Jali Screen

Designed by Paul Mathieu for the Stephanie Odegard Collection. The Jour Jali Square Table carries the discipline of palace jali screens into a compact furniture form.

Designed by Paul Mathieu for the Stephanie Odegard Collection. The Jour Jali Square Table carries the discipline of palace jali screens into a compact furniture form.

Designed by Paul Mathieu for the Stephanie Odegard Collection. The Jour Jali Square Table carries the discipline of palace jali screens into a compact furniture form.

Designed by Paul Mathieu for the Stephanie Odegard Collection. The Jour Jali Square Table carries the discipline of palace jali screens into a compact furniture form.

The ironwork displays a richly textured pattern of interlocking quatrefoils, evoking traditional jali screens used for both security and ornamentation in Indian architecture.

Hand-pierced from Rainbow Teakwood Stone with a geometric jali pattern, this compact side table translates the architectural tradition of carved stone screens into furniture scale.

The design draws from the tradition of Mughal jali screens, where geometric stone latticework was used to filter light, air, and views within architecture.

The design draws from the tradition of Mughal jali screens, where geometric stone latticework was used to filter light, air, and views within architecture.

The design draws from the tradition of Mughal jali screens, where geometric stone latticework was used to filter light, air, and views within architecture.

Designed by Paul Mathieu for the Stephanie Odegard Collection. The Jour Jali Square Table carries the discipline of palace jali screens into a compact furniture form.

Designed by Paul Mathieu for the Stephanie Odegard Collection. The Jour Jali Square Table carries the discipline of palace jali screens into a compact furniture form.

Designed by Paul Mathieu for the Stephanie Odegard Collection. The Jour Jali Square Table carries the discipline of palace jali screens into a compact furniture form.

Designed by Paul Mathieu for the Stephanie Odegard Collection. The Jour Jali Square Table carries the discipline of palace jali screens into a compact furniture form.

Designed by Paul Mathieu for the Stephanie Odegard Collection. The Jour Jali Square Table carries the discipline of palace jali screens into a compact furniture form.

Designed by Paul Mathieu for the Stephanie Odegard Collection. The Jour Jali Square Table carries the discipline of palace jali screens into a compact furniture form.

Designed by Paul Mathieu for the Stephanie Odegard Collection. The Jour Jali Square Table carries the discipline of palace jali screens into a compact furniture form.

Designed by Paul Mathieu for the Stephanie Odegard Collection. The Jour Jali Square Table carries the discipline of palace jali screens into a compact furniture form.

Designed by Paul Mathieu for the Stephanie Odegard Collection. The Jour Jali Square Table carries the discipline of palace jali screens into a compact furniture form.

Designed by Paul Mathieu for the Stephanie Odegard Collection. The Jour Jali Square Table carries the discipline of palace jali screens into a compact furniture form.

Designed by Paul Mathieu for the Stephanie Odegard Collection. The Jour Jali Square Table carries the discipline of palace jali screens into a compact furniture form.

Designed by Paul Mathieu for the Stephanie Odegard Collection. The Jour Jali Square Table carries the discipline of palace jali screens into a compact furniture form.

Designed by Paul Mathieu for the Stephanie Odegard Collection. The Jour Jali Square Table carries the discipline of palace jali screens into a compact furniture form.

Designed by Paul Mathieu for the Stephanie Odegard Collection. The Jour Jali Square Table carries the discipline of palace jali screens into a compact furniture form.

Designed by Paul Mathieu for the Stephanie Odegard Collection. The Jour Jali Square Table carries the discipline of palace jali screens into a compact furniture form.

Designed by Paul Mathieu for the Stephanie Odegard Collection. The Jour Jali Square Table carries the discipline of palace jali screens into a compact furniture form.

Designed by Paul Mathieu for the Stephanie Odegard Collection. The Jour Jali Square Table carries the discipline of palace jali screens into a compact furniture form.

Designed by Paul Mathieu for the Stephanie Odegard Collection. The Jour Jali Square Table carries the discipline of palace jali screens into a compact furniture form.

Designed by Paul Mathieu for the Stephanie Odegard Collection. The Jour Jali Square Table carries the discipline of palace jali screens into a compact furniture form.

Carved from Rainbow Teakwood Stone with a geometric jali pattern pierced through all visible sides, this compact side table draws directly from the tradition of Mughal stone screens.

The design draws from the tradition of Mughal jali screens, where geometric stone latticework was used to filter light, air, and views within architecture.

The design draws from the tradition of Mughal jali screens, where geometric stone latticework was used to filter light, air, and views within architecture.

The design draws from the tradition of Mughal jali screens, where geometric stone latticework was used to filter light, air, and views within architecture.

Modern marble side table or bedside tables by Paul Mathieu for Stephanie Odegard are inspired by the elegant pierced marble “Jali” screens and windows he saw in the palaces of Mughal...

The continuous pattern echoes the intricate carved jali screens of Mughal architecture, offering a sense of infinite expansion across the canvas.

Designed by Paul Mathieu for the Stephanie Odegard Collection. The Jour Jali Square Table carries the discipline of palace jali screens into a compact furniture form.

Designed by Paul Mathieu for the Stephanie Odegard Collection. The Jour Jali Square Table carries the discipline of palace jali screens into a compact furniture form.

Designed by Paul Mathieu for the Stephanie Odegard Collection. The Jour Jali Square Table carries the discipline of palace jali screens into a compact furniture form.

Designed by Paul Mathieu for the Stephanie Odegard Collection. The Jour Jali Square Table carries the discipline of palace jali screens into a compact furniture form.

Designed by Paul Mathieu for the Stephanie Odegard Collection. The Jour Jali Square Table carries the discipline of palace jali screens into a compact furniture form.

Designed by Paul Mathieu for the Stephanie Odegard Collection. The Jour Jali Square Table carries the discipline of palace jali screens into a compact furniture form.

Designed by Paul Mathieu for the Stephanie Odegard Collection. The Jour Jali Square Table carries the discipline of palace jali screens into a compact furniture form.

Designed by Paul Mathieu for the Stephanie Odegard Collection. The Jour Jali Square Table carries the discipline of palace jali screens into a compact furniture form.

Designed by Paul Mathieu for the Stephanie Odegard Collection. The Jour Jali Square Table carries the discipline of palace jali screens into a compact furniture form.

The design draws from the tradition of Mughal jali screens, where geometric stone latticework was used to filter light, air, and views within architecture.

Three shaped crests complete the upper edge of the headboard, giving the composition an architectural quality reminiscent of carved jali screens and decorative woodwork found through...

Designed by Paul Mathieu for the Stephanie Odegard Collection. The Jour Jali Square Table carries the discipline of palace jali screens into a compact furniture form.

The design draws from the tradition of Mughal jali screens, where geometric stone latticework was used to filter light, air, and views within architecture.

This recent, borderless bitonal room size shows a pared-down cartouche lattice in Mughal style, but with the defined reserves unpatterned. Looks like an India jali (stone window scre...

The designs illustrated here echo the carved marble inlays, jali (lattice) screens, and tile decorations found in Mughal palaces and mosques, such as the Red Fort in Delhi or the Taj...

In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a vis...

In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a vi...

In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a vis...

In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a vis...

In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a vis...

In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a vis...

In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a vis...

In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a vis...

In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a vis...

In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a vis...

In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a vi...