Bunch of Orchids in Red Japanese Vase Through Window
By James Pitts
Located in Sante Fe, NM
dialogue between the bloom and an environment. Being present in the liminal space is intoxicating and the
Archival Pigment
Day For Night Abstract Painting, 2020, Acrylic on Canvas, 48x48 Inches, Unframed
By Troy Smith Studio
Located in Toronto, CA
powerful and contemplative, capturing a liminal space where day fades into darkness, yet light continues to
Canvas, Acrylic
Very Tiny Folder over Wildflower in Black Teardrop Sculpey
By James Pitts
Located in Sante Fe, NM
dialogue between the bloom and an environment. Being present in the liminal space is intoxicating and the
Archival Pigment
Tiny Daffodyl in Green Japanese Squash Vase
By James Pitts
Located in Sante Fe, NM
dialogue between the bloom and an environment. Being present in the liminal space is intoxicating and the
Archival Pigment
Tiny Daisy Four Sculpey Vases
By James Pitts
Located in Sante Fe, NM
dialogue between the bloom and an environment. Being present in the liminal space is intoxicating and the
Archival Pigment
Ranunculus and Bud in First Sculpey Vase Shadows
By James Pitts
Located in Sante Fe, NM
dialogue between the bloom and an environment. Being present in the liminal space is intoxicating and the
Archival Pigment
Two Unopened Wildflowers Tall Coil Sculpey Symmetrical Reflection
By James Pitts
Located in Sante Fe, NM
dialogue between the bloom and an environment. Being present in the liminal space is intoxicating and the
Archival Pigment
Drooping Cyclamen in Coil Sculpt on Gold Rectangle
By James Pitts
Located in Sante Fe, NM
dialogue between the bloom and an environment. Being present in the liminal space is intoxicating and the
Archival Pigment
Lisianthis Bud in Indian Pot on Old Camera
By James Pitts
Located in Sante Fe, NM
dialogue between the bloom and an environment. Being present in the liminal space is intoxicating and the
Archival Pigment
Pink Campanula in Square Sculpey Facing Left
By James Pitts
Located in Sante Fe, NM
dialogue between the bloom and an environment. Being present in the liminal space is intoxicating and the
Platinum
Climatis in Victoria's Sculpie Vase
By James Pitts
Located in Sante Fe, NM
dialogue between the bloom and an environment. Being present in the liminal space is intoxicating and the
Archival Pigment
Drooping Tulip in White Japanese Vase Facing Right
By James Pitts
Located in Sante Fe, NM
dialogue between the bloom and an environment. Being present in the liminal space is intoxicating and the
Archival Pigment
Flower Gold Sculpey Edge of Table
By James Pitts
Located in Sante Fe, NM
dialogue between the bloom and an environment. Being present in the liminal space is intoxicating and the
Archival Pigment
Campanula in Twisty Sculpey Vertical Facing Right
By James Pitts
Located in Sante Fe, NM
dialogue between the bloom and an environment. Being present in the liminal space is intoxicating and the
Archival Pigment
Daisy Type Flower in Thin Tube Vertical Sculpey Right Edge of Frame
By James Pitts
Located in Sante Fe, NM
dialogue between the bloom and an environment. Being present in the liminal space is intoxicating and the
Archival Pigment
Hot Mango Flush - Contemporary, Abstract, Original
Located in Deddington, GB
This painting is concerned with liminal spaces - that's the spaces at a threshold or a boundary
Canvas, Mixed Media, Acrylic
$1,807Sale Price|20% Off
Large Blue Abstract Seascape, Contemporary Oil Painting on Canvas, Minimalist
By Marilina Marchica
Located in Agrigento, AG
liminal space between presence and absence, matter and memory. Marchica’s practice is rooted in the
Canvas, Oil
$3,750
Oversized Blue and Orange Abstract Acrylic Painting on Plywood "Come As You Are"
Located in Cape Town, ZA
of gestural brushstrokes and expressive smears, he offers viewers a liminal space of something that
Canvas, Varnish, Acrylic
Large Abstract Landscape Acrylic Painting on Canvas "Cross Pollination"
Located in Cape Town, ZA
of gestural brushstrokes and expressive smears, he offers viewers a liminal space of something that
Canvas, Varnish, Acrylic
Large Orange Abstract Acrylic Painting on Plywood "Synchronous Change"
Located in Cape Town, ZA
of gestural brushstrokes and expressive smears, he offers viewers a liminal space of something that
Varnish, Acrylic, Plywood
Large Bright Green Abstract Acrylic Painting on Canvas "Abstract no. 48"
Located in Cape Town, ZA
of gestural brushstrokes and expressive smears, he offers viewers a liminal space of something that
Canvas, Varnish, Acrylic
$2,445
Large Bright Green Abstract Acrylic Painting on Canvas "Finding Resonance"
Located in Cape Town, ZA
of gestural brushstrokes and expressive smears, he offers viewers a liminal space of something that
Canvas, Varnish, Acrylic
Large Abstract Acrylic Painting on Canvas "Beneficial Combinations"
Located in Cape Town, ZA
of gestural brushstrokes and expressive smears, he offers viewers a liminal space of something that
Canvas, Varnish, Acrylic
Price Upon Request
Surfer, Perth, WA - Ocean Series (Larger size)
By David Burdeny
Located in New York City, NY
towards creating formalized, liminal spaces. The glory lies not in this act of clarification or reduction
Archival Pigment
Price Upon Request
David Burdeny - Surfers, Oahu, Hawaii
By David Burdeny
Located in New York City, NY
formalized, liminal spaces. The glory lies not in this act of clarification or reduction, but in the
Archival Pigment
David Burdeny - Ca’Rezzonico, Venice, Italy (Photograph)
By David Burdeny
Located in New York City, NY
formalized, liminal spaces. The glory lies not in this act of clarification or reduction, but in the
Archival Pigment
Castello, Tuscany, Italy
By David Burdeny
Located in New York City, NY
formalized, liminal spaces. The glory lies not in this act of clarification or reduction, but in the
Archival Pigment
David Burdeny - Palais Garnier, Paris, France
By David Burdeny
Located in New York City, NY
formalized, liminal spaces. The glory lies not in this act of clarification or reduction, but in the
Archival Pigment
David Burdeny - Photosynthetic I, Great Salt Lake, Utah
By David Burdeny
Located in New York City, NY
this quality, I work towards creating formalized, liminal spaces. The glory lies not in this act of
Archival Pigment
David Burdeny - Spiral Jetty 1, Great Salt Lake, Utah
By David Burdeny
Located in New York City, NY
this quality, I work towards creating formalized, liminal spaces. The glory lies not in this act of
Archival Pigment
David Burdeny - Saltern Study 8, Great Salt lake, UT
By David Burdeny
Located in New York City, NY
this quality, I work towards creating formalized, liminal spaces. The glory lies not in this act of
Archival Pigment
David Burdeny - Morning Snow, Versailles, France
By David Burdeny
Located in New York City, NY
formalized, liminal spaces. The glory lies not in this act of clarification or reduction, but in the
Archival Pigment
David Burdeny - Surfers, Oahu, Hawaii
By David Burdeny
Located in New York City, NY
formalized, liminal spaces. The glory lies not in this act of clarification or reduction, but in the
Archival Pigment
David Burdeny - Tangents 2, Great Salt Lake, Utah
By David Burdeny
Located in New York City, NY
this quality, I work towards creating formalized, liminal spaces. The glory lies not in this act of
Archival Pigment
Iceberg III, Greenland
By David Burdeny
Located in New York City, NY
this quality, I work towards creating formalized, liminal spaces. The glory lies not in this act of
Archival Pigment
Piazza of Shadows, Milan, Italy (Color Photography)
By David Burdeny
Located in New York City, NY
towards creating formalized, liminal spaces. The glory lies not in this act of clarification or reduction
Archival Pigment
Riprap 2 (Abstract Drawing)
By Margaret Neill
Located in London, GB
dimensional picture plane and evoke the liminal space between sensation and memory. Margaret Neill is an
Paper, Acrylic, Color Pencil
Polignano A Mare (mid-day), Bari, Apulia, Italy
By David Burdeny
Located in New York City, NY
this quality, I work towards creating formalized, liminal spaces. The glory lies not in this act of
Archival Pigment
Broome 1, Western Australia - Ocean Series
By David Burdeny
Located in New York City, NY
this quality, I work towards creating formalized, liminal spaces. The glory lies not in this act of
Archival Pigment
Jagged Shore, Italy
By David Burdeny
Located in New York City, NY
this quality, I work towards creating formalized, liminal spaces. The glory lies not in this act of
Archival Pigment
Piazza of Shadows, Milan, Italy (Color Photography)
By David Burdeny
Located in New York City, NY
towards creating formalized, liminal spaces. The glory lies not in this act of clarification or reduction
Archival Pigment
Polignano A Mare II, Bari, Apulia, Italy
By David Burdeny
Located in New York City, NY
this quality, I work towards creating formalized, liminal spaces. The glory lies not in this act of
Archival Pigment
Sammezzano Castle, Tuscany, Italy, 2012
By David Burdeny
Located in New York City, NY
formalized, liminal spaces. The glory lies not in this act of clarification or reduction, but in the
Archival Pigment
Ochre Room, Havana, Cuba
By David Burdeny
Located in New York City, NY
formalized, liminal spaces. The glory lies not in this act of clarification or reduction, but in the
Archival Pigment
Avenue Des Champs-Elysées, Paris, France
By David Burdeny
Located in New York City, NY
formalized, liminal spaces. The glory lies not in this act of clarification or reduction, but in the
Archival Pigment
Record Room, Havana, Cuba
By David Burdeny
Located in New York City, NY
formalized, liminal spaces. The glory lies not in this act of clarification or reduction, but in the
Archival Pigment
Ponte Alla Carraia, Florence, Italy
By David Burdeny
Located in New York City, NY
formalized, liminal spaces. The glory lies not in this act of clarification or reduction, but in the
Archival Pigment
Teatro America, Havana, Cuba
By David Burdeny
Located in New York City, NY
formalized, liminal spaces. The glory lies not in this act of clarification or reduction, but in the
Archival Pigment
Price Upon Request
Sweepers, West Lake, Hangzhou, China
By David Burdeny
Located in New York City, NY
formalized, liminal spaces. The glory lies not in this act of clarification or reduction, but in the
Archival Pigment
Abandoned Villa, Toscana, Italy
By David Burdeny
Located in New York City, NY
formalized, liminal spaces. The glory lies not in this act of clarification or reduction, but in the
Archival Pigment
Seaweed Farm, South China Sea, China (Sepia)
By David Burdeny
Located in New York City, NY
formalized, liminal spaces. The glory lies not in this act of clarification or reduction, but in the
Archival Pigment
Veld 11, Noordoostpolder, Flevoland, The Netherlands, 2016
By David Burdeny
Located in New York City, NY
formalized, liminal spaces. The glory lies not in this act of clarification or reduction, but in the
Archival Pigment
Veld 12, Noordoostpolder, Flevoland, The Netherlands, 2016
By David Burdeny
Located in New York City, NY
formalized, liminal spaces. The glory lies not in this act of clarification or reduction, but in the
Archival Pigment
Veld 11, Noordoostpolder, Flevoland, The Netherlands, 2016
By David Burdeny
Located in New York City, NY
formalized, liminal spaces. The glory lies not in this act of clarification or reduction, but in the
Archival Pigment
$7,000
Veld 20, Noordoostpolder, Flevoland, The Netherlands, 2016 - Floral Abstract
By David Burdeny
Located in New York City, NY
formalized, liminal spaces. The glory lies not in this act of clarification or reduction, but in the
Archival Pigment
Veld 16, Noordoostpolder, Flevoland, The Netherlands, 2016
By David Burdeny
Located in New York City, NY
formalized, liminal spaces. The glory lies not in this act of clarification or reduction, but in the
Archival Pigment
Veld 8, Noordoostpolder, Flevoland, The Netherlands, 2016
By David Burdeny
Located in New York City, NY
formalized, liminal spaces. The glory lies not in this act of clarification or reduction, but in the
Archival Pigment