New Masses

He was politically active as an artist for various liberal organizations including the paper PM and New Masses. Leboit's work is illustrated and discussed in The American Scene, Prin...

He did much illustration-cartoon work for the New York Tribune newspaper, Vanity Fair magazine and the politically 'left-wing' publication, "New Masses."

Latvia-born William Sanderson became a contributor to the New Yorker and New Masses magazines during the 1930s.

He did much illustration-cartoon work for the New York Tribune newspaper, Vanity Fair magazine and the politically 'left-wing' publication, "New Masses."

Returning to Cleveland in the depths of the depression, he traveled to New York City, where he found work as the Art Editor of The New Masses.

Becker was a frequent contributor to the radical press, publishing his art in such periodicals as Revolt, The Toiler, New Solidarity, The Blast, Survey Graphic, The New York Call. an...

From his experiences there with artists, he wrote Modern Russian Art, and later did illustrations for the New Masses and translated for Broom Magazine. Returning to the United State...

He was accepted to the Easel Division of the Public Works of Art Project in 1933, and started publishing lithographs for the socialist magazine The New Masses in 1934, the year Elean...

He was accepted to the Easel Division of the Public Works of Art Project in 1933, and started publishing lithographs for the socialist magazine The New Masses in 1934, the year Elean...

He was accepted to the Easel Division of the Public Works of Art Project in 1933, and started publishing lithographs for the socialist magazine The New Masses in 1934, the year Elean...

He was accepted to the Easel Division of the Public Works of Art Project in 1933, and started publishing lithographs for the socialist magazine The New Masses in 1934, the year Elean...

While in Berlin he became friends with Laszlo Moholy-Nagy, El Lissitsky, and the avant-garde Russian artists affiliated with the November-gruppe. On his return to New York in 1924 he...

He did much illustration-cartoon work for the New York Tribune newspaper, Vanity Fair magazine and the politically 'left-wing' publication, "New Masses."

Warsager also worked in engraving, etching, and lithography, and he was an illustrator for the New Masses. His inventive and masterfully-crafted prints depict urban scenes and rural ...

A few years later through freelance work, his cartoons and drawings appeared in other newspapers and magazines, such as The Liberator, The New Masses, The New York Post, The New York...

A few years later through freelance work, his cartoons and drawings appeared in other newspapers and magazines, such as The Liberator, The New Masses, The New York Post, The New York...

In 1919 Gropper established a reputation as a political cartoonist working for the New York Tribune. His blunt, forceful style attracted the attention of other publications, and he p...

In 1919 Gropper established a reputation as a political cartoonist working for the New York Tribune. His blunt, forceful style attracted the attention of other publications, and he p...

Becker gained national recognition at a young age when he exhibited at the historic Armory Show in New York in 1913. However, his reputation was largely established through his power...

Von Wiegand began writing art criticism for New Masses as well as for other publications, including New Theatre, ARTnews, and Arts Magazine.

Heliker had three one-person shows at the Maynard Walker Gallery in New York, the first in 1936, and in the late 1930s was making drawings for the New Masses and joined the easel div...

Working in the "social realist" tradition, she specialized in scenes of proletariat American life, which she then contributed to populist and Marxist journals of the period, includin...

Sternberg contributed drawings to the leftist magazine New Masses for 17 years and worked actively in organizations defending the rights of both artists and laborers.

Sternberg contributed drawings to the leftist magazine New Masses for 17 years and worked actively in organizations defending the rights of both artists and laborers.

While in Berlin, he became friends with Laszlo Moholy-Nagy, El Lissitsky, and the avant-garde Russian artists affiliated with the Novembergruppe. On his return to New York in 1924, h...

While in Berlin, he became friends with Laszlo Moholy-Nagy, El Lissitsky, and the avant-garde Russian artists affiliated with the Novembergruppe. On his return to New York in 1924, h...

Gropper obtained his first significant job as a cartoonist for the New York Tribune in 1917. While working as a staff cartoonist for the Tribune, he also contributed drawings to publ...

While in Berlin he became friends with Laszlo Moholy-Nagy, El Lissitsky, and the avant-garde Russian artists affiliated with the November-gruppe. On his return to New York in 1924 he...

While in Berlin, he became friends with Laszlo Moholy-Nagy, El Lissitsky, and the avant-garde Russian artists affiliated with the November-gruppe. On his return to New York in 1924, ...

Gropper obtained his first significant job as a cartoonist for the New York Tribune in 1917. While working as a staff cartoonist for the Tribune, he also contributed drawings to publ...

Gropper obtained his first significant job as a cartoonist for the New York Tribune in 1917. While working as a staff cartoonist for the Tribune, he also contributed drawings to publ...

Von Wiegand began writing art criticism for New Masses as well as for other publications, including New Theatre, ARTnews, and Arts Magazine.

Gropper obtained his first significant job as a cartoonist for the New York Tribune in 1917. While working as a staff cartoonist for the Tribune, he also contributed drawings to publ...

Gropper obtained his first significant job as a cartoonist for the New York Tribune in 1917. While working as a staff cartoonist for the Tribune, he also contributed drawings to publ...

Gropper obtained his first significant job as a cartoonist for the New York Tribune in 1917. While working as a staff cartoonist for the Tribune, he also contributed drawings to publ...

Gropper obtained his first significant job as a cartoonist for the New York Tribune in 1917. While working as a staff cartoonist for the Tribune, he also contributed drawings to publ...

Gropper obtained his first significant job as a cartoonist for the New York Tribune in 1917. While working as a staff cartoonist for the Tribune, he also contributed drawings to publ...

Gropper obtained his first significant job as a cartoonist for the New York Tribune in 1917. While working as a staff cartoonist for the Tribune, he also contributed drawings to publ...

Gropper obtained his first significant job as a cartoonist for the New York Tribune in 1917. While working as a staff cartoonist for the Tribune, he also contributed drawings to publ...

Gropper obtained his first significant job as a cartoonist for the New York Tribune in 1917. While working as a staff cartoonist for the Tribune, he also contributed drawings to publ...

These drawings appeared in left-wing publications like The Daily Worker, The Masses, Liberator, and New Solidarity. Becker knew artist John Sloan, who was editor of The Masses, so S...