Model Photo

Style: Color photography, 21st century, Archival pigment print, Sensual, Figurative, Nude, Aesthetic photo, Large-scale, Model , Sexy, Warm tones, Oversize, Oversized, Erotic, Larg...

Style: Black and white photography, 20th. century, Archival pigment print, France, Model,Antique, Vintage, Aesthetic photo, Fashion, Sensual, Figurative, Sexy, Portrait, Woman, in be...

Style: Black and white photography, 20th. century, Archival pigment print, France, 1987, Model, Fashion, Antique, Vintage, Aesthetic photo, Sensual, Figurative, Sexy, Portrait, Woman...

categories : Black and white photography, 21st century, Archival pigment print, Monochromatic, Fine Art, Sensual, Nude, fashion, model , Sexy, Figurative, Aesthetic photo, Large-scale

Please note: This is a double sided work of art with a figure study ink portrait of young female model on the reverse (see photo). Harold Emerson Haydon was born in 1909 in Fort W...

Please note: This is a double sided drawing with an Art Deco figure study of a standing female nude model on the reverse (see photo). One from a series of related highly finished s...

Please note: This is a double sided drawing with a figure study of a standing female nude model on reverse (see photo). One from a series of related highly finished studio figure s...

categories : Black and white photography, 20th. century, Archival pigment print, sensual, Figurative, Sexy, model, vintage, France, Aesthetic photo, Large-scale, Timeless, Monochro...

Please note: This is a double sided drawing with a figure study of a seated female model on reverse (see photo). One from a series of related highly finished studio figure studies ...

Please note: This is a double sided drawing with a figure study of a standing young male nude model on the reverse (detail photo is provided).

Please note: this is a double sided drawing with a charcoal study of a standing female nude model on the reverse (see photo). Artwork size: 18 x 12 inches, unframed, presented in ...

Please note: This is a double sided drawing with a figure study of a seated female nude model on reverse (see detail photo). One from a series of related highly finished studio fig...

His scenes often unfold instinctively, drawing references from live models, 3D software, personal photos, and even paused frames from old movies.

Using vintage reference photos, live models, and imagination, there is no limit to Calleri’s creativity.

His scenes often unfold instinctively, drawing references from live models, 3D software, personal photos, and even paused frames from old movies.

His scenes often unfold instinctively, drawing references from live models, 3D software, personal photos, and even paused frames from old movies.

His scenes often unfold instinctively, drawing references from live models, 3D software, personal photos, and even paused frames from old movies.

His scenes often unfold instinctively, drawing references from live models, 3D software, personal photos, and even paused frames from old movies.

His scenes often unfold instinctively, drawing references from live models, 3D software, personal photos, and even paused frames from old movies.

His scenes often unfold instinctively, drawing references from live models, 3D software, personal photos, and even paused frames from old movies.

Edwards called his paintings of babies, dogs and erotic torsos from that period "image painting" because they were taken not from the model stand but cast off photo images. One pain...

Edwards called his paintings of babies, dogs and erotic torsos from that period "image painting" because they were taken not from the model stand but cast off photo images. One pain...

Edwards called his paintings of babies, dogs and erotic torsos from that period "image painting" because they were taken not from the model stand but cast off photo images. One pain...

Edwards called his paintings of babies, dogs and erotic torsos from that period "image painting" because they were taken not from the model stand but cast off photo images. One pain...

Edwards called his paintings of babies, dogs and erotic torsos from that period "image painting" because they were taken not from the model stand but cast off photo images. One pain...

Edwards called his paintings of babies, dogs and erotic torsos from that period "image painting" because they were taken not from the model stand but cast off photo images. One pain...

Edwards called his paintings of babies, dogs and erotic torsos from that period "image painting" because they were taken not from the model stand but cast off photo images. One pain...

Edwards called his paintings of babies, dogs and erotic torsos from that period "image painting" because they were taken not from the model stand but cast off photo images. One pain...

Edwards called his paintings of babies, dogs and erotic torsos from that period "image painting" because they were taken not from the model stand but cast off photo images. One pain...

Edwards called his paintings of babies, dogs and erotic torsos from that period "image painting" because they were taken not from the model stand but cast off photo images. One pain...

Emil Schumacher Hagen 1912–1999 San José/Ibiza Genesis, Sheet 2 Terragraph on sturdy handmade paper Dimensions: 40.5 x 40 cm Frame: 47 x 47 cm From an edition of 120 unsigned copie...

Emil Schumacher Hagen 1912–1999 San José/Ibiza Genesis, Sheet 12 Terragraph on sturdy handmade paper Dimensions: 40.5 x 40 cm Frame: 47 x 47 cm From an edition of 120 unsigned copie...

Emil Schumacher Hagen 1912–1999 San José/Ibiza Genesis, Sheet 4 Terragraph on sturdy handmade paper Dimensions: 40.5 x 40 cm Frame: 47 x 47 cm From an edition of 120 unsigned copies...

Emil Schumacher Hagen 1912–1999 San José/Ibiza Genesis, Sheet 1 Terragraph on sturdy handmade paper Dimensions: 40.5 x 40 cm Frame: 47 x 47 cm From an edition of 120 unsigned copies...

Emil Schumacher Hagen 1912–1999 San José/Ibiza Genesis, Sheet 13 Terragraph on sturdy handmade paper Dimensions: 40.5 x 40 cm Frame: 47 x 47 cm From an edition of 120 unsigned copi...

Emil Schumacher Hagen 1912–1999 San José/Ibiza Genesis, Sheet 8 Terragraph on sturdy handmade paper Dimensions: 40.5 x 40 cm Frame: 47 x 47 cm From an edition of 120 unsigned copie...

Emil Schumacher Hagen 1912–1999 San José/Ibiza Genesis, Sheet 3 Terragraph on sturdy handmade paper Dimensions: 40.5 x 40 cm Frame: 47 x 47 cm From an edition of 120 unsigned copie...

Freed captures both playfulness and sensuality of a self-possessed model. As to the photo series on the nude it became a welcome reprieve for Freed who during a long photo career tac...

The self-assigned photo series "Kate" became a welcome reprieve for Leonard Freed who during a long photo career tackled social justice subjects for which he is well-known as a docum...

Kate #5, 2002 by American photographer Leonard Freed is an 8” x 10” signed black and white photograph stamped "vintage" by the Freed estate on verso (back of photo). Model, photogr...

Magnum stamps from the period on verso (back of photo). Top Model Twiggy and her manager boyfriend Justin de Villeneuve are photographed in London, England in a documentary style p...

His scenes often unfold instinctively, drawing references from live models, 3D software, personal photos, and even paused frames from old movies.

His scenes often unfold instinctively, drawing references from live models, 3D software, personal photos, and even paused frames from old movies.

His scenes often unfold instinctively, drawing references from live models, 3D software, personal photos, and even paused frames from old movies.

His scenes often unfold instinctively, drawing references from live models, 3D software, personal photos, and even paused frames from old movies.

His scenes often unfold instinctively, drawing references from live models, 3D software, personal photos, and even paused frames from old movies.

Kate #7, 2002 by American photographer Leonard Freed is an 8" x 10" hand printed, signed by the photographer black and white photograph, stamped "vintage" by the Freed estate on vers...

His scenes often unfold instinctively, drawing references from live models, 3D software, personal photos, and even paused frames from old movies.

His scenes often unfold instinctively, drawing references from live models, 3D software, personal photos, and even paused frames from old movies.

His scenes often unfold instinctively, drawing references from live models, 3D software, personal photos, and even paused frames from old movies.

Van Driessche has traveled all over the world, taking photos wherever he goes. These days, he often schedules photo shoots with models when he travels, working with both professional...

His scenes often unfold instinctively, drawing references from live models, 3D software, personal photos, and even paused frames from old movies.

Van Driessche has traveled all over the world, taking photos wherever he goes. These days, he often schedules photo shoots with models when he travels, working with both professional...

Using vintage reference photos, live models, and imagination, there is no limit to Calleri’s creativity.

Using vintage reference photos, live models, and imagination, there is no limit to Calleri’s creativity.

His scenes often unfold instinctively, drawing references from live models, 3D software, personal photos, and even paused frames from old movies.

His scenes often unfold instinctively, drawing references from live models, 3D software, personal photos, and even paused frames from old movies.