Jacobs Antique

The engraving bears the signature “Jacob H. Schmuzer” at lower right. Friedrich Justin Bertuch (1747–1822) was a German publisher, writer and patron of the arts.

The engraving is signed “Jacob Hauer Schmuzer” at lower right. The delicate original hand coloring remains particularly appealing, with strong blue and orange-red areas contrasting a...

Ogilby's work was closely based upon Arnoldus Montanus' De Nieuwe en Onbekende Weereld, published in Amsterdam in the same year by Jacob van Meurs, whose workshop produced the celebr...

The engraving bears the signature “Jacob H. Schmuzer” at lower right. Friedrich Justin Bertuch (1747–1822) was a German publisher, writer and patron of the arts.

Paul Lacroix, who also wrote as the Bibliophile Jacob, edited the text, and Ferdinand Séré directed the illustrations, which is what the line "F.

Le Moyen Âge et la Renaissance, histoire et description des mœurs et usages, du commerce et de l'industrie, des sciences, des arts, des littératures et des beaux-arts en Europe was e...

Le Moyen Âge et la Renaissance, histoire et description des mœurs et usages, du commerce et de l'industrie, des sciences, des arts, des littératures et des beaux-arts en Europe was e...

Paul Lacroix, who also wrote as the Bibliophile Jacob, edited the text, and Ferdinand Séré directed the illustrations, which is what the line "F.

Le Moyen Âge et la Renaissance, histoire et description des mœurs et usages, du commerce et de l'industrie, des sciences, des arts, des littératures et des beaux-arts en Europe was e...

Paul Lacroix, who also wrote as the Bibliophile Jacob, edited the text, and Ferdinand Séré directed the illustrations, which is what the line "F.

The Rijksmuseum in Amsterdam records the thanksgiving composition as an etching by Jan de Visscher, published by Hugo Allard in Amsterdam in 1665, and holds a large sheet that combin...

The engraving is delicately enhanced with original hand coloring in restrained shades of green, ochre, red and brown and bears the engraved signature “Jacob H. Schmuzer” beneath Fig....

A fifth sheet portrays the patriarch Jacob blessing Ephraim and Manasseh and Jacob blessing his twelve sons before his death.

The register records the Wurts family, including Cornelia Lefever and children Elizabeth, Jacob, Catharine, Mary, and John. Elizabeth’s recorded birth in October 1826 is consistent w...

The engraving bears the signature “Jacob Hauer Schmuzer” at lower left. Friedrich Justin Bertuch (1747–1822) was a German publisher, writer and patron of the arts.

This antique spice tower, crafted by the Judaic silversmith Jacob Rozenzweig of Rosenzweig, Taitelbaum & Co, is the finest of its type you could hope to acquire.

A brass plaque reads: "Crépuscule par Jacobs", Paris, circa 1900. Salesio Lugli was born in Capri in 1869 and died in 1936).

Struck's students included Marc Chagall, Lovis Corinth, Jacob Steinhardt, Lesser Ury and Max Liebermann.

A delightful and exceptionally collectible early 20th-century bentwood convertible children's high chair (Kinderhochstuhl), crafted in the renowned Austro-Hungarian tradition of Gebr...

Steinheimer and Justin Jansen, "Histoire naturelle des pigeons or Les pigeons: Coenraad Jacob Temminck versus Pauline Knip," Archives of Natural History 37, no. 2 (2010), pp. 203–220.

Steinheimer and Justin Jansen, "Histoire naturelle des pigeons or Les pigeons: Coenraad Jacob Temminck versus Pauline Knip," Archives of Natural History 37, no. 2 (2010), pp. 203–220.

The plate is signed by Jacob Xaver Schmuzer, one of the Viennese engravers who worked on this edition.

The Vienna edition was published by Anton Pichler under the title Bilderbuch zum Nutzen und Vergnügen der Jugend, with German and French text, in volumes of fifty plates each, and it...

The Vienna edition was published by Anton Pichler under the title Bilderbuch zum Nutzen und Vergnügen der Jugend, with German and French text, in volumes of fifty plates each, and it...

The Vienna edition was published by Anton Pichler under the title Bilderbuch zum Nutzen und Vergnügen der Jugend, with German and French text, in volumes of fifty plates each, and it...

Bauer, under the title Bilderbuch zum Nutzen und Vergnügen der Jugend, with German and French text, in volumes of fifty plates each, and its plates were newly engraved in Vienna, man...

The Vienna edition was published by Anton Pichler under the title Bilderbuch zum Nutzen und Vergnügen der Jugend, with German and French text, in volumes of fifty plates each, and it...

The Vienna edition was published by Anton Pichler under the title Bilderbuch zum Nutzen und Vergnügen der Jugend, with German and French text, in volumes of fifty plates each, and it...

Schmuzer at lower left, for Jacob Xaver Schmuzer, one of the Viennese engravers of this edition.

The Vienna edition was published by Anton Pichler under the title Bilderbuch zum Nutzen und Vergnügen der Jugend, with German and French text, in volumes of fifty plates each, and it...

The Vienna edition was published by Anton Pichler under the title Bilderbuch zum Nutzen und Vergnügen der Jugend, with German and French text, in volumes of fifty plates each, and it...

The Vienna edition was published by Anton Pichler under the title Bilderbuch zum Nutzen und Vergnügen der Jugend, with German and French text, in volumes of fifty plates each, and it...

The Vienna edition was published by Anton Pichler under the title Bilderbuch zum Nutzen und Vergnügen der Jugend, with German and French text, in volumes of fifty plates each, and it...

The Vienna edition was published by Anton Pichler under the title Bilderbuch zum Nutzen und Vergnügen der Jugend, with German and French text, in volumes of fifty plates each, and it...

The Vienna edition was published by Anton Pichler under the title Bilderbuch zum Nutzen und Vergnügen der Jugend, with German and French text, in volumes of fifty plates each, and it...

The Vienna edition was published by Anton Pichler under the title Bilderbuch zum Nutzen und Vergnügen der Jugend, with German and French text, in volumes of fifty plates each, and it...

The plates bear engraved signatures of Jacob Hauer Schmuzer, one of the engravers associated with Bertuch’s monumental publication.

The plate is signed by Jacob Xaver Schmuzer, one of the Viennese engravers who worked on this edition.

The initials J.X.S. in the lower margin are those of the Viennese engraver Jacob Xaver Schmuzer. The plate is a copper engraving with original hand colour, as the Vienna volumes were...

The plate is signed by Jacob Xaver Schmuzer, one of the Viennese engravers who worked on this edition.

The plate is signed by Jacob Xaver Schmuzer, one of the Viennese engravers who worked on this edition.

The plate is signed by Jacob Xaver Schmuzer, one of the Viennese engravers who worked on this edition.

The initials J.X.S. engraved in the right margin are those of Jacob Xaver Schmuzer, the Viennese engraver who signed many plates of this edition.

The plate is signed by Jacob Xaver Schmuzer, one of the Viennese engravers who worked on this edition.

The plate is signed by Jacob Xaver Schmuzer, one of the Viennese engravers who worked on this edition.

The plate is signed by Jacob Xaver Schmuzer, one of the Viennese engravers who worked on this edition.

The plate is signed by Jacob Xaver Schmuzer, one of the Viennese engravers who worked on this edition.

The plate is signed by Jacob Xaver Schmuzer, one of the Viennese engravers who worked on this edition.

The plate is signed by Jacob Xaver Schmuzer, one of the Viennese engravers who worked on this edition.

Schmuzer in the lower margin, for Jacob Xaver Schmuzer, one of the Viennese engravers of this edition.

The plate is signed by Jacob Xaver Schmuzer, one of the Viennese engravers who worked on this edition.

The plate is signed by Jacob Xaver Schmuzer, one of the Viennese engravers who worked on this edition.

The plate is signed by Jacob Xaver Schmuzer, one of the Viennese engravers who worked on this edition.

The plate is signed by Jacob Xaver Schmuzer, one of the Viennese engravers who worked on this edition.

The plate is signed by Jacob Xaver Schmuzer, one of the Viennese engravers who worked on this edition.

The plate is signed by Jacob Xaver Schmuzer, one of the Viennese engravers who worked on this edition.

The plate is signed by Jacob Xaver Schmuzer, one of the Viennese engravers who worked on this edition.

The small initials J.X.S. in the lower margin are those of the Viennese engraver Jacob Xaver Schmuzer. The plate is a copper engraving with original hand colour, as the Vienna volume...

The plate is signed by Jacob Xaver Schmuzer, one of the Viennese engravers who worked on this edition.

The plate is inscribed at the bottom: “Gezeich. u. gest. von Jacob Xaver Schmuzer” meaning “drawn and engraved by Jacob Xaver Schmuzer.”