Asian Metalwork

Antique South Indian Thandatti Gold Earrings – Traditional Tamil Nadu Design A beautiful and rare pair of antique South Indian Thandatti earrings, traditionally worn by women of ...

Japanese bronze vase with artist sign, used to decorate single flower arrangement in Japanese traditional tea ceremony. Artist signature is on the last photo. Age: Japan, Showa Pe...

A fully articulated and signed Meiji period copper Jizai Okimono in the form of a spiney lobster.

This is an antique Japanese iron dog sculpture. Its quietly standing figure is very impressive, and it has a beautiful silhouette from every angle. With its ears raised and gaze dire...

Qing Dynasty Chinese Bronze Bell with Auspicious Symbols 4.5" height. Acquired from Upstate New York

Fine Thai Silver Repoussé Box with Nāga Decoration Exceptional Thai silver lidded box, richly worked in deep repoussé and fine chasing with power...

A wonderful, beautifully aged Tsuba - Japanese sword hand guard often circular, sometimes square, which emerged as an essential part of Japanese sword craftsmanship during the Heian period (794–1185). Initially crafted from iron or bronze, over time they became more decorative in nature and more for show as the waring Samurai clans disbanded and became part of Japan's past. The particular Tsuba features an imprinted/hammered repeating pattern of stars or cherry blossoms design perhaps. The piece has a gorgeous patina that is acquired from age and handling/use It is quite an appealing work. The piece is likely from the mid Edo Period (1603-1868). The Tsuba has a nice feel and wonderful aged texture to it. Would be a great addition to any Tsuba or Japanese Asian sword...

Chinese Archaistic gilt bronze ritual bell with raised panthers on the sides, a stylized mask on front and back, incised and relief geometric decoration. With a wonderful verdigris p...

A heavy traditional bronze temple bell (bonshô), boasting a bright green patina and a resonant sound. The top handle (ryûzu), is beautifully sculpted into the form of twin dragon he...

ANTIQUE AND COLLECTABLE DECORATIVE JAPANESE SIGNED KATANA SWORD. Comprising a Japanese katana signed. The blade is signed "Ikeda Kishinmaru Kunishige" 池田鬼...

19th Century Dated Persian Qajar Tinned Copper Ewer Ablution Basin Set, Dated 1878. A complete two-piece Islamic ablution set comprising of a tall, elegant ewer (aftabeh) and its m...

This is an old Japanese iron puppy figurine, made during the Shōwa period (circa 1950s–1970s). It radiates a presence that is both powerful and warm, as if the skill of the foundry c...

This antique Persian water kettle is shaped from silver-plated brass and was once used to boil water for tea and other hot drinks. The body is decorated with repoussé and chased desi...

Japanese bronze vase with artist sign, used to decorate single flower arrangement in Japanese traditional tea ceremony. Artist signature is on the last photo. Age: Japan, Showa Pe...

These are a very good pair of antique Ming style Chinese foo or lion dog sculptures, sometimes called temple lions, made of bronze, with good detail, which we date to the late Qing or early Republic period of the 20th Century, Circa 1920. These pieces are well cast with very good detail, showing wear and a good natural patination to the high points as expected from use and polishing over a long period, the lustrous copper bronze metal below. The places on the castings where one would not normally polish ( eg. the underside, the back and neck area) are fairly rough to the touch in keeping with their age These are a substantial pair of bronzes, weighing over 900gm unpacked These lovely pair of antique Chinese foo dogs...

Presenting a very large and beautiful Chinese cloisonné enamel egg with intricated patterns made by hand seating on a wood stand, early 20 century. It's measured about 16.5" x 10" wi...

Antique Kashmiri Indian Silver Meenakari Enamel Hexagonal Box c1900 A finely worked antique silver hexagonal box from Kashmir, dating to the late 19th / early 20th century. Decorated throughout with crisp hand-chased floral and foliate designs, highlighted with rich blue and turquoise enamel panels in the traditional Kashmiri manner. The hinged lid opens to a fully gilded interior, with matching chased decoration to the underside of the lid, indicating a good quality piece. The workmanship is sharp and consistent across all panels. Condition: Very good antique condition with minimal wear; enamel remains bright and intact. Dimensions: Height 6 cm; Width 5 cm; Depth 7 cm Weight: 93 grams A scarce and attractive example of Kashmiri enamelled...

An antique Japanese copper water dropper with cloisonne enamel design. Meiji period, 1868 to 1913. Cylinder shape, moveable top handle. Polychrome floral pattern against the dark gre...

A large antique Japanese vase with cloisonne enamel design. Taisho Period (1912-1926). Two medallions with birds among flowers and human figures are presented on sides. Depiction of ...

This finely executed Japanese cloisonne enamel dish, measuring approximately 12 inches in diameter, dates to the Meiji period circa 1880 to 1890 and can be confidently attributed to ...

Antique Japanese Samurai Suit of Armor, Edo period, 18th century. A complete matching set of lacquered iron work; the cuirass with dragonfly decoration and blue lacing, a Kaga schoo...

This is an objet of turtle which you can use as a jewelry holder. This is made with bronze and it was made in Japan around 1980s. The thing that written on the bottom of the turtle i...

Outstanding Japanese modernist Ikebana bronze vase/vessel, circa 1960s. Wonderful modernist form and design. Has the original wood piece to attach flowe...

Small Betel Nut Box, Maranao, Southern Philippines (Mindanao). A mixed metal box having a bronze body with bordered silver inlay design overall of a symmetrical floral tendril vine p...

A vintage Russian Orthodox silver-tone priest's cross. The front side is decorated with a relief depiction of Jesus Christ. Inscription in Church Slavo...

A fine bronze tribute drum (Heger Type III), Pazi (Burmese), pam klo’ (Karen). This unique lost wax casting of a drum is ornamented with 8 frogs with bulging eyes placed in stacks o...

This is an old iron hanging bell believed to have been made over 100 years ago. It is highly likely that it was manufactured in Japan, though the possibility of Korean or Chinese ori...

Presenting a pair of huge and beautiful Chinese cloisonné enamel eggs with intricated patterns of hundred butterflies made by hand seating on a wood stand, from the early 20 century....

A fine & rare antique Imperial Chinese Qing dynasty solid gold & cloisonne enamel snuff bottle, Qianlong mark & period, 1736-1795, tests as 16k gold. It is rare to find a cloisonné e...

TA04027 Set of Three Antique Thai Bronze Lime Boxes. Tall Cylinders of varying shapes and sizes: A) Thai Bronze Lime Container in the shape of a Stupa, u...

A fine Vintage Indian silver and gemstone necklace Antique 19th century silver Hindu pendant in hand crafted silver with agate with gemstones coral natural pearl and glass beads. ...

A dynamic Japanese cast bronze sculpture titled “Shunba” (Galloping Horse) by metal artist Tanetoshi (胤利). The composition captures a horse in motion, full of energy and vitality, wi...

Burmese bronze bell with clapper inside with stand. Age: Burma, 19th century Size: Height 15.2 C.M. / Width 8.8 C.M. Size including stand: Hei...

BRONZE top level Japanese statue. Lobster Condition Perfect. Size: 30x18cm Period Showa Period

A Monumental Gilt-Lacquered Bronze Ornamental Buddha Sculpture of Vajravidarana: A Masterpiece of Sino-Tibetan Craftsmanship, Late 19th Century, Qing Dynasty This monumental gilt-lacquered bronze ornamental sculpture of Vajravidarana is an extraordinary and commanding piece of art, showcasing the pinnacle of Sino-Tibetan craftsmanship from the late 19th century. The figure of Vajravidarana, a powerful purification deity in Tibetan Buddhism, is meticulously sculpted to embody both spiritual authority and artistic excellence. Vajravidarana is primarily known for his role in removing spiritual impurities and negativities. Unlike other deities associated with wisdom or compassion, Vajravidarana’s function is centered on purification and healing. He is typically depicted holding a vajra and a bell, symbolizing the cutting away of delusions and the resonance of divine truth. In this striking sculpture, Vajravidarana is shown holding a vishva vajra (the double vajra), a unique and powerful variation of the traditional iconography, which signifies ultimate protection and the dispelling of negative karma. Vajravidarana: The Supreme Purifier and Protector Vajravidarana is revered in Tibetan Buddhism as the deity of spiritual purification, called upon to cleanse practitioners of defilements and negative influences. His vajra represents the indestructibility of truth, while his bell signifies the wisdom that resonates through purification rituals. In this sculpture, the presence of the vishva vajra, or double vajra, enhances his association with supreme protection, ensuring the destruction of all spiritual obstacles and afflictions. The figure’s powerful yet composed expression conveys a sense of unwavering resolve and divine authority. His posture, along with the carefully sculpted details of his robes and ornaments, highlights his function as a guardian against impurity. The inclusion of the vishva vajra rather than the usual single vajra reinforces his role as a supreme protector, capable of dispelling all forms of negativity and restoring balance. Symbolism of the Mantras and Aureole: Unlike deities that embody wisdom through duality, Vajravidarana’s iconography is centered on purification and exorcism. The aureole surrounding him is inscribed with sacred purification mantras rather than depictions of a consort. These mantras emphasize his function as a remover of obstacles and impurities, reinforcing his role in Buddhist healing rituals. The presence of the sacred inscriptions elevates the sculpture’s spiritual significance, making it a focal point for meditation and ritual purification. Practitioners often visualize Vajravidarana radiating purifying light, dissolving afflictions and negative karma. This theme is mirrored in the sculptural repetition of the purification symbols on the aureole, reinforcing the deity’s role as a divine cleanser. Gilt-Lacquered Bronze: The Artistry of Sino-Tibetan Metalwork: The craftsmanship of this monumental figure reflects the expertise of late 19th-century Sino-Tibetan metalwork, where traditional Tibetan themes were infused with Chinese artistic sensibilities. Cast in bronze and finished with a rich gilt lacquer, the statue has an otherworldly glow, giving it an ethereal, almost divine presence. The gilding process—applied with exceptional skill—gives the sculpture a striking luminosity that enhances the fine details of the facial features, flowing robes, jewelry, and other elements of the deity’s attire. The technique employed to create this figure speaks to the high level of craftsmanship that flourished during the late Qing Dynasty and early modern Tibetan art. The ornate details of the robes and the fine texture of the sculpture highlight the exceptional skill of the artisans who brought this work to life. The use of gold and lacquer not only reflects the preciousness of the sculpture but also its spiritual significance as an object meant to inspire reverence and meditation. An Ornamental Sculpture of Monumental Scale: Unlike smaller devotional objects, this sculpture is designed as an ornamental masterpiece, intended to make a grand visual and spiritual statement. Its monumental size allows it to dominate any space, offering a commanding presence that is both physically and symbolically impressive. In Buddhist practice, large sculptures of this nature are often placed in temples or meditation halls, where their imposing size and serene presence would encourage contemplation and devotion. The grand scale of the statue further amplifies the spiritual power it is meant to convey. As a representation of Vajravidarana, it is not only a physical object of beauty but also a conduit for meditation, purification, and enlightenment. The scale of the sculpture also emphasizes the divine stature of the deity, highlighting his importance in the Buddhist tradition as the ultimate force for spiritual cleansing and protection. Provenance: Acquired in China in circa 1900 1905 Private Buddhist Temple, Northeast, USA Private Sale Solomon Treasure...

This is an old iron deer object, not of Japanese origin, although its exact country or region has not been definitively identified. The date of production is also unclear, but judgin...

Antique Large Chinese Cloisonné Enamel Round Lidded Box on Fitted Wood Stand, depicting floral patterns. 10" in diameter n 6" in height, wood stand is 2 12" high.

Cambodian Silver Elephant Box. A traditional sturdy crouching elephant form with front legs tucked beneath him and the hind kneeling underneath. The ha...

These are an excellent matching pair of large antique Chinese Foo or lion dog sculptures, sometimes called temple lions or Shishi, made of bronze with fine detail, originally hand enameled and gilded dating to the 19th century, Qing period or earlier. These are a very beautiful matching pair of large Bronze Chinese...

FREE WORLDWIDE SHIPPING ON ALL OUR COLLECTION - MORE IMAGES AVAILABLE UPON REQUEST MEIJI PERIOD (1868-1912)  From our Japanese collection we are delighted to present this exceptio...

Vintage Cambodian Repoussé Silver Pumpkin Shaped Box. A squat low form with sections having chased and punched scales, coiled silver wire sepals in ...

Antique Asian Bronze buddhist bell Tibetan Meditation Prayer Ghanta Bell. Buddhist Tibetan Meditation Prayer Bell. A Bronze ritual bell "DRILBU" in Tibetan or commonly known as "Ghan...

A very large, high quality incense burner (kôro) of the Chinese official, poet and calligrapher Toba, famously known for his journey on a mule. Crafted to show Toba in a seated posi...

This is charming Chinese Export Silver Overlay small decanter that could be used as either a cologne bottle or aperitif decanter. The beautifully detailed reticulated Cherry Blossom design of the sterling (marked 950) overlay is finely cast and hand etched with all elements firmly fitted to the Pinch...

A large pair of Meiji Period Japanese Cloisonne Enamel Double Dragon Vases, 19th century. Japanese cloisonne enamel dragon vases are highly ...

An exceptional palatial quality pair of 19th century Chinese cloisonné Fu dogs featuring gold gilding over copper. Chinese cloisonné o...

Fine Vintage Sino-Tibetan Gilt Bronze Figure of Avalokiteshvara Early–Mid 20th Century Height 28 cm 11 inches This finely cast Sino-Tibetan gilt bronze figure of Avalokiteshvara, ...

Vintage Tibetan Gau Box Necklace in Silver with 18K Gold Detail This striking vintage Tibetan gau box necklace is a beautifully crafted statement piece that blends cultural heritage...

A bronze Japanese okimono cast in refined and realistic form of a praying mantis attributed to Myochin lineage circa 19th century of Meiji period. The insect features a segmented bod...

A late 19th century Indian Mughal brass betel nut cutter from the North Western regions. This is a betel-nut cutter made of brass using casting technique with bird motifs and rosette...

An antique Japanese copper vase with wireless cloisonne enamel design. Late Meiji era, before 1912. Round shape with pronounced base. The piece is decorated with a stork or crane bir...

A remarkable pair of Thai Ayutthaya period bronze crowned Buddha mounted on wood display stands. Thailand. 17th/18th Century Dimensions: (approx) Head: 15" High, 7.75" Wide, 6" Deep (tallest) Overall: tbd Provenance / Acquisition: Acquired from the highly reputable auction house Heritage Auctions, Dallas, Texas. 2024 March Fine & Decorative Asian Art Signature Catalog Auction #8155 Lot #78357 Condition Report: Attractive pair with beautifully aged patina, condition commensurate of age, use, and exposure. Scattered areas of desirable verdigris green patina and oxidation throughout to each. Minor loss to front shell point of one example. Small holes scattered throughout and scews/nails through each fixing both examples to wooden bases. Both well preserved and present superbly History: The first Crowned Buddha images or Jambupati Buddha statues are known to have been originated from the Pyu, where the Indian influence of Buddhist arts and non-Theravada Buddhism was extremely felt in those days. There may have been various background stories behind the crowned Buddha statues in the course of history but one of the most popular stories goes by the legend of Jambupati. This particular legend is not known in the home of Buddhism India, however the crowned Buddha statues have been attached to the name Jambupati as the Buddha is believed to have humbled a boastful and arrogant king Jambupati. The story goes on about how the Buddha transformed himself into a mighty king with a crown and jewelry and set himself a majestic yet incomparable palace. Seeing this, the king accepted the great ability of the Buddha and submitted himself to the Dharma and became a Buddhist monk. This particular story has gained a lot of popularity and stood the test of time in Burma as the number of Crowned Buddha statues in Burma is considerably great in amount. There are also other versions of the background story of crowned statues...

A Large Chinese Cloisonne Enamel Filigree and Gilt Boat with Wood Base The sails with colorful enameled birds, resting on a conforming carved ...

This is an antique Japanese iron articulated sculpture of a spiny lobster. Judging from its advanced craftsmanship and refined construction, it is believed to have been created in th...

19th century Japanese bronze vase of classic form with a lovely rich patina. The vase has been drilled for wiring as a lamp. It will make ...

Handcrafted antique 19th century Islamic Turkish Ottoman tinned copper ceremonial water ewer. Antique Middle Eastern Asian Islamic style ewer jug metalware vessel. The bulbous body...

Antique Chinese bronze mask.

A fine 19th-century Nepalese oil lamp, cast in brass and copper and richly adorned with symbolic detail. The sculptural form features an elegantly raised hand—suggestive of a protect...

Japan Meiji era-Taisho era (around 1868-1910) Made of brass and decorated with lotus flowers. it's very beautiful. The shape of this vase also spreads from bottom to top like a fl...

A finely carved marble statue of Ganesh circa 19th century from India. The semi-elephant semi-human Hindu deity is also known as Ganapati and Vinayaka. In the Hinduism, Ganesh has th...