John Cage

His philosophy of natural order influenced generations of artists, from Henry Moore and Barbara Hepworth to Ellsworth Kelly, Isamu Noguchi, and Jean (Hans) Hartung, while his belief ...

In 1948, De Kooning spent the summer at Black Mountain College near Asheville, North Carolina, where she played the title role in a production of Erik Satie’s Le piège de Méduse (The...

Auden, Francis Bacon, Joan Baez, Louise Bourgeois, David Bowie, Jimmy Breslin, William Burroughs, John Cage, Leo Castelli, Christo, Leonard Cohen, Merce Cunningham, William de Koonin...

In addition to lectures from Jean Arp, Adolph Gottlieb, Jimmy Ernst, Willem de Kooning, Ad Reinhardt, John Cage, and Harold Rosenborg, which depended on the interaction of the genera...

Pioneered with artists Claes Oldenburg and Allan Kaprow, in conjunction with musician John Cage, the "Happenings" were chaotic performance art that was a stark contrast with the more...

Although Rauschenberg considered Albers his most important teacher, he found a more compatible sensibility in John Cage, an established composer of avant-garde music.

Some works are more minimal than others, like a one-note musical composition by John Cage. Using the mail as a means to exchange ideas became known as Mail Art.

Some works are more minimal than others, like a one-note musical composition by John Cage. Using the mail as a means to exchange ideas became known as Mail Art.

Auden, Francis Bacon, Joan Baez, Louise Bourgeois, David Bowie, Jimmy Breslin, William Burroughs, John Cage, Leo Castelli, Christo, Leonard Cohen, Merce Cunningham, William de Koonin...

In the late 1980s, Steir became influenced by the artists John Cage and Agnes Martin and began producing dripped, splashed and poured works, embracing the element of chance.

In the late 1980s, Steir became influenced by the artists John Cage and Agnes Martin and began producing dripped, splashed and poured works, embracing the element of chance.

In the late 1980s, Steir became influenced by the artists John Cage and Agnes Martin and began producing dripped, splashed and poured works, embracing the element of chance.

In the late 1980s, Steir became influenced by the artists John Cage and Agnes Martin and began producing dripped, splashed and poured works, embracing the element of chance.

Auden, Francis Bacon, Joan Baez, Louise Bourgeois, David Bowie, Jimmy Breslin, William Burroughs, John Cage, Leo Castelli, Christo, Leonard Cohen, Merce Cunningham, William de Koonin...

In the late 1980s, Steir became influenced by the artists John Cage and Agnes Martin and began producing dripped, splashed and poured works, embracing the element of chance.

He created stage sets as early as 1935 for Martha Graham, beginning a lifelong collaboration; as well as for Merce Cunningham, Erick Hawkins, and George Balanchine and composer John ...

He created stage sets as early as 1935 for Martha Graham, beginning a lifelong collaboration; as well as for Merce Cunningham, Erick Hawkins, and George Balanchine and composer John ...

He created stage sets as early as 1935 for Martha Graham, beginning a lifelong collaboration; as well as for Merce Cunningham, Erick Hawkins, and George Balanchine and composer John ...

He created stage sets as early as 1935 for Martha Graham, beginning a lifelong collaboration; as well as for Merce Cunningham, Erick Hawkins, and George Balanchine and composer John ...

He created stage sets as early as 1935 for Martha Graham, beginning a lifelong collaboration; as well as for Merce Cunningham, Erick Hawkins, and George Balanchine and composer John ...

He created stage sets as early as 1935 for Martha Graham, beginning a lifelong collaboration; as well as for Merce Cunningham, Erick Hawkins, and George Balanchine and composer John ...

He created stage sets as early as 1935 for Martha Graham, beginning a lifelong collaboration; as well as for Merce Cunningham, Erick Hawkins, and George Balanchine and composer John ...

He created stage sets as early as 1935 for Martha Graham, beginning a lifelong collaboration; as well as for Merce Cunningham, Erick Hawkins, and George Balanchine and composer John ...

Amongst the group's membership were legendary artists and thinkers including Willem and Elaine de Kooning, Franz Kline, John Cage, Robert Motherwell, Joseph Campbell, Barnett Newman,...

Returning to New York the following spring, Rauschenberg’s work became increasingly conceptual, generating Automobile Tire Print, with John Cage (1953), and Erased de Kooning Drawing...

Inspired by an eclectic range of sources, including the Surrealists, pre-Columbian manuscripts, modern Mexican art, John Cage, jazz, and underground comic artists like Crumb, Fahlstr...

Following the legacies of Robert Rauschenberg and John Cage, she works to narrow the gap between "art" and "life".

Following the legacies of Robert Rauschenberg and John Cage, she works to narrow the gap between "art" and "life".

Following the legacies of Robert Rauschenberg and John Cage, she works to narrow the gap between "art" and "life".

Following the legacies of Robert Rauschenberg and John Cage, she works to narrow the gap between "art" and "life".

Following the legacies of Robert Rauschenberg and John Cage, she works to narrow the gap between "art" and "life".

He created stage sets as early as 1935 for Martha Graham, beginning a lifelong collaboration; as well as for Merce Cunningham, Erick Hawkins, and George Balanchine and composer John ...

During intermittent study there through 1952, he met avant-garde creative partners John Cage and Merce Cunningham, with whom he would later collaborate.

The works included came from artists both well-renowned and obscure, including Marcel Duchamp, Roy Lichtenstein, Man Ray, Christo, Richard Hamilton, Claes Oldenburg, John Cage, Terry...

Those already known to Guggenheim through their partners included Xenia Cage, wife of the composer John Cage, Frida Kahlo, wife of Diego Rivera, who was noted for his frescoes, Sophi...

During intermittent study there through 1952, he met avant-garde creative partners John Cage and Merce Cunningham, with whom he would later collaborate.

During intermittent study there through 1952, he met avant-garde creative partners John Cage and Merce Cunningham, with whom he would later collaborate.

The short-lived school hoped to promote avant-garde art through lectures by artists such as Jean Arp, John Cage, and Ad Reinhardt, but the school failed financially and closed in 194...

The short-lived school hoped to promote avant-garde art through lectures by artists such as Jean Arp, John Cage, and Ad Reinhardt, but the school failed financially and closed in 194...

The short-lived school hoped to promote avant-garde art through lectures by artists such as Jean Arp, John Cage, and Ad Reinhardt, but the school failed financially and closed in 194...

The short-lived school hoped to promote avant-garde art through lectures by artists such as Jean Arp, John Cage, and Ad Reinhardt, but the school failed financially and closed in 194...

The short-lived school hoped to promote avant-garde art through lectures by artists such as Jean Arp, John Cage, and Ad Reinhardt, but the school failed financially and closed in 194...

Through his relationship to Kaprow, Segal was introduced to the New York avant-garde scene surrounding John Cage and Merce Cunningham, as well as awarded a membership to the Hansa Ga...

Concomitant with his animation work, the artist became especially interested in the musical architecture of silence of John Cage and in response to Cage's objective to look through s...

Concomitant with his animation work, the artist became especially interested in the musical architecture of silence of John Cage and in response to Cage's objective to look through s...

Concomitant with his animation work, the artist became especially interested in the musical architecture of silence of John Cage and in response to Cage's objective to look through s...

Well-attended lectures were open to the public with speakers such as Hans Jean Arp, John Cage and Ad Reinhardt. The school failed financially and closed in the spring of 1949.

I do not intend to write here about my next destination, New York City, not about the wonderful people who were my hosts, not about Mildred the pianist, who worked with John Cage, no...

I do not intend to write here about my next destination, New York City, not about the wonderful people who were my hosts, not about Mildred the pianist, who worked with John Cage, no...

Johnson decided on Albers' advice to stay at BMC for a final term in summer 1948, when the visiting faculty included John Cage, Merce Cunningham, Willem de Kooning, Buckminster Fulle...

Bauermeister ultimately stayed in New York for ten years, forming lasting friendships with a number of artists, musicians, choreographers and writers; in addition to Johns, Rauschenb...

I do not intend to write here about my next destination, New York City, not about the wonderful people who were my hosts, not about Mildred the pianist, who worked with John Cage, no...

A rare British advance Double Crown poster for John Woo's 1997 face-swapping sci-fi action thriller 'Face/Off,' starring John Travolta and Nicholas Cage as arch enemies who undergo e...

[clipping citation] EXHIBITED: The Art Institute of Chicago, 1940, The International Watercolor Exhibition, no. 156, illus. on cover as Bird in Cage EX COLL.: the artist; to privat...

Their subjects included Peter Beard, Louise Bourgeois, John Cage, Gilbert and George, Taylor Mead, Jonas Mekas, Marilyn Minter, Carolee Schneemann, Lawrence Weiner, Leo Castelli, Den...

She was friends with Alfred Hitchcock, John Cage, Saul Bass, Buckminster Fuller and Charles and Ray Eames.