Gilbert Stuart

Gilbert Stuart painted the most famous portrait of George Washington of which this is an unfinished version.

This skilful portrait of George Washington by an unknown artist is after Gilbert Stuart’s unfinished Athenaeum portrait of the President.

About this time, she met Gilbert Stuart who came to her painting room and was impressed with her work.

He was a descendant of Susan B. Anthony and Gilbert Stuart. He later moved to Los Angeles and lived there until his death in 1971.

Sensing a market for these inexpensive boxes in the United States, Birmingham box makers were soon decorating their wares with portraits of U.S. naval heroes and victory scenes from ...

Thomas Dawes and a portrait of Madam Pickering, copied from Gilbert Stuart by Furness, were displayed in the Council Chamber on the second floor. (2) In 1908, Furness’s portrait of M...

He worked also in West’s studio, where his style was influenced by Gilbert Stuart’s and where his ambitions changed to the pursuit of a career as a portrait and history painter.

Since then Bainbridge and his crew were considered national heroes; was awarded with the Congress gold medal and New York ordered his portrait from Gilbert Stuart (1755-1828), who ma...

This lithograph is based on a painting by Gilbert Stuart, the famous “Athanaeum” bust portrait from 1796.

Offered is mantel Fielding's signed, limited edition of Gilbert Stuart's Portraits of Washington - this being copy 296 of 350.

Marshall and was based off of Gilbert Stuart's original oil-on-canvas painting.

Fielding, Mantle. Gilbert Stuart’s Portraits of George Washington. Philadelphia: Wickersham Printing Co. 1923, Limited edition, Signed.

The engraving is based on a painting by Gilbert Stuart, the famous “Lansdowne” standing portrait from 1796.

The painting dates to the mid-to-late 19th century and was modeled after the original 1806 painting by Gilbert Stuart. Gilbert Stuart (1755-1828) is best known for the hundreds of p...

Probably in original frame. Well executed early copy.

In original frame with seated figure in a chair with landscape and curtain in background. Provenance: Vose Galleries.

Portrait of George Washington after Gilbert Stuart? color print on canvas, framed framed: 27.5 x 33.5 inches canvas: 20.5 x 16 inches provenance: private collection, UK condition: ve...

Unsigned, the back of the panel also bears an attribution to the artist Gilbert Stuart Newton RA (1795 – 1835).Newton was born in Halifax, Nova Scotia, the twelfth child and youngest...

Gilbert Stuart produced portraits of more than 1,000 people, including the first six US Presidents.

American oval portrait of George Washington oil on canvas in the original gilt floral frame and wood back, unsigned, Copied from the original painting by Gilbert Stuart. Early 19th c...

Portrait retains the original wood back, Unsigned, Copied from the original painting by Gilbert Stuart. Early 19th century.

This is an 1892, hand-colored engraving of President George Washington by William Sartian after Gilbert Stuart. Our first president is shown standing and the engraving features a fac...

Reich based his portrait off the famous Gilbert Stuart oil painting of Madison. The original painting was commissioned by Honorable James Bowdoin III and dates to 1805-1807.

Liverpool Creamware Plaque of George Washington, Herculaneum Pottery, Circa 1800 The Liverpool creamware plaque depicts the Gilbert Stuart image of George Washington. The creamw...

Washington's visage is based off the famous Gilbert Stuart Athenaeum portrait of Washington.

The print was based on the painting by Leon Cogniet, which was in turn based on Gilbert Stuart's portrait, and engraved by Jean Nicolas Laugier in 1839.This beautifully engraved, lar...

The likeness is after the famous portraits by Gilbert Stuart, which was also copied in églomisé paintings by China Trade artists for export to the new nation.

This piece was based off of Gilbert Stuart's original Athenaeum portrait. The Athenaeum portrait, given its name for the location where it was held after Stuart's death, is one of th...

The Washington bust is modeled after painting by Gilbert Stuart, the famous “Athanaeum” bust portrait from 1796.

His visage is based off the famous "Lansdowne" portrait by Gilbert Stuart, originally painted in 1796 in one of the several in-person sittings Washington had with Stuart.

These chromolithographed oval portraits of George and Martha Washington are based off of earlier paintings by Gilbert Stuart. In the summer of 1796, after seeing Gilbert Stuart’s fir...

The bookends are styled after the famous oil painting of George Washington by Gilbert Stuart. The full-length portrait of George Washington was painted in 1797, and depicted Washingt...

Washington's visage is based off the famous Gilbert Stuart Athenaeum portrait of Washington. Washington's facsimile signature is boldly depicted in the piece's border.

The portrait is by none other than Gilbert Stuart and shows Washington at an advanced age, evidently painted from life in 1795-96 (according to the Frick’s dating), also in a red jac...

The bookends are styled after the famous Landsdowne oil painting of George Washington by Gilbert Stuart. The full-length portrait of George Washington was painted in 1797, and depict...

The bookends are styled after the famous Lansdowne oil painting of George Washington by Gilbert Stuart. The full-length portrait of George Washington was painted in 1797, and depicte...

The bookends are styled after the famous Lansdowne oil painting of George Washington by Gilbert Stuart. The full-length portrait of George Washington was painted in 1797, and depicte...

Henry Wolf moved to New York City in 1871, where he created wood engravings of works by Gilbert Stuart, Enric Serra Auqué, Frank Weston Benson, Howard Pyle, Henry Salem Hubbell, John...

The Washington bust is modeled after painting by Gilbert Stuart, the famous “Athanaeum” bust portrait from 1796.

A striking early 20th century oil-on-canvas after Gilbert Stuart's 1796 famed Athenaeum portrait of our founding father and first president George Washington.

He later received advice from such established artists as Henry Benbridge, John Trumbull and Gilbert Stuart before returning to England for a year of study with Sir Thomas Lawrence a...

It, together with the American first edition of the same years, are “the only complete editions of this indispensable work, the ‘Colonial History’ being omitted in the later American...

Antique Portrait of George Washington, by William Matthew Prior (American: 1806 - 1873), circa 1840s, an oil on board quarter-length portrait of George Washington, after the famous, ...

"If George Washington founded the country, John Marshall defined it" (Jean Edward Smith). Gilbert Stuart's famous portrait of Washington, engraved on this frontispiece, was produc...

Volume I provides an engraved portrait of Jefferson, after Gilbert Stuart’s portrait, pasted opposite the title page.

"If George Washington founded the country, John Marshall defined it" (Jean Edward Smith). Gilbert Stuart's famous portrait of Washington, made known to the general public through thi...

The unknown artist used Gilbert Stuart’s original and unfinished Athenaeum portraits of the pair as a reference for the artist’s own work.

It is believed that Cogniet copied Washington’s head from the original “Virginia Regiment” portrait by Gilbert Stuart, which was painted from life in 1796 - and the source of the “fl...

Her focus on the face was reinforced upon seeing the portrait of George Washington by Gilbert Stuart with its finished face and sketchy torso.

The portrait is based on a mezzotint after Gilbert Stuart’s very famous painting of Washington in his later years.

A head and shoulders portrait, Reich based his etched rendition off an 1805 oil-on-canvas painting by Gilbert Stuart. The etching was published by G.P.

The composition is based on a drawing by Longhi himself, but certainly influenced by the Gilbert Stuart and John Trumbull portraits. Washington is depicted in a head and shoulders po...

Stylistically, it is based off of Gilbert Stuart's original Athenaeum portrait of Washington.

Day two was a joint session, with Gilbert Stuart also in attendance, working on what would become known as his Vaughan portrait.

The portrait is based on a mezzotint after Gilbert Stuart’s very famous painting of Washington in his later years, most often referred to as the Landsdowne portrait.

To achieve the greatest possible accuracy, Christy referenced period portraits by the best artists of the late 18th and early 19th centuries, such as Charles Willson Peale and Gilber...

after: Gilbert Stuart's The Athenaeum (1796) and #1 The Invasion Begins from Wally Wood’s, Bob Powell’s, and Norm Saunders’ Mars Attacks trading cards (1962) Adam Mysock was born ...

It was rejected by the Bishop of London, but his idea of painting an altarpiece for St Stephen Walbrook was accepted.[ At around this time he also received acclaim for his classical ...

Reich based his etched rendition off an 1805 oil-on-canvas painting of Jefferson by Gilbert Stuart. The etching was published by G.P.

The likeness of Washington is derived from Gilbert Stuart's Athenaeum portrait. Below this is a facsimile of Washington's signature, cradled by crossed American flags, each with 34 s...

Giusto (or Justus) Sustermans (Antwerp, 1597 – Florence, 1681) Workshop of Portrait of Ferdinando II de' Medici (1610–1670), Grand Duke of Tuscany Oil on canvas 133 x 97 cm Fram...

Gorgeous tonalist oil painting woman walking in field by pond with home in background by Willis Seaver Adams (American, 1844-1921), circa 1880. Trees and an amazing sky in the backgr...

This stunning, large portrait oil painting is attributed to Spanish Old Master Claudio Coello who is considered the last great Spanish painter of the 17th century. It has formerly be...

This lovely British Victorian portrait oil painting is by British portrait artist Edward Spilsbury Swinson. It was painted in 1891 and is dated and signed lower right. It is a half l...

Elegant Sporting Scene with Horse, Hounds and Figures Before a Country House painted circa 1830's by Augustus Samuel Boult (1798-1867) Signed oil on canvas, framed Framed: 23.5 x 27...

'Clearing the Pond' by Francois Duyk (Belgian, late 19th century) signed lower corner oil on canvas, framed framed: 22.5 x 32.5 inches canvas : 20 x 30 inches Provenance: private col...

This superb large British Edwardian exhibited portrait oil painting is by noted artist George Spencer Watson. It was painted in 1909 and exhibited at the Royal Academy the same year ...

Large-scale 19th century English display cabinet executed in the Chinoiserie tradition. Constructed in carved mahogany and conceived as a tripartite architectural façade, each glazed...

19th Century American School Nautical Painting. Wonderful oil on panel maritime painting of steam yacht with American flag. Signed by A Benson in lower right corner. Framed in ornate...

This mid-17th-century Spanish oil on canvas depicts a dignified man of learning - a theologian, or perhaps a cathedral canon. Dressed in a black cassock, marked by a vertical row of...

Flemish school, 17th century Orpheus and the animals Oil on canvas, 146,5 x 217 cm Provenance: South German private collection. On an impressive, room-filling format, this painting ...

Jacques-Francois Delyen (1684-1761), Court Painter of King Louis XV. A Magnificent Pair of Palatial "French Royal" Allegorical Paintings "Aurora and Diana" "Night and Day" A truly ...

Although we think of the year 1776 as the time of the birth of the United States, it was actually not until 1777 that the Articles of Confederation were adopted by the Continental Co...

An English oil on board painting from the late 19th century depicting a hunting scene and set in antique frame. Created in England during the last quarter of the 19th century, this o...

Julius von Blaas (1845-1923) At The Gallops circa 1905 Oil on canvas Signed and dated “Julius von Blass / 1905” (lower left) 110 x 200 cm (140 x 230 cms framed ish) This enormous an...

Portrait of Princess de Joinville riding a Bay Horse Henri d’Aincy, Le Comte Monpezat (French 1817-1859) Painted circa 1837-9 oil on canvas 113 x 92 inches (including frame) 92 x 70 ...