La Revue Blanche

) rue Bergère à Paris. Composition créée en 1894 pour la Revue Blanche. Les Maîtres de l'Affiche n°38

lithograph poster featuring the iconic "La Revue Blanche" image. Printed by Mourlot, Paris.

Lithograph in Colors. Framed

Please contact our gallery for best price. This large color lithograph printed in four colors of blue, red, black, and green was published by G. Carpentier and E. Fasquelle, Paris. I...

Expressionists. The poster depicts an elegantly dressed woman wearing a hat, holding La Revue Blanche in one hand

reviewed by critic Félix Fénéon in the art and literary magazine "La Revue Blanche." Valtat's friend

This reproduction of Henri de Toulouse-Lautrec's iconic La Revue Blanche is a beautifully crafted

Pierre Bonnard ( 1867 - 1947 ) - La Revue Blanche - signed P. Bonnard 94' - Imp. Edw. Ancourt

Henri de Toulouse-Lautrec (1864 - 1901) "La Revue Blanche" Origianl lithograph from "les Maitres

Henri de Toulouse-Lautrec's "Jane Avril, Jardin de Paris" poster, created in 1898, is an emblematic piece of poster art at the time. It is part of the "Maîtres de l'Affiche" collecti...

Painters ( Les Peintres de la revue blanche) in Paris; with the Nabis at Café Volponi in Paris; before

which life sprang forth vigorously. Among his series of engravings is Intimités, published in La Revue

Vogue and La Revue Blanche. His work draws a picture of the society of the period, not in a strictly

of Steinlen, Caran d'Ache and Toulouse-Lautrec in the journals La Pléiade, La Vogue and La Revue

the Nabis. While in France, he contributed to the periodical La Revue blanche. He returned to Hungary

collection M.S. Rau, New Orleans Exhibitions: Paris, La Revue blanche, Georges Seurat, Œuvres peintes et

association with La Revue Blanche, for which he and Edouard Vuillard designed frontispiece In March 1891, his

Indépendants. In the same year Bonnard also began an association with La Revue Blanche, for which he and

association with La Revue Blanche, for which he and Edouard Vuillard designed frontispiece In March 1891, his

des Artistes Indépendants. In the same year Bonnard also began an association with La Revue Blanche

association with La Revue Blanche, for which he and Edouard Vuillard designed frontispiece In March 1891, his

des Artistes Indépendants. In the same year Bonnard also began an association with La Revue Blanche

association with La Revue Blanche, for which he and Edouard Vuillard designed frontispiece In March 1891, his

association with La Revue Blanche, for which he and Edouard Vuillard designed frontispiece In March 1891, his

( Bonnard, Vuillard et les Nabis) at the Musée d’Art Moderne de la Ville; 1966, La Revue Blanche at the

work of Steinlen, Caran d'Ache and Toulouse-Lautrec in the journals La Pléiade, La Vogue and La Revue

( Bonnard, Vuillard et les Nabis) at the Musée d’Art Moderne de la Ville; 1966, La Revue Blanche at the

la Ville; 1966, La Revue Blanche at the Galerie Maeght; 1990, At the Time of the Nabis ( Au Temps des

Pierre Bonnard 1894 La Revue Blanche Art Nouveau poster. Pierre Bonnard (French, 1867-1947) La

La Revue Blanche is an original mixed colored lithograph realized by Pierre Bonnard (1867 Foutenay

Pierre Bonnard's "La revue Blanche" poster, created in 1896, is considered a masterpiece of poster

Lithograph of Henri de Toulouse-Lautrec’s design for La revue blanche (The White Review), a

Stone lithograph of Henri de Toulouse-Lautrec’s design for La revue blanche (The White Review), a

-Lautrec', lithography by Mourlot Freres. Features four colors: blue, red, black and green. La Belle

Pierre Bonnard The Elegant Woman (La Revue Blanche), 1895 Stone lithograph Printed signature in

Signed in the stone lower right with the artist’s initials “EV” From: La Revue Blanche, Tome VI

, printed on newsprint, 1894 Monogramed in the stone (see photo) Published in La revue Blanche, in the NIB

work of Steinlen, Caran d'Ache and Toulouse-Lautrec in the journals La Pléiade, La Vogue and La Revue

d'Ache and Toulouse-Lautrec in the journals La Pléiade, La Vogue and La Revue Blanche. His work draws a

work of Steinlen, Caran d'Ache and Toulouse-Lautrec in the journals La Pléiade, La Vogue and La Revue

, Caran d'Ache and Toulouse-Lautrec in the journals La Pléiade, La Vogue and La Revue Blanche. His work

commissioned to provide illustrations for the art and literary journal La Revue Blanche. After 1900, however

, titled Intimacies (published in La Revue blanche in 1898), 10 woodcuts depicting private marital moments

, titled Intimacies (published in La Revue blanche in 1898), 10 woodcuts depicting private marital moments

( Bonnard, Vuillard et les Nabis) at the Musée d’Art Moderne de la Ville; 1966, La Revue Blanche at the

-Impressionism (Editions de la Revue blanche, Paris, 1899; H. Floury, Paris, 1911; Hermann, Paris, 1964), in

One of Bonnard's best known posters, this is an advertisement for the literary magazine "La Revue

commissioned by “La Revue Blanche”, the successful art and literary journal, to design their annual poster

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