Asian Metalwork

Rare Qing dynasty gilt-bronze seated Buddhist figure depicted in Namaskara Mudra (the devotional prayer posture) - this gesture typically belongs to a Bodhisattva or a devoted discip...

Antique Central Asian Turkmenistan silver Gold Amber bead Necklace Quality Turkmenistan silver and gilt pendant with rustic amber beads Nice wearable antique piece pendant siz...

Japanese bronze vase with artist sign, used to decorate single flower arrangement in Japanese traditional tea ceremony. Artist signature is on the last photo. Age: Japan, Showa Pe...

A Large Decorative Antique Burmese Repoussé Silver Presentation Bowl, Mahosodha Jataka, Circa 1900. A hammered repoussé silver Buddhist Thabeik (beggar’s bowl) form of exceptional ...

Antique Burmese Silver Water Bowl. Fine detailed high relief decoration of this Thabeik in six panel vignettes of figures in various pursuits from the Ramayana or Buddhist Jataka ta...

A charming set of four miniature antique bronze censers, finely cast with substantial, heavy weight and a rich dark patina with warm copper highl...

Antique Large Chinese Cloisonné Enamel Round Lidded Box on Fitted Wood Stand, depicting floral patterns. 10" in diameter n 6" in height, wood stand is 2 12" high.

Pair of vintage Chinese cloisonne enameled horse-form censers (incense burners) measuring 11 inches tall.

Antique Kashmiri Indian Silver Meenakari Enamel Hexagonal Box c1900 A finely worked antique silver hexagonal box from Kashmir, dating to the late 19th / early 20th century. Decorated throughout with crisp hand-chased floral and foliate designs, highlighted with rich blue and turquoise enamel panels in the traditional Kashmiri manner. The hinged lid opens to a fully gilded interior, with matching chased decoration to the underside of the lid, indicating a good quality piece. The workmanship is sharp and consistent across all panels. Condition: Very good antique condition with minimal wear; enamel remains bright and intact. Dimensions: Height 6 cm; Width 5 cm; Depth 7 cm Weight: 93 grams A scarce and attractive example of Kashmiri enamelled...

Fine Thai Silver Repoussé Box with Nāga Decoration Exceptional Thai silver lidded box, richly worked in deep repoussé and fine chasing with power...

A Chinese Cloissone Lidded Dragon Box, H 17 cm(6.5 in.) x W 12 cm(4.5 in.)

A charming trio of antique Chinese miniature solid bronze incense burners, each displaying a distinct traditional form inspired by ancient ri...

This is a cast bronze hanshō (fire bell), thought to have been made in Japan during the Taisho era to early Shōwa period, roughly the first half of the 1900s. A hanshō is a smaller ...

This is an antique maid's calling bell. An Indian, bronze Hanuman deity figure Ghanta or ringer, dating to the late Victorian period, circa 1900. Fascinating deity form with appeali...

Japanese bronze vase with artist sign, used to decorate single flower arrangement in Japanese traditional tea ceremony. Artist signature is on the last photo. Age: Japan, Showa Pe...

Presenting a very large and beautiful Chinese cloisonné enamel egg with intricated patterns made by hand seating on a wood stand, early 20 century. It's measured about 17" x 10" with...

ANTIQUE AND COLLECTABLE DECORATIVE JAPANESE SIGNED KATANA SWORD. Comprising a Japanese katana signed. The blade is signed "Ikeda Kishinmaru Kunishige" 池田鬼...

Pair Chinese cloisonne enameled vases, each 26 inches tall and 16 inches across, depicting exotic birds, foliage and flowers.

Chinese Archaistic gilt bronze ritual bell with raised panthers on the sides, a stylized mask on front and back, incised and relief geometric decoration. With a wonderful verdigris p...

This is an old Japanese iron puppy figurine, made during the Shōwa period (circa 1950s–1970s). It radiates a presence that is both powerful and warm, as if the skill of the foundry c...

Japanese bronze vase with artist sign, used to decorate single flower arrangement in Japanese traditional tea ceremony. Artist signature is on the last photo. Age: Japan, Showa Pe...

An exceptional palatial quality pair of 19th century Chinese cloisonné Fu dogs featuring gold gilding over copper. Chinese cloisonné o...

A Large Chinese Cloisonne Enamel Filigree and Gilt Boat with Wood Base The sails with colorful enameled birds, resting on a conforming carved ...

A large masterpiece of Ando Jubei wireless cloisonné vase at an exceptional 10" height. In his signature green enamel, portraying an intricate arabesque design of a blooming clematis...

A remarkable pair of Thai Ayutthaya period bronze crowned Buddha mounted on wood display stands. Thailand. 17th/18th Century Dimensions: (approx) Head: 15" High, 7.75" Wide, 6" Deep (tallest) Overall: tbd Provenance / Acquisition: Acquired from the highly reputable auction house Heritage Auctions, Dallas, Texas. 2024 March Fine & Decorative Asian Art Signature Catalog Auction #8155 Lot #78357 Condition Report: Attractive pair with beautifully aged patina, condition commensurate of age, use, and exposure. Scattered areas of desirable verdigris green patina and oxidation throughout to each. Minor loss to front shell point of one example. Small holes scattered throughout and scews/nails through each fixing both examples to wooden bases. Both well preserved and present superbly History: The first Crowned Buddha images or Jambupati Buddha statues are known to have been originated from the Pyu, where the Indian influence of Buddhist arts and non-Theravada Buddhism was extremely felt in those days. There may have been various background stories behind the crowned Buddha statues in the course of history but one of the most popular stories goes by the legend of Jambupati. This particular legend is not known in the home of Buddhism India, however the crowned Buddha statues have been attached to the name Jambupati as the Buddha is believed to have humbled a boastful and arrogant king Jambupati. The story goes on about how the Buddha transformed himself into a mighty king with a crown and jewelry and set himself a majestic yet incomparable palace. Seeing this, the king accepted the great ability of the Buddha and submitted himself to the Dharma and became a Buddhist monk. This particular story has gained a lot of popularity and stood the test of time in Burma as the number of Crowned Buddha statues in Burma is considerably great in amount. There are also other versions of the background story of crowned statues...

Antique Chinese cloisonné enamel round box with lid depicting floral patterns. A white base tone and colorful floral all around, from the 19th century.

A sculptural Mid-Century Japanese bird-form incense vessel, beautifully crafted in patinated metal and inspired by the refined traditions of Japanese incense culture. The piece takes...

Antique Japanese Samurai Suit of Armor, Edo period, 18th century. A complete matching set of lacquered iron work; the cuirass with dragonfly decoration and blue lacing, a Kaga schoo...

19th century Burmese bronze temple bell with original carved hardwood stand, painted iron hanging bracket, and striker. This rare large scale cast bronze bell has a splendid sculptural and spiritual presence. The bell has a long inscription on the upper part. The offering of a bronze bell to a monastery or temple was considered second only to the offering of a Buddha image as an act of merit (kutho). Such bells were cast using the lost wax (cire perdue) method. Casting of such bells was auspicious with specific rituals being performed by the caster and sponsors to ensure the appropriate blessings. The bell here, as with all such Burmese bells...

Antique Burmese bronze bell with clapper inside with stand. Age: Burma, 19th century Size of bell only: Height 15.2 C.M. / Width 8.8 C.M. Height i...

This pair of Japanese cloisonné enamel vases by Hayashi Kihyoe date to the Meiji period, circa 1900, and are of elegant tapered form with bulbous upper bodies, tightly pinched necks ...

A fine & rare antique Imperial Chinese Qing dynasty solid gold & cloisonne enamel snuff bottle, Qianlong mark & period, 1736-1795, tests as 16k gold. It is rare to find a cloisonné e...

Japan Meiji era-Taisho era (around 1868-1910) Made of brass and decorated with lotus flowers. it's very beautiful. The shape of this vase also spreads from bottom to top like a fl...

Presenting a pair of huge and beautiful Chinese cloisonné enamel eggs with intricated patterns of hundred butterflies made by hand seating on a wood stand, from the early 20 century....

Japanese bronze vase with nice form, used to decorate single flower arrangement in Japanese traditional tea ceremony. Age: Japan, Showa Period, Early 20th Century Size: Height 15.3...

Japanese bronze vase with artist sign, used to decorate single flower arrangement in Japanese traditional tea ceremony. Artist signature is on the last photo. Age: Japan, Showa Pe...

FREE WORLDWIDE SHIPPING ON ALL OUR COLLECTION - MORE IMAGES AVAILABLE UPON REQUEST MEIJI PERIOD (1868-1912)  From our Japanese collection we are delighted to present this exceptio...

Cambodian Silver Elephant Box. A traditional sturdy crouching elephant form with front legs tucked beneath him and the hind kneeling underneath. The ha...

Japanese bronze vase with artist sign, used to decorate single flower arrangement in Japanese traditional tea ceremony. Artist signature is on the last photo. Age: Japan, Showa Pe...

A distinctive set of four antique Chinese bronze miniature censers, each finely cast in a different traditional vessel form and remarkably substantial in weight for its diminutive sc...

19th Century Dated Persian Qajar Tinned Copper Ewer Ablution Basin Set, Dated 1878. A complete two-piece Islamic ablution set comprising of a tall, elegant ewer (aftabeh) and its m...

Quality work, Antique Japanese Lidded Cloisonné Canister, Meiji Period, with the theme of dragons. Dimensions; 2.125" Dia x 2.625" H

A Chinese antique handbell made of copper alloy. I think it is from the late Qing dynasty to the end of the Qing dynasty. Although it is a casting, ...

TA04027 Set of Three Antique Thai Bronze Lime Boxes. Tall Cylinders of varying shapes and sizes: A) Thai Bronze Lime Container in the shape of a Stupa, u...

This Japanese bronze and mixed metals box dates to the Showa period, circa 1930, and is finely decorated with 24 karat gold and silver inlay in the manner of Fujii Yoshitoyo, to whos...

BRONZE top level Japanese statue. Lobster Condition Perfect. Size: 30x18cm Period Showa Period

This antique Persian water kettle is shaped from silver-plated brass and was once used to boil water for tea and other hot drinks. The body is decorated with repoussé and chased desi...

Japanese bronze vase with artist sign, used to decorate single flower arrangement in Japanese traditional tea ceremony. Artist signature is on the last photo. Age: Japan, Showa Pe...

A very elegant set of six antique Russian Imperial silver spoons, by Feodor Ivanovich Rückert, Moscow, 1889. These very attractive Russian silver spoons were made by the legendary m...

Vintage Japanese iron bird incense burner, circa 1960s. The piece has a removable vented piece for burning incense, a wonderful patina and measures 6.5"...

Burmese Karen Frog Drum, a small bronze tribute drum (Heger Type III), Pazi  (Burmese), pam klo’ (Karen) also known as “The Magical Bronze Pond” (Cooler - ...

Middle Eastern large red copper repoussé bowl, finely hand-etched, engraved, hammered and chased with elaborate Moorish geometric designs. Handcrafted copper metal vase with handles,...

A Monumental Gilt-Lacquered Bronze Ornamental Buddha Sculpture of Vajravidarana: A Masterpiece of Sino-Tibetan Craftsmanship, Late 19th Century, Qing Dynasty This monumental gilt-lacquered bronze ornamental sculpture of Vajravidarana is an extraordinary and commanding piece of art, showcasing the pinnacle of Sino-Tibetan craftsmanship from the late 19th century. The figure of Vajravidarana, a powerful purification deity in Tibetan Buddhism, is meticulously sculpted to embody both spiritual authority and artistic excellence. Vajravidarana is primarily known for his role in removing spiritual impurities and negativities. Unlike other deities associated with wisdom or compassion, Vajravidarana’s function is centered on purification and healing. He is typically depicted holding a vajra and a bell, symbolizing the cutting away of delusions and the resonance of divine truth. In this striking sculpture, Vajravidarana is shown holding a vishva vajra (the double vajra), a unique and powerful variation of the traditional iconography, which signifies ultimate protection and the dispelling of negative karma. Vajravidarana: The Supreme Purifier and Protector Vajravidarana is revered in Tibetan Buddhism as the deity of spiritual purification, called upon to cleanse practitioners of defilements and negative influences. His vajra represents the indestructibility of truth, while his bell signifies the wisdom that resonates through purification rituals. In this sculpture, the presence of the vishva vajra, or double vajra, enhances his association with supreme protection, ensuring the destruction of all spiritual obstacles and afflictions. The figure’s powerful yet composed expression conveys a sense of unwavering resolve and divine authority. His posture, along with the carefully sculpted details of his robes and ornaments, highlights his function as a guardian against impurity. The inclusion of the vishva vajra rather than the usual single vajra reinforces his role as a supreme protector, capable of dispelling all forms of negativity and restoring balance. Symbolism of the Mantras and Aureole: Unlike deities that embody wisdom through duality, Vajravidarana’s iconography is centered on purification and exorcism. The aureole surrounding him is inscribed with sacred purification mantras rather than depictions of a consort. These mantras emphasize his function as a remover of obstacles and impurities, reinforcing his role in Buddhist healing rituals. The presence of the sacred inscriptions elevates the sculpture’s spiritual significance, making it a focal point for meditation and ritual purification. Practitioners often visualize Vajravidarana radiating purifying light, dissolving afflictions and negative karma. This theme is mirrored in the sculptural repetition of the purification symbols on the aureole, reinforcing the deity’s role as a divine cleanser. Gilt-Lacquered Bronze: The Artistry of Sino-Tibetan Metalwork: The craftsmanship of this monumental figure reflects the expertise of late 19th-century Sino-Tibetan metalwork, where traditional Tibetan themes were infused with Chinese artistic sensibilities. Cast in bronze and finished with a rich gilt lacquer, the statue has an otherworldly glow, giving it an ethereal, almost divine presence. The gilding process—applied with exceptional skill—gives the sculpture a striking luminosity that enhances the fine details of the facial features, flowing robes, jewelry, and other elements of the deity’s attire. The technique employed to create this figure speaks to the high level of craftsmanship that flourished during the late Qing Dynasty and early modern Tibetan art. The ornate details of the robes and the fine texture of the sculpture highlight the exceptional skill of the artisans who brought this work to life. The use of gold and lacquer not only reflects the preciousness of the sculpture but also its spiritual significance as an object meant to inspire reverence and meditation. An Ornamental Sculpture of Monumental Scale: Unlike smaller devotional objects, this sculpture is designed as an ornamental masterpiece, intended to make a grand visual and spiritual statement. Its monumental size allows it to dominate any space, offering a commanding presence that is both physically and symbolically impressive. In Buddhist practice, large sculptures of this nature are often placed in temples or meditation halls, where their imposing size and serene presence would encourage contemplation and devotion. The grand scale of the statue further amplifies the spiritual power it is meant to convey. As a representation of Vajravidarana, it is not only a physical object of beauty but also a conduit for meditation, purification, and enlightenment. The scale of the sculpture also emphasizes the divine stature of the deity, highlighting his importance in the Buddhist tradition as the ultimate force for spiritual cleansing and protection. Provenance: Acquired in China in circa 1900 1905 Private Buddhist Temple, Northeast, USA Private Sale Solomon Treasure...

Japanese bronze vase with artist sign, used to decorate single flower arrangement in Japanese traditional tea ceremony. Artist signature is on the last photo. Age: Japan, Showa Pe...

Handcrafted antique 19th century Islamic Turkish Ottoman tinned copper ceremonial water ewer. Antique Middle Eastern Asian Islamic style ewer jug metalware vessel. The bulbous body...

Chinese patinated bronze censer with fine cloisonne inlaid enamel designs of a red dragon on imperial yellow ground in the Kangxi dynasty style measuring 16 by 19 by 12.5 inches and ...

Antique 19th century Middle Eastern Persian Qajar Dynasty ( 1785-1924) tinned copper pitcher. The teardrop form ruffled mouth with a flat hand wrought handle, over a neck decorated with hand chased human figures, floral, and geometric designs. Nice decorative old rustic hand-hammered ewer pitcher in the Mameluke Qajar style. Large copper pitcher entirely engraved and plated with silver, tinned with incised scene of a figure seated. Persian Moorish Middle Eastern tinned copper water jug ewer. Middle Eastern Arabic...

A finely detailed Japanese sterling silver cigarette case dating to the early 20th century, decorated with an elaborate mixed-metal landscape depicting Mount Fuji and traditional Japanese architectural and natural motifs. #5613 The case is richly ornamented on both exterior faces as well as across the interior. The panoramic scenes incorporate Mount Fuji, temple and pagoda architecture, a torii gate, stone lanterns, wooded landscapes, water and deer. Contrasting copper and gold-toned mixed-metal details stand out against the silver ground, giving the composition considerable depth and visual interest. The hinged case opens to reveal a continuation of the Japanese landscape across both interior panels, an especially appealing feature that makes the piece as decorative when displayed open as when closed. The original articulated retaining bar remains inside. Marked STERLING to the interior. A beautiful example of early 20th-century Japanese export silver...

Antique Islamic Middle Eastern Qajar Persian Copper Ewer 19th Century. Rare Museum quality Antique piece from the early 19th Century hand forged tinned copper pitcher with lid cover. Finely engraved and etched with Arabic writing calligraphy symbols on the sides of the water jug or wine pot. Great antique patina. Circa 1800. Measurements: 17” height 10.5” length 4 1/2” width. Quality Museum Islamic Metalwork from a private Beverly Hills CA collection. Middle Eastern Asian Turkish Ottoman Antique Islamic Moorish Style Metalwork ewer, pitcher with etched Islamic designs.Safavid Copper...

FREE WORLDWIDE SHIPPING Japanese cloisonné enamel vase in the manner of Ota Tameshiro, dating to the Meiji period circa 1900. The vase is of unusual pentagonal lobed form with a ge...