Le Brun

Alessandro Maffei, After Elisabeth Louise Vigee Le Brun, Italian - Portrait of Marie Gabrielle de

are based off of works by the 17th century French painter, Charles Le Brun. Le Brun served as a court

and gold with a central reproduction of Elisabeth Vigee Le Brun’s 1789 Self Portrait with Her Daughter

-Louise called Julie, realized by Élisabeth Vigée Le Brun in 1789. The group is set on a red marble base

l'Asie Mineure (..)', by Corneille le Brun (Cornelis de Bruyn), published by Henri de Kroonevelt, Delft

Antique print titled 'Tire du cabinet de Mr. le Brun, d'après le Tableau original de C. Maes

painting Madame Vigée Le Brun and her daughter by French painter Élisabeth Vigée Le Brun in 1789. This

Antique print titled 'Tire du cabinet de Mr. le Brun, d'après le Tableau original de Melchior

A finely detailed engraving by Edmé Jeaurat (1688-1738) after a tapestry by Charles Le Brun (1619

by Elisabeth Louise Vigée Le Brun (1755-1842). This French miniature has been painted on celluloid

A gem studded masterpiece, modeled after Elisabeth Vigee Le Brun's 18th century self portrait with

Copper-line engraving by Mathys Pool (1676-1732) after Picart and Charles Le Brun (1619-1690). 1718

the renowned weaver, Jan Leyniers, after cartoons by Charles Le Brun and François Bellin for the

Each plate painted by S. Stanley, after paintings by Reynolds, Gainsborough, Le Brun, Romney. The

celebrated composition by Charles Le Brun (1619–1690), first painter to King Louis XIV. This powerful work

original by Charles Le Brun (1619-1690) Measuring 3.75 by 3 in. (9.52 x 7.62 cm.).

masterpiece “Portiere des Renommees” designed by Charles Le Brun, the famed First Painter to King Louis XIV

to the circle of Elizabeth Vigee Le Brun. The sitter is Madam van Robais. The van Robais family is a

a carved and painted ceiling vault by Charles Le Brun in the Louvre ornaments. This print originates

Rome by Le Brun, who created the original work that these were based off of. Printed by Mortar on paper

chapeau de paille) inspired by the painting of French painter Élisabeth Vigée Le Brun. The e painting

, Reine de France”, after Elisabeth Louise Vigée-Le Brun, 1828, engraving, inscribed “Peint par Rossline

French artist Élisabeth Vigée Le Brun (1755-1842). Comes with its original tissue cover sleeve. This

Perseus, after Charles Le Brun.Training under Gerard Audran, the son of the famous Claude Audran the Elder

painting teachers of Mme. Elisabeth Louise Vigée Le Brun. He visited Italy in 1749, became an Academician

remember that Leonardo da Vinci was interested in this type of study. Charles Le Brun is also well known

Syrie, et de la Terre Sainte…', by Corneille le Brun (Cornelis de Bruyn), published by Henri de

Leonardo da Vinci was interested in this type of study. Charles Le Brun is also well known for his attempt

Corneille Le Brun (Cornelis de Bruyn), published by Henri de Kroonevelt, Delft, 1700.

legendary Gobelins Workshop for the Sun King himself, this piece channels the vision of Charles Le Brun, the

. Madame de Stael’s image here appears to have been inspired by a portrait of 1807-9 by Vigée Le Brun

her feet. This painting is a major work of art of C. G. Brun, well-know for the precision of his

and engraver. He received his art education from his father, Etienne (1632-1721), from Le Brun and

celebrated “Children Gardeners” designs of Charles Le Brun, the scene presents playful putti weaving flower

. Charles Le Brun is also well known for his attempt to codify the different forms of expression. It was an

his art education from his father, Etienne (1632-1721), from Le Brun and Jouvenet at the Royal Academy

distant architecture. The composition reflects the influence of François Duquesnoy and Charles Le Brun

. Gwen Lux created in a period with other incredible female artists including: Louise Élisabeth Vigée Le

the second half of the XVII Century. Original Etching on paper. D'aprés Charles Le Brun. Good

portraits. He was a near-contemporary of the Premier Peintre du Roi Charles Le Brun with whom he engaged in

portraits. He was a near-contemporary of the Premier Peintre du Roi Charles Le Brun with whom he engaged in

education from his father, Etienne (1632-1721), from Le Brun and Jouvenet at the Royal Academy. His talents

engraver. He received his art education from his father, Etienne (1632-1721), from Le Brun and Jouvenet at

subsequent interpretation, Charles Le Brun (1619-1690), between 1679 and 1684, conceived and painted the

(1715–1767), the father of the renowned royal portraitist Élisabeth Vigée Le Brun, was known for his

generally inspired by the designs of Jean Bérain, Daniel Marot, C. de Moelder or Le Pautre, whose books of

casters during the reign of Louis XV. A nephew of Charles Le Brun, the chief designer and painter to Louis

Gersaint, Paris, 1910). In fact, the Montulle and Le Brun catalogues indicate that Pater did two or three

Etching From Histoire Naturelle, Quadrupèdes. On laid paper, plate 16, depicting four species of New World monkeys shown in naturalistic poses within a framed composition. The plate...

engraver. He received his art education from his father, Etienne (1632-1721), from Le Brun and Jouvenet at

, Etienne (1632-1721), from Le Brun and Jouvenet at the Royal Academy. His talents developed rapidly: at the

Beautiful marble statue, a portrait of a young woman, cut from Carrara marble. The statue has a beautiful artistic look. The woman's refined, serene face contrasts beautifully with t...

father. Around 1665, sponsored by Charles Le Brun, he settled in Paris and obtained numerous

. 280 cm, 230 cm). In 1674 Charles le Brun received the commission for a portrait of Louis XIV on

painter and engraver. He received his art education from his father, Etienne (1632-1721), from Le Brun and

-1721), from Le Brun and Jouvenet at the Royal Academy. His talents developed rapidly: at the age of

French decorator Charles Le Brun, Berain was working at the Louvre when appointed, in 1674, royal