New Objectivity

He was a prominent member of the Berlin Dada and New Objectivity group during the Weimar Republic.

He was a prominent member of the Berlin Dada and New Objectivity group during the Weimar Republic.

He was a prominent member of the Berlin Dada and New Objectivity group during the Weimar Republic.

He was a prominent member of the Berlin Dada and New Objectivity group during the Weimar Republic.

He was a prominent member of the Berlin Dada and New Objectivity group during the Weimar Republic.

He was a prominent member of the Berlin Dada and New Objectivity group during the Weimar Republic.

August Dressler is one of the painters of the New Objectivity. He is one of the lesser-known artists of the Weimar era, but he too, like his famous contemporaries Georg Grosz, John H...

Biography: Adolf Uzarski (1885 - 1970) was a German writer, artist, and illustrator associated with the "New Objectivity Movement." He was born in Ruhrort bei Duisburg (1885) and stu...

During 1927 and 1928 Lindner lived in Berlin, where he witnessed the development of the Neue Sachlichkeit (New Objectivity), a movement that left an indelible mark on all his subsequ...

Her works, often still lifes, portraits, and figure studies, reflect a balance between naturalistic representation and modernist influences such as Cubism and New Objectivity. Holst...

As part of their pursuit of photographic Modernism, Yalenti and his fellow Brazilians adapted the stylistic innovations of U.S. and European photographers such as f.64, New Objectivi...

Unconcerned by the Neue Sachlichkeit (New Objectivity), the artistic movement then dominant in Berlin, Tchelitchew continued to work mainly for the theater.

“Albuquerque Journal”, Newspaper, May 28, 1995, Albuquerque, New Mexico . “Objective None Objective”, 1995, Albuquerque, New Mexico (catalog) EDUCATION 1978.

Pietschmann painted in the tradition of artists such as Max Klinger and Arnold Böcklin and had a similar repertoire, influenced neither by the Expressionist art movement that emerged...

In 1926, Behrens was commissioned by the Englishman Wenman Joseph Bassett-Lowke to design a family home in Northampton, UK. The house named 'New Ways', a stark white walled rectangul...

In 1926, Behrens was commissioned by the Englishman Wenman Joseph Bassett-Lowke to design a family home in Northampton, UK. The house named 'New Ways', a stark white walled rectangul...

Unconcerned by the Neue Sachlichkeit (New Objectivity), the artistic movement then dominant in Berlin, Tchelitchew continued to work mainly for the theater.

. - "Love Love All and Other Drawings", 120 Works by G. Grosz, Ed. Dover, New York 1971, no. 42. George Grosz (July 26, 1893 – July 6, 1959) was a prominent member of the Berlin D...

Many of the great number of self-portraits she painted were produced in the New Objective style, displaying broad variation in terms of clothes, poses and techniques.

Many of the great number of self-portraits she painted were produced in the New Objective style, displaying broad variation in terms of clothes, poses and techniques.

Many of the great number of self-portraits she painted were produced in the New Objective style, displaying broad variation in terms of clothes, poses and techniques.

Many of the great number of self-portraits she painted were produced in the New Objective style, displaying broad variation in terms of clothes, poses and techniques.

Many of the great number of self-portraits she painted were produced in the New Objective style, displaying broad variation in terms of clothes, poses and techniques.

Unconcerned by the Neue Sachlichkeit (New Objectivity), the artistic movement then dominant in Berlin, Tchelitchew continued to work mainly for the theater.

Despite the reserved character of the artist, his painting takes on an increasingly international value: in 1925 he exhibited in Mannheim in an exhibition dedicated to the New Object...

- The Inner Essence - In the realistic style of New Objectivity, the artist sits in the landscape as a woman with a pageboy haircut, holding a young lady in her arms.

In 1924 he returned to Stuttgart to paint in the contemporary style “Die Neue Sachlichkeit”. (The New Objectivity was a movement in German art that arose during the 1920s Weimar repu...

This "return to order" is evident in the work of many European artists in the 1920s, including André Derain, Giorgio de Chirico, Gino Severini, Jean Metzinger, the artists of the New...

This "return to order" is evident in the work of many European artists in the 1920s, including André Derain, Giorgio de Chirico, Gino Severini, Jean Metzinger, the artists of the New...

This "return to order" is evident in the work of many European artists in the 1920s, including André Derain, Giorgio de Chirico, Gino Severini, Jean Metzinger, the artists of the New...

This "return to order" is evident in the work of many European artists in the 1920s, including André Derain, Giorgio de Chirico, Gino Severini, Jean Metzinger, the artists of the New...

This "return to order" is evident in the work of many European artists in the 1920s, including André Derain, Giorgio de Chirico, Gino Severini, Jean Metzinger, the artists of the New...

In the late 30s and 40s, when this painting was created, the Guggenheim's acquired Eldred's work for their new Museum of Non-Objective painting (now the Guggenheim Museum), which foc...

Keywords: Robert Livsey Wells, American abstract painter, color music painting, synesthesia art, Boston Museum School of Fine Arts, Tufts University art education, Santa Fe contempor...

In a recent review of a two-person exhibition (Whitehot Magazine,2017) Drexler's work as clearly referencing the long tradition of American abstraction and the established legacy of ...

This experience was balanced by an opportunity to look through an electron microscope—“a view of pure abstraction”—reinforcing Hoff’s gradual move towards non-objectivity. Hoff visit...

Another friend was of Stern’s was Baroness Hilla Rebay, director of the Museum of Non-Objective Painting in New York City (later to become The Solomon R.

She has been described as “vital” by the New York Herald Tribune and as an “outstanding colorist” by the New York Times.

She has been described as “vital” by the New York Herald Tribune and as an “outstanding colorist” by the New York Times.

In a recent review of a two-person exhibition (Whitehot Magazine,2017) Drexler's work as clearly referencing the long tradition of American abstraction and the established legacy of ...

“Albuquerque Journal”, Newspaper, May 28, 1995, Albuquerque, New Mexico . “Objective None Objective”, 1995, Albuquerque, New Mexico (catalog) EDUCATION 1978.

“Albuquerque Journal”, Newspaper, May 28, 1995, Albuquerque, New Mexico . “Objective None Objective”, 1995, Albuquerque, New Mexico (catalog) EDUCATION 1978.

“Albuquerque Journal”, Newspaper, May 28, 1995, Albuquerque, New Mexico . “Objective None Objective”, 1995, Albuquerque, New Mexico (catalog) EDUCATION 1978.

“Albuquerque Journal”, Newspaper, May 28, 1995, Albuquerque, New Mexico . “Objective None Objective”, 1995, Albuquerque, New Mexico (catalog) EDUCATION 1978.

“Albuquerque Journal”, Newspaper, May 28, 1995, Albuquerque, New Mexico . “Objective None Objective”, 1995, Albuquerque, New Mexico (catalog) EDUCATION 1978.

Scarlett was one of the initial members which guided the development of non-objective painting in New York. Solomon Guggenheim sponsored Baroness Hilla Rebay who hatched the early m...

“Albuquerque Journal”, Newspaper, May 28, 1995, Albuquerque, New Mexico . “Objective None Objective”, 1995, Albuquerque, New Mexico (catalog) EDUCATION 1978.

In a recent review of a two-person exhibition (Whitehot Magazine,2017) Drexler's work as clearly referencing the long tradition of American abstraction and the established legacy of ...

“Albuquerque Journal”, Newspaper, May 28, 1995, Albuquerque, New Mexico . “Objective None Objective”, 1995, Albuquerque, New Mexico (catalog) EDUCATION 1978.

It's reasonable to think that in more distant times, we can find traces of free groups that first brought together architects, and were joined by students from other sections of the ...

In 1939, Scarlett was one of the founding members and forces which steered the development of the Museum of Non-Objective Painting in New York. (later, the Solomon R.

She has been described as “vital” by the New York Herald Tribune and as an “outstanding colorist” by the New York Times.

“Albuquerque Journal”, Newspaper, May 28, 1995, Albuquerque, New Mexico . “Objective None Objective”, 1995, Albuquerque, New Mexico (catalog) EDUCATION 1978.

In a recent review of a two-person exhibition (Whitehot Magazine,2017) Drexler's work as clearly referencing the long tradition of American abstraction and the established legacy of ...

In a recent review of a two-person exhibition (Whitehot Magazine,2017) Drexler's work as clearly referencing the long tradition of American abstraction and the established legacy of ...

In a recent review of a two-person exhibition (Whitehot Magazine,2017) Drexler's work as clearly referencing the long tradition of American abstraction and the established legacy of ...

In a recent review of a two-person exhibition (Whitehot Magazine,2017) Drexler's work as clearly referencing the long tradition of American abstraction and the established legacy of ...

In a recent review of a two-person exhibition (Whitehot Magazine,2017) Drexler's work as clearly referencing the long tradition of American abstraction and the established legacy of ...

In a recent review of a two-person exhibition (Whitehot Magazine,2017) Drexler's work as clearly referencing the long tradition of American abstraction and the established legacy of ...

In a recent review of a two-person exhibition (Whitehot Magazine,2017) Drexler's work as clearly referencing the long tradition of American abstraction and the established legacy of ...