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Liz Rundorff Smith Art

American
Liz Rundorff Smith currently lives and works in Greenville, SC. She received a BA in Studio Art with a concentration in sculpture from the College of Wooster in Wooster, OH and an MFA in Painting from Edinboro University of Pennsylvania. Rundorff Smith studied abroad at The Marchutz School of Painting in Aix en Provence, France and the British Institute of Florence in Florence, Italy and was awarded a fellowship and residency at the Virginia Center for Creative Arts. Her work can be found in private and corporate collections including the Marilyn Monroe Bungalow at the Beverly Hills Hotel and Sun City Showa Kien Koen, Tachikawa, Japan. Rundorff Smith is a member of the Painting Center Art File in New York. Her work has been featured in Southern Living and Create Magazine Issue 20. Recent exhibitions include the two-person show Counterbalance at Susan Eley Fine Art New York, NY, The Shape of Things at 701 Center for Contemporary Art in Columbia, SC and the 2021 Every Woman Biennial in London, UK.
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Artist: Liz Rundorff Smith
Reliquary (for Gigi) (abstract, bright colors, layers, encaustic, vessel)
Reliquary (for Gigi) (abstract, bright colors, layers, encaustic, vessel)

Reliquary (for Gigi) (abstract, bright colors, layers, encaustic, vessel)

By Liz Rundorff Smith

Located in New York, NY

mixed media on paper 23.25 x 19.25 inches framed Rundorff Smith deals with central shapes that she develops by referencing urns, shrines, burial mounds and places of veneration. As a current resident of South Carolina, she associates cemeteries, particularly locations in the South, as spiritual spaces of veneration. Her paintings are reliquaries for memories. Urns are vessels to hold ashes while also acknowledging life—what we mourn and what we celebrate. In the exhibition at SEFA Hudson, Rundorff Smith presents the latest in her series entitled “Trophy.” These small scale encaustic paintings are hung in a grid that mirrors the geometric patterns within each piece. The artist works in layers by melting and combining pigmented wax to create a literal history on the materials’ surface, while simultaneously implying the personal story that each vessel is meant to hold. Rendered in colored wax from sky blue to bright pink to vibrant yellow—a rectangular pattern blankets many of the paintings. This patternation references the constructions of Rundorff Smith’s father, a builder. Thus, the “Trophy” paintings...

Category

2010s Contemporary Liz Rundorff Smith Art

Materials

Paper, Mixed Media

Reliquary (for Winnie) (abstract, bright colors, encaustic, vessel, layers)
Reliquary (for Winnie) (abstract, bright colors, encaustic, vessel, layers)

Reliquary (for Winnie) (abstract, bright colors, encaustic, vessel, layers)

By Liz Rundorff Smith

Located in New York, NY

mixed media on paper 13 x 9 inches unframed 23.25 x 19.25 inches framed Rundorff Smith deals with central shapes that she develops by referencing urns, shrines, burial mounds and places of veneration. As a current resident of South Carolina, she associates cemeteries, particularly locations in the South, as spiritual spaces of veneration. Her paintings are reliquaries for memories. Urns are vessels to hold ashes while also acknowledging life—what we mourn and what we celebrate. In the exhibition at SEFA Hudson, Rundorff Smith presents the latest in her series entitled “Trophy.” These small scale encaustic paintings are hung in a grid that mirrors the geometric patterns within each piece. The artist works in layers by melting and combining pigmented wax to create a literal history on the materials’ surface, while simultaneously implying the personal story that each vessel is meant to hold. Rendered in colored wax from sky blue to bright pink to vibrant yellow—a rectangular pattern blankets many of the paintings. This patternation references the constructions of Rundorff Smith’s father, a builder. Thus, the “Trophy” paintings...

Category

2010s Contemporary Liz Rundorff Smith Art

Materials

Paper, Mixed Media

Sleep Aid (abstract, bright colors, dark colors, layers)
Sleep Aid (abstract, bright colors, dark colors, layers)

Sleep Aid (abstract, bright colors, dark colors, layers)

By Liz Rundorff Smith

Located in New York, NY

acrylic on paper 23.25 x 19.25 inches framed Rundorff Smith deals with central shapes that she develops by referencing urns, shrines, burial mounds and places of veneration. As a current resident of South Carolina, she associates cemeteries, particularly locations in the South, as spiritual spaces of veneration. Her paintings are reliquaries for memories. Urns are vessels to hold ashes while also acknowledging life—what we mourn and what we celebrate. In the exhibition at SEFA Hudson, Rundorff Smith presents the latest in her series entitled “Trophy.” These small scale encaustic paintings are hung in a grid that mirrors the geometric patterns within each piece. The artist works in layers by melting and combining pigmented wax to create a literal history on the materials’ surface, while simultaneously implying the personal story that each vessel is meant to hold. Rendered in colored wax from sky blue to bright pink to vibrant yellow—a rectangular pattern blankets many of the paintings. This patternation references the constructions of Rundorff Smith’s father, a builder. Thus, the “Trophy” paintings...

Category

2010s Contemporary Liz Rundorff Smith Art

Materials

Paper, Acrylic

Major (abstract, bright colors, yellow, blue, layers)
Major (abstract, bright colors, yellow, blue, layers)

Major (abstract, bright colors, yellow, blue, layers)

By Liz Rundorff Smith

Located in New York, NY

Gouache on paper 13 x 9 inches unframed 23.25 x 19.25 inches framed Rundorff Smith deals with central shapes that she develops by referencing urns, shrines, burial mounds and places...

Category

2010s Contemporary Liz Rundorff Smith Art

Materials

Paper, Gouache

For The Gods (abstract, bright colors, rainbow, layers, pattern)
For The Gods (abstract, bright colors, rainbow, layers, pattern)

For The Gods (abstract, bright colors, rainbow, layers, pattern)

By Liz Rundorff Smith

Located in New York, NY

gouache on paper 13 x 9 inches 23.25 x 19.25 inches framed Rundorff Smith deals with central shapes that she develops by referencing urns, shrines, burial mounds and places of vener...

Category

2010s Contemporary Liz Rundorff Smith Art

Materials

Paper, Gouache

Trophy 15 (encaustic on panel, pattern, grid, pastel, forms, bright, texture)
Trophy 15 (encaustic on panel, pattern, grid, pastel, forms, bright, texture)

Trophy 15 (encaustic on panel, pattern, grid, pastel, forms, bright, texture)

By Liz Rundorff Smith

Located in New York, NY

Mixed Media Encausticand Pastel Powder Rundorff Smith deals with central shapes that she develops by referencing urns, shrines, burial mounds and places of veneration. As a current ...

Category

2010s Abstract Liz Rundorff Smith Art

Materials

Pastel, Mixed Media, Encaustic

Trophy 22 (encaustic on panel, pattern, grid, primary, forms, bright, texture)
Trophy 22 (encaustic on panel, pattern, grid, primary, forms, bright, texture)

Trophy 22 (encaustic on panel, pattern, grid, primary, forms, bright, texture)

By Liz Rundorff Smith

Located in New York, NY

Mixed Media Encausticand Pastel Powder Rundorff Smith deals with central shapes that she develops by referencing urns, shrines, burial mounds and places of veneration. As a current ...

Category

2010s Abstract Liz Rundorff Smith Art

Materials

Pastel, Mixed Media, Encaustic

Femme, abstract gouache painting on paper, pink and purple, 10" x 9"
Femme, abstract gouache painting on paper, pink and purple, 10" x 9"

Femme, abstract gouache painting on paper, pink and purple, 10" x 9"

By Liz Rundorff Smith

Located in New York, NY

10 x 9 inches unframed 21.5 x 19.75 inches framed Liz Rundorff Smith renders visual forms that fluctuate between the stability of present-ness and the loss of clarity that is tied t...

Category

2010s Abstract Liz Rundorff Smith Art

Materials

Paper, Gouache

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I use gouache and collaged paper in a series of layers that are a visual and ideological response to the previous layer to define my pictorial space. For each piece I create a set of rules to follow about the use of a limited palette, a grid format, opacity of paper and whether a piece may include curving lines or maintain a rectilinear structure. Resume: EDUCATION Master of Fine Arts in Painting Bard College 1986 Bachelor of Science in Art History State University College at New Paltz 1977 Additional Study: New York Studio School (Drawing Marathons) Columbia University, School of Architecture Women’s Studio Workshop TEACHING Professor of Studio Art, Department of Art and Art History, Marist College, Poughkeepsie,NY Coordinator, Interior Design Program, Florence, Italy campus 1992-present AWARDS Finalist, “Saatchi Showdown” 2010 Invitational Award for Outstanding Contemporary Talent, University of Bridgeport, CT 2000 Purchase Prize, “11th National Juried Exhibition” College of Notre Dame of Maryland, Baltimore 1999 First Prize, “Women in the Visual Arts ‘95” Erector Square Gallery, New Haven, CT 1995 Joseph A. Cain Memorial Purchase Award for Sculpture Del Mar College, Corpus Christi, TX 1994 Honorable Mention, “National Juried Exhibition” University of Bridgeport, CT 1993 Individual Artists Fellowship in Sculpture Dutchess Arts Fund 1992/93 Tallix, Morris, Singer Internship in Sculpture Tallix Foundry, Beacon, NY 1990/91 SELECTED JURIED/INVITATIONAL EXHIBITIONS 2016 “Let’s Stay in Touch”, Howard County Center for the Arts, Ellicott City, MD 2015 “Off the Grid”, Arts & Culture Program, Albany International Airport, Albany, NY “Gridspace”, KMOCA, Kingston, NY “Abstraction”, Carrie Haddad Gallery, Hudson, NY “Assuming Identity”, NY Institute of Technology, New York, NY 2013 “Modern Artists”, Carrie Haddad Gallery, Hudson, NY “Artists of the Mohawk-Hudson Region”, The Hyde Collection, Glens Falls, NY Stone Canoe/Community Folk Art Center, Syracuse, NY 2012 New York Institute of Technology, New York, NY “Contemporary Painters (Who Just Happen To Be Women)”, Carrie Haddad Gallery, Hudson, NY “Strange Glue: Collage at 100”, Cambridge School, Weston, MA “Dear Mother Nature”, Dorsky Museum, SUNY New Paltz, NY “Fresher Paint”, Rockland Center for the Arts, Nyack, NY Courthouse Gallery, Lake George Arts Project, Lake George, NY 2011 “Process+Content: Donise English”, Vassar College, Poughkeepsie, NY “Donise English-Paintings”, Orange County Community College, Newburgh, NY “Gender Matters/Matters of Gender”, Freedman Gallery, Albright College, Reading, PA 2010 Carrie Haddad Gallery, Hudson, NY “Encaustics: Wax and Image”, Westchester Community College White Plains, NY “Dots, Lines and Figures”, Carrie Haddad Gallery, Hudson, NY “Spring Awakening”, NY Institute of Technology, New York, NY “Clay City Dreams”, NY Institute of Technology, New York, NY “Texture, Pattern, Fragment”, Krause Gallery, Moses Brown School Providence, RI 2009 “Collage”, NY Institute of Technology, New York, NY “Working in Wax”, Bedford Gallery, Walnut Creek, CA “Encaustic 2009”, College of New Rochelle, NY “Three Artists”, Carrie Haddad Gallery, Hudson, NY “Convergence: The Human Experience”, Howard County Center for the Arts, MD 2008 “Suckers and Biters: Love, Lollipops, and Exquisite Corpse” Chashama Gallery, New York, NY Carrie Haddad Gallery, Hudson NY 2007 “Patterns and Light”, Blue Hill Gallery, Blue Hill, ME “Suckers and Biters”, AG Gallery, Brooklyn, NY 2006 “100 Artists, 100 Watercolors”, Jeannie Freilich Fine Art, New York, NY “On/Of Paper”, Kirkland Art Center, Clinton, NY “The Love Show”, Manchester Community College, Manchester, CT 2005 The Soap Factory, Minneapolis, MN “Small Tales”, Valdosta State University, Georgia National Juried Exhibition, Art Institute and Gallery Salisbury, MD, Juror: Stephen Haller “Greed, Envy, Jealousy, Fear”, TSL Warehouse, Hudson, NY 2004 “Women in the Middle: Borders, Barriers, Intersections” University of Wisconsin-Milwaukee “Girl Art Now”, Hera Gallery, Wakefield, RI 3 Person Exhibition, Monterey Peninsula College, Monterey, CA “The Feminine Eye”, Bradley University, Peoria, IL “Women Painting Women”, McNeese State University, Lake Charles, LA “Thought Patterns”, Kent Place Gallery, Summit, NJ “Surface, Matter and Artifice”, Dutchess Community College Art Gallery, Poughkeepsie, NY 2003 “Beefcake/Cheesecake”,Orange County Center for Contemporary Art, Santa Ana, CA,Juror: Jamie Wilson, Curator Halpert Bienniel, Appalachian State University, Boone, NC Juror: Jeff Fleming, Senior Curator, Des Moines Art Center “The Great White Oak”, Garrison Art Center, Garrison, NY Carrie Haddad Gallery, Hudson, NY 2002 “Cat Calls”, Red Clay Arts, Brooklyn “Hudson Valley Regional”, SUNY New Paltz Juror: Sydney Jenkins, Director, Ramapo College Art Galleries 2001 One-Person Exhibition, Davis and Hall Gallery, Hudson, NY “Beyond the Surface”, Womanmade Gallery, Chicago One-Person Exhibition, Garrison Art Center, Garrison, NY 2000 “Vision 2000...

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Previously Available Items
Slay
Slay

Slay

By Liz Rundorff Smith

Located in New York, NY

gouache on paper 23.25 x 19.25 inches framed Rundorff Smith deals with central shapes that she develops by referencing urns, shrines, burial mounds and places of veneration. As a current resident of South Carolina, she associates cemeteries, particularly locations in the South, as spiritual spaces of veneration. Her paintings are reliquaries for memories. Urns are vessels to hold ashes while also acknowledging life—what we mourn and what we celebrate. In the exhibition at SEFA Hudson, Rundorff Smith presents the latest in her series entitled “Trophy.” These small scale encaustic paintings are hung in a grid that mirrors the geometric patterns within each piece. The artist works in layers by melting and combining pigmented wax to create a literal history on the materials’ surface, while simultaneously implying the personal story that each vessel is meant to hold. Rendered in colored wax from sky blue to bright pink to vibrant yellow—a rectangular pattern blankets many of the paintings. This patternation references the constructions of Rundorff Smith’s father, a builder. Thus, the “Trophy” paintings...

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2010s Contemporary Liz Rundorff Smith Art

Materials

Paper, Gouache

Resting Bitch Face
Resting Bitch Face

Resting Bitch Face

By Liz Rundorff Smith

Located in New York, NY

Mixed media on paper 12 x 11 inches 21 x 20 inches framed Rundorff Smith deals with central shapes that she develops by referencing urns, shrines, burial mounds and places of venera...

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2010s Contemporary Liz Rundorff Smith Art

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Trophy 21
Trophy 21

Liz Rundorff SmithTrophy 21, 2023

Sold

H 10 in W 8 in D 1.5 in

Trophy 21

By Liz Rundorff Smith

Located in New York, NY

Mixed Media Encausticand Pastel Powder

Category

2010s Abstract Liz Rundorff Smith Art

Materials

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Trophy 18
Trophy 18

Liz Rundorff SmithTrophy 18, 2023

Sold

H 10 in W 8 in D 1.5 in

Trophy 18

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Capsule, blue, green and purple oil painting on panel, abstract shapes

By Liz Rundorff Smith

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Liz Rundorff Smith renders visual forms that fluctuate between the stability of present-ness and the loss of clarity that is tied to memory. Memory of space is translated through ele...

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By Liz Rundorff Smith

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Liz Rundorff Smith art for sale on 1stDibs.

Find a wide variety of authentic Liz Rundorff Smith art available for sale on 1stDibs. You can also browse by medium to find art by Liz Rundorff Smith in mixed media, paint, encaustic paint and more. Much of the original work by this artist or collective was created during the 21st century and contemporary and is mostly associated with the abstract style. Not every interior allows for large Liz Rundorff Smith art, so small editions measuring 8 inches across are available. Customers who are interested in this artist might also find the work of Ellen Brooks, Mark Palmer, and Ronald Ahlstrom. Liz Rundorff Smith art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $300 and tops out at $3,700, while the average work can sell for $300.