian painter...

Abstract oil painting on canvas signed on the back and dated 1988. A very attractive modern vintage abstract that is easy on the eye and yet significant to its surroundings. Here, ...

Boris Margo Cave Drama, 1938 Signed and dated lower left Oil on canvas 22 x 30 inches Best known as a painter of surrealist imagery, Boris Margo was born in Wolotschisk, Ukraine, i...

Angelo Ippolito Untitled, 1961 Signed and dated lower right Oil on canvas 40 1/4 x 48 1/4 inches Angelo Ippolito was an internationally exhibited painter, renowned member of the Ne...

Masri Hayssam (Lebanese, Italian, born 1965) "Symphony" 2019 Oil Paint, Acrylic Paint, Mixed Media, Canvas, Stretcher Bars The artist signed the bottom left and the back of the paint...

Bouquet, 85x80cm, oil on canvas

Theresa Bernstein Untitled, circa 1990 Signed lower right Oil on canvas 16 x 20 inches Theresa F. Bernstein was born in Philadelphia in 1895 to cultured, middle-class immigrant par...

Charles Green Shaw Happening, 1964 Signed and dated on verso Oil on board 8.75 x 6 inches Charles Green Shaw, born into a wealthy New York family, began painting when he was in his mid-thirties. A 1914 graduate of Yale, Shaw also completed a year of architectural studies at Columbia University. During the 1920s Shaw enjoyed a successful career as a freelance writer for The New Yorker, Smart Set and Vanity Fair, chronicling the life of the theater and café society. In addition to penning insightful articles, Shaw was a poet, novelist and journalist. In 1927 he began to take a serious interest in art and attended Thomas Hart Benton's class at the Art Students League briefly in New York. He also studied privately with George Luks, who became a good friend. Once he had dedicated himself to non-traditional painting, Shaw's writing ability made him a potent defender of abstract art. After initial study with Benton and Luks, Shaw continued his artistic education in Paris by visiting numerous museums and galleries. From 1930 to 1932 Shaw's paintings evolved from a style imitative of Cubism to one directly inspired by it, though simplified and more purely geometric. Returning to the United States in 1933, Shaw began a series of abstracted cityscapes of skyscrapers he called Manhattan Motifs which evolved into his most famous works, the shaped canvases he called Plastic Polygons. The 1930s were productive years for Shaw. He showed his paintings in numerous group exhibitions, both in New York and abroad, and was also given several one-man exhibitions. Shaw had his first one-man exhibition at the Valentine Dudensing Gallery in New York in 1934, which included 25 Manhattan Motif paintings and 8 abstract works. In the spring of 1935 Shaw was introduced to Albert Gallatin...