Large Prints

Signed in pencil, from the edition of 260 (there was also an edition of 50 with larger margins). Printed by Roger Lacourière, published by Ambroise Vollard, Paris.

We do not frame the extra large, 40x60" print sizes because they are too large to ship without risking damage.

We do not frame the extra large, 40x60" print sizes because they are too large to ship without risking damage.

We do not frame the extra large, 40x60" print sizes because they are too large to ship without risking damage.

We do not frame the extra large, 40x60" print sizes because they are too large to ship without risking damage.

We do not frame the extra large, 40x60" print sizes because they are too large to ship without risking damage.

We do not frame the extra large, 40x60" print sizes because they are too large to ship without risking damage.

We do not frame the extra large, 40x60" print sizes because they are too large to ship without risking damage.

We do not frame the extra large, 40x60" print sizes because they are too large to ship without risking damage.

We do not frame the extra large, 40x60" print sizes because they are too large to ship without risking damage.

We do not frame the extra large, 40x60" print sizes because they are too large to ship without risking damage.

We do not frame the extra large, 40x60" print sizes because they are too large to ship without risking damage.

We do not frame the extra large, 40x60" print sizes because they are too large to ship without risking damage.

We do not frame the extra large, 40x60" print sizes because they are too large to ship without risking damage.

We do not frame the extra large, 40x60" print sizes because they are too large to ship without risking damage.

We do not frame the extra large, 40x60" print sizes because they are too large to ship without risking damage.

We do not frame the extra large, 40x60" print sizes because they are too large to ship without risking damage.

We do not frame the extra large, 40x60" print sizes because they are too large to ship without risking damage.

We do not frame the extra large, 40x60" print sizes because they are too large to ship without risking damage.

We do not frame the extra large, 40x60" print sizes because they are too large to ship without risking damage.

We do not frame the extra large, 40x60" print sizes because they are too large to ship without risking damage.

We do not frame the extra large, 40x60" print sizes because they are too large to ship without risking damage.

We do not frame the extra large, 40x60" print sizes because they are too large to ship without risking damage.

We do not frame the extra large, 40x60" print sizes because they are too large to ship without risking damage.

Shortly thereafter, Ray’s treatment of animals developed further into larger format mixed intaglio prints utilizing hard ground, soft ground, etching, and engraving, as exemplified i...

We do not frame the extra large, 40x60" print sizes because they are too large to ship without risking damage.

We do not frame the extra large, 40x60" print sizes because they are too large to ship without risking damage.

We do not frame the extra large, 40x60" print sizes because they are too large to ship without risking damage.

We do not frame the extra large, 40x60" print sizes because they are too large to ship without risking damage.

We do not frame the extra large, 40x60" print sizes because they are too large to ship without risking damage.

We do not frame the extra large, 40x60" print sizes because they are too large to ship without risking damage.

We do not frame the extra large, 40x60" print sizes because they are too large to ship without risking damage.

The smaller format and the fact the “Maitres” were a paid subscription series, allowed Imprimerie Chaix to use the latest state of the art printing techniques, not normally used in t...

(image) Carborundum engraving Fabriano paper From the album "Journal d'un fou This large format carborundum print offers a dialogue between variations of brown tones and touches of b...

Reference: Laboureur 489, second state (of 6), In very good condition, with large margins, printed on a cream wove paper, 10 1/8 x 11 7/8, the sheet 14 x 19 inches.

The San Diego Museum of Art has a large collection of Belleroche prints, some of which were included in the exhibition that they held entitled "A Century of Lithography".

We do not frame the extra large, 40x60" print sizes because they are too large to ship without risking damage.

We do not frame the extra large, 40x60" print sizes because they are too large to ship without risking damage.

We do not frame the extra large, 40x60" print sizes because they are too large to ship without risking damage.

We do not frame the extra large, 40x60" print sizes because they are too large to ship without risking damage.

We do not frame the extra large, 40x60" print sizes because they are too large to ship without risking damage.

We do not frame the extra large, 40x60" print sizes because they are too large to ship without risking damage.

We do not frame the extra large, 40x60" print sizes because they are too large to ship without risking damage.

Lithographic reproduction executed by Charles Sorlier from a large original print, "The Magician of Paris", 1970 from the second printing of 3500 proofs and is identified by the two ...

We do not frame the extra large, 40x60" print sizes because they are too large to ship without risking damage.

Framed in black with black mount board, this postcard-sized print is from a set of ten announcement cards published to advertise Warhol's then soon-to-be-released portfolio of ten la...

BROWN LADY II is a fanciful portrait of an elegant woman dressed in brown, wearing an elaborately adorned flower hat with lush painterly blossoms in shades of warm red, yellow, rose ...

We do not frame the extra large, 40x60" print sizes because they are too large to ship without risking damage.

Shortly thereafter, Ray’s treatment of animals developed further into larger format mixed intaglio prints utilizing hard ground, soft ground, etching, and engraving, as exemplified i...

We do not frame the extra large, 40x60" print sizes because they are too large to ship without risking damage.

We do not frame the extra large, 40x60" print sizes because they are too large to ship without risking damage.

We do not frame the extra large, 40x60" print sizes because they are too large to ship without risking damage.

The San Diego Museum of Art has a large collection of Belleroche prints, some of which were included in the exhibition that they held entitled "A Century of Lithography".

We do not frame the extra large, 40x60" print sizes because they are too large to ship without risking damage.

Framed in black with black mount board, this postcard-sized print is from a set of ten announcement cards published to advertise Warhol's then soon-to-be-released portfolio of ten la...

We do not frame the extra large, 40x60" print sizes because they are too large to ship without risking damage.

We do not frame the extra large, 40x60" print sizes because they are too large to ship without risking damage.

We do not frame the extra large, 40x60" print sizes because they are too large to ship without risking damage.

We do not frame the extra large, 40x60" print sizes because they are too large to ship without risking damage.

The smaller format and the fact the “Maitres” were a paid subscription series, allowed Imprimerie Chaix to use the latest state of the art printing techniques, not normally used in t...