Drawings and Watercolor Paintings

Little Island is an original pastel drawing on paper by artist Cornelia Fitzroy. Cornelia FitzRoy ​is a Norfolk landscape plein air artist who uses co...

Compass Rose and Flower design. Sealed on the back with the design studio name and number 397 We offer a small number of these original illustration designs by this design studio ba...

Haiku #43, 3/50 - Digital Vector Drawing Seated Female Nude Woman Figure from B This is a limited edition (50) digital black & white print of a seated female nude, executed in 17 ve...

Interior design paintings. Triptych. The artworks were done with acrylic, ink and watercolor in white color on black watercolor paper 360g. The works are 12 by 16.5 inches in size, f...

John Aldrich Ruthven American Painter Bison in a Snow Blizzard Watercolor and Gouache on Paper signed lower left

Not only in the 17th century, but also in the 18th century, genre painting, where people are portrayed in their daily life, was successful. The theme of the milkmaid, which we all kn...

Rural Landscape with Cow is an artwork, ink, charcoal and watercolor on paper. Is not signed and dated but we can attribute the period middle 20th Century. The work is represented ...

Interior design paintings. The artworks were done with acrylic, ink and watercolor in white color on black watercolor paper 360g. The works are 12 by 16.5 inches in size, framed (bla...

Interior design paintings. The artwork were done with acrylic, ink and watercolor in white color on black watercolor paper 360g. The work are 12 by 16.5 inches in size, framed (black...

2018 Charcoal on paper Signed and dated upper left Framed (matte black wooden frame, black raised float mount on foam core, UV anti-reflective glass) Frame size 95 x 70 x 3 cm Felix Dolah...

Mask with Flowers is an original China ink drawing realized by the Italian artist Enrico Josef Cucchi in 2020. Hand-signed and dated on the lower right. Perfect conditions.

Mask with Flowers is an original China ink drawing realized by the Italian artist Enrico Josef Cucchi in 2020. Hand-signed and dated on the lower right. Perfect conditions.

Monotype on paper Dramatic imagery from Tom Bennett’s series of black and white monotypes, blending surrealistic mindscapes with stark realism About Tom Bennett: With quick brushstrokes, Tom Bennett creates representational images of human figures and animals, emphasizing movement in a manner reminiscent of Lucien Freud, Edgar Degas and the photographer Eadweard Muybridge. Elongated and blurry, the horse racing up a hill (Canter Fritz, 2002) and the sinister cat landing a leap (Chien Blanc, 1998) elicit a sense of foreboding enhanced by Bennett’s somber palette; his female figures too reflect a grim sense of humor with their distorted nude bodies. The face of Untitled Figure (1997), for example, is obscured by layers of dark paint. Classically trained as a painter, he initially worked in oil on canvas but discovered that monotype printing enabled him to “literally push the image around,” creating an essential element of motion. To overcome the limited scale of monotypes, however, he switched to painting on slick-surfaced plastic. Tom Bennett’s practice is rooted in the classical tradition where painting and drawing from life is highly regarded. Bennett’s work is heavily influenced by Francis Bacon, Frank Auberbauch and foremost his father, Harry Bennett, who was also an artist. Tom’s time living abroad in Spain and traveling through Eastern Europe and Africa provided the artistic freedom to explore many of the techniques and subject matter that continue to define his practice. Bennett was born and raised in Connecticut. His mediums include monotypes, oil on paper, canvas or styrene board. In a technique that Tom started over 4 years ago, several of his monotypes have been painted over with oil paint using a palette knife, brush, or his fingers to re-purpose the underlying image. These works are a testament to Bennett’s ability to quickly and concisely compose an image with expressive brush strokes, foreshortened figures and expertly rendered light. Tom’s work has been featured in group and solo exhibitions worldwide. Bennett lives and works in Brooklyn, New York. He is currently represented by Tabla Rasa...

JOLANTA JOHNSSON (born 1955) Polish painter. She studied at the Warsaw Academy of Fine Arts in the years 1984-1989, in the graphic studios of prof. Ha...

"A Small City Park", acrylic and watercolor on paper by Denver artist Edward Marecak (1919-1993) of an abstract park broken into four quadrants, separated by brown and white striped borders with different shaped ponds. Inspired by City Park in Denver, Colorado where the artist frequented. Presented framed with all archival materials, outer dimensions measure 21 ¾ x 18 ¾ inches. Image size measures 12 x 15 inches. Painting is clean and in good condition - please contact us for a detailed condition report. Provenance: Estate of Edward Marecak Expedited and international shipping is available - please contact us for a quote. About the Artist: Born to immigrant parents from the Carpathian region in Slovakia, Marecak grew up with his family in the farming community of Bennett’s Corners, now part of the town of Brunswick, near Cleveland, Ohio. When he turned twelve, his family moved to a multi-ethnic neighborhood of Poles, Czechs, Slovaks and Slovenians in Cleveland. His childhood household cherished the customs and Slavic folk tales from the Old Country that later strongly influenced his work as a professional artist. During junior high he painted scenery for puppet shows of "Peter and the Wolf," awakening his interest in art. In his senior year in high school he did Cézanne-inspired watercolors of Ohio barns at seventy-five cents apiece for the National Youth Administration. They earned him a full scholarship to the Cleveland Institute of Art (1938-1942) where he studied with Henry George Keller whose work was included in the 1913 New York Armory Show. In 1940 Marecak also taught at the Museum School of the Cleveland Institute. Before being drafted into the military in 1942, he briefly attended the Cranbrook Academy of Art near Detroit, one of the nation’s leading graduate schools of art, architecture, and design. A center of innovative work in architecture, art and design with an educational approach built on a mentorship model, it has been home to some of the world’s most renowned designers and artists, including Eero Saarinen, Charles Eames, Daniel Libeskind and Harry Bertoia. Marecak’s studies at Cranbrook with painter Zoltan Sepeshy and sculptor Carl Milles were interrupted by U.S. army service in the Aleutian Islands during World War II. Following his military discharge, Marecak studied on the G.I. Bill at the Colorado Springs Fine Arts Center from 1946 to 1950, having previously met its director, Boardman Robinson, conducting a seminar in mural painting at the Cleveland Institute of Art. Although he did not work with Robinson at the Fine Arts Center, who had become quite ill - retiring in 1947 - he studied Robinson’s specialty of mural painting before leaving to briefly attend the Cranbrook Academy in 1947. That same year he returned to the Fine Arts Center, studying painting with Jean Charlot and Mary Chenoweth, and lithography with Lawrence Barrett with whom he produced some 132 images during 1948-49. At the Fine Arts Center he met his future wife, Donna Fortin, whom he married in 1947. Also a Midwesterner, she had taken night art courses at Hull House in Chicago, later studying at the Art Institute of Chicago with the encouragement of artist Edgar Britton. After World War II she studied with him from 1946 to 1949 at the Fine Arts Center. (He had moved to Colorado Springs to treat his tuberculosis.) Ed Marecak also became good friends with Britton, later collaborating with him on the design of large stained glass windows for a local church. In 1950-51 Marecak returned to the Cleveland Institute of Art to complete his Bachelor of Fine Arts degree. A year later he was invited to conduct a summer class at the University of Colorado in Boulder, confirming his interest in the teaching profession. In 1955 he received his teaching certificate from the University of Denver. Vance Kirkland, the head of its art department, helped him get a teaching job with the Denver Public Schools so that he and his family could remain in the Mile High City. For the next twenty-five years he taught art at Skinner, Grove, East, George Washington and Morey Junior High Schools. Prior to coming to Colorado, Marecak did watercolors resembling those of Winslow Homer, John Singer Sargent and Charles Burchfield. However, once in Colorado Springs he decided to destroy much of his earlier ouevre, embarking on a totally new direction unlike anything he had previously done. Initially, in the 1940s he was influenced by surrealist imagery and Paul Klee, and in the West by Indian petroglyphs and Kachinas. His first one-person show at the Garrett Gallery in Colorado Springs in 1949 featured paintings and lithographs rendered in the style of Magic Realism and referential abstraction. The pieces, including an oil Witch with Pink Dish, foreshadowed the output of his entire Colorado-based career, distinguished by a dramatic use of color, intricacy of execution and attention to detail contributing to their visual impact. He once observed, "Each time I start a new painting I always fool myself by saying this time keep it simple and not get entangled with such complex patterns, color and design; but I always find myself getting more involved with richness, color and subject matter." An idiosyncratic artist proficient in oil, acrylic, watercolor, gouache and casein, he did not draw upon Colorado subject matter for his work, unlike many of his fellow painters in the state. Instead he used Midwest landscape imagery, bringing to life in it witches and spirits adapted from the Slovakian folk tales he heard growing up in Ohio. A number of his paintings depict winter witches derived from the Slovak custom in the Tatra Mountains of burning an effigy of the winter witch in the early spring to banish the memory of a hard winter. The folk tale element imparts a dream-like quality to many of his paintings. A devote of Greek mythology, he placed the figures of Circe, Persephone, Sybil, Hera and others in modern settings. The goddess in Persephone Brings a Pumpkin to her Mother, attired as a Midwestern farmer’s daughter, heralds the advent of fall with the pumpkin before departing to spend the winter season in the underworld. Train to Olympus, the meeting place of the gods in ancient Greece, juxtaposes ancient mythology with modernity creating a combination of whimsy and thought-provoking consideration for the viewer. Voyage to Troy #1 alludes to the ancient city that was the site of the Trojan Wars, but has a contemporary, autobiographical component referencing the harbor of the Aleutian Islands recaptured from the Japanese during World War II. In the 1980s Marecak used the goddess Hera in his painting, Hera Contemplates Aspects of the Art Nouveau, to comment on art movements in the latter half of the twentieth century Marecak’s love of classical music and opera, which he shared with his wife and to which he often listened while painting in his Denver basement studio, is reflected in Homage of Offenbach, an abstract work translating the composer’s musical colors into colorful palette. Pace, Pace, Mio Dio, the title of his earliest surrealist painting, is a soprano aria from Verdi’s opera, La Forza del Destino (The Force of Destiny or Fate, a favorite Marecak subject). His Queen of the Night relates to a character from Mozart’s opera, The Magic Flute. In addition to paintings and works on paper, he produced hooked rugs, textiles and ceramics. He likewise produced designs for ceramics, tableware and furniture created by his wife Donna, an accomplished Colorado ceramist. Both of them generally eschewed exhibitions and galleries, preferring to quietly do their work while remaining outside of the mainstream. He initially exhibited at the Colorado Springs Fine Arts Center in 1948 receiving a purchase award. The following year he had his first one-person show of paintings and lithographs at the Garrett Gallery in Colorado Springs. In the 1950s and early 1960s he participated in group exhibitions at the Print Club (Philadelphia); Amarillo Public Library (Texas); annual Blossom Festival Show (Canon City, Colorado); Adele Simpson’s "Art of Living" in New York; Denver Art Museum; and the Fox Rubenstein-Serkey Gallery (Denver); but he did not have another one-person show until 1966 at the Denver home of his friends, John and Gerda Scott. They arranged for his first one-person show outside of Colorado held two years later at the Martin Lowitz Gallery in Beverly Hills and Palm Springs, California. That same year his work was featured at the Zantman Galleries in Carmel, California. Thereafter he became an infrequent exhibitor after the 1970s so that his work was rarely seen outside his basement studio. In 1980 he, his wife and Mark Zamantakis exhibited at Denver’s Jewish Community Center, and four years later he had a one-person show at the Studio Gallery in Denver. In 1992 he was included in a group show at the Rule Modern and Contemporary Gallery in Denver, and a year later received a large, posthumous retrospective at the Emmanuel...

The Catch is an original artwork, gouache, tempera and watercolor realized by Celestin Deshayes (1817 -1896) . Hand signed on the lower right. Is not dated but we can attribute the p...

Interior design paintings. The artworks were done with acrylic, ink in silver and white color on black watercolor paper 360g. The works are 12 by 16.5 inches in size, framed (silver...

Very finely executed ink and watercolor painting depicting the Balinese goddess, Saraswati. Signed lower left “De Mus, keliki-Kawan, Ubud, Bali”. The ...

With simple materials she makes reflections on a sense of life ́s mystery. Her drawings are a search for the truth which she finds in the spiritual world.

Her work is basically drawing; drawings of endless patterns of ink, like cosmic fractals mixed with collages and cutting technique. With simple materials she makes reflections on a s...

Signed and dated lower left Framed (matte black wooden frame, black raised float mount on foam core) Frame size 54.1 x 42 2.5 cm This work includes a certificate of authenticity

Signed and dated lower right Framed (matte black wooden frame, black raised float mount on foam core) Frame size 54.1 x 42 x 2.5 cm This work includes a certificate of authenticity ...

Interior design paintings. The work was done with alcohol ink in blue, grey, brown color on Yupo paper. The work is 11 by 14 inches in size, framed (gold or black) with a styrene fac...

Signed and dated lower left Framed (matte black wooden frame, black raised float mount on foam core, UV anti-reflective glass)

Acrylic ink on paper. Paper size: 12" x 12" Frame size: 20" x 20" Charles Buckley lives and works in Brooklyn, NY. His current work, entitled “Striation Series,” demonstrates a mast...

Acrylic ink on paper. Paper size: 8.75" x 13.5" Frame size: 16.5" x 21.25" Charles Buckley lives and works in Brooklyn, NY. His current work, entitled “Striation Series,” demonstrat...

Abstract Colorado mountain landscape by Eric James Bransby (1916-2020). Pastel on paper in colors of green, orange, blue, and purple. Presented in a custom frame with archival materi...

Charcoal on paper drawing by Toronto-based artist Katherine Curci. Unframed. Katherine Curci began this series of charcoal drawings, premiered in This...

Vintage American modernist abstract drawing. Pencil and graphite on paper, circa 1970. Unsigned. Image size, 31L x 23H. Housed in a period frame.

Interior design paintings. The artworks were done with watercolor and acrylic on black watercolor paper 300g. The works are 11,5 by 16,5 inches in size, framed (black) with a styrene...

Interior design paintings. The artworks were done with watercolor and ink on watercolor paper 300g. The works are 11 by 14 inches in size, framed (black) with a styrene face on a dou...

Roy DeForest Untitled (Figure with yellow eyes), 1985 mixed media on paper 30 x 44" unique

watercolor, forest, green Giulio DA MILANO (Nizza, 1895 - Torino, 1990) Giulio Da Milano was a Giacomo Grosso's disciple and he was very close to the artists that used to patroniz...

Interior design paintings. The work was done with ink and watercolor on watercolor paper 300g. The work is 11 by 15 inches in size. This is the "Many thoughts, one head" series. The...

SALE ONE WEEK ONLY "Song of Songs Illustration" renders an important bibilical story that is celebrated during Jewish Passover. Song of Solomon, also called Canticle of Canticles, or Song of Songs, an Old Testament...

Mid Century River Birches Landscape Watercolor Gorgeous vibrant mid century watercolor on paper painting of river birch trees by artist Eva Collins Marks (American, 20th century),19...

Scarlett Macaw Parrots and Ferns Watercolor, Large-Scale Horizontal Panorama A substantial horizontal watercolor of four Scarlett Macaw parrot...

"Mother," is a contemporary pen and ink drawing by Katherine Filice. This piece is one of her newest works featuring a surrealistic figure. This piece is one of the few of hers that ...

Dark City is an original drawing in carbon and pastel realized by Simon Goldberg (1913-1985). With the stamp " Atelier Simon Goldberg" on the lower left. Th...

Dramatic imagery from FILM NOIR series of black and white monotypes, blending surrealistic mindscapes with stark realism About Tom Bennett: With quick brushstrokes, Tom Bennett crea...

G_17, 2019 White ink on black cardboard 39.37 H x 27.55 W in. 100 H x 70 W cm Alina Aldea's drawing projects all the possible forms which appear to rapidly disappear, without having...

G_16, 2019 White ink on black cardboard 39.37 H x 27.55 W in. 100 H x 70 W cm Alina Aldea's drawing projects all the possible forms which appear to rapidly disappear, without having...

Multi-layered collotype by Patricia A. Pearce (American, b. 1948). This piece is unsigned, but was acquired with a collection of other Pearce work. No frame. Patricia Pearce (Americ...

Hand-augmented collotype by Patricia A. Pearce (American, b. 1948). Signed "Patricia A. Pearce" in the lower right corner. There are embossed wavy lines running horizontally, with ri...

Hand-augmented collotype on layered paper by Patricia A. Pearce (American, b. 1948). Signed "Patricia A. Pearce" in the lower right corner. Titled "Red Medusa...

Delicate kimono by Patricia A. Pearce (American, b. 1948). This piece has an iridescent quality to the coloration. This piece is unsigned, but was acquired with a collection of other...

Bold abstract geometric landscape, an expressive black and white line drawing done in pastel, by Erle Loran (American, 1905-1999). Unsigned, but was acquired from the artist's estate. Presented in a new black mat with foam core backing. Provenance: Estate of Earle Loran; David Carlson...

Bold abstract black and white pastel landscape drawing by Erle Loran (American, 1905-1999). Unsigned, but was acquired from the estate of the artist. Presented in a new black mat with foam core backing. Provenance: Estate of Earle Loran; David Carlson...

G_XII, 2019 White ink on black cardboard (signed) 39 3/8 H x 27 9/16 W in. 100 H x 70 W cm Alina Aldea's drawings, project all the possible forms which appear to rapidly disappear, ...

Highly detailed rendering of a kimono by Patricia A. Pearce (American, b. 1948). The ribbons in this piece have a metallic quality to them. Signed "Patricia A Pearce" in the bottom r...

Bold mid century abstracted landscape by Erle Loran (American, 1905-1999). Unsigned, but was acquired from the estate of Ruth Loran (wife of artist). Presented in a new black mat with foam core backing. Provenance: Estate of Earle Loran; David Carlson...

Original monochrome gouache illustration for the Sphere No. 2215. London, July 4, 1942.

Woman with Black Gloves is an eloquent charcoal rendering by Guadalajara native Shuta Ruelas. The subject is gazing down and covering her breasts as if we have walked in on a very private moment. This large scale drawing...

Sitting Nude is an original drawing realized in the 1970s. Original white ink drawing on black cardboard. Good conditions. This interesting drawing represents a nude sitting woma...

Due to the current situation related to the Novel Coronavirus pandemic, our gallery will donate 10% of our commission from this sale to the Kansas City Artists Coalition, which has been supporting local Kansas City Artists for the past 40 years. The Kansas City Artists Coalition (KCAC), is a non-profit, artist-centered, artist-run alternative space, supporting artists at every level in their career through exhibitions, continuing education and artist studios. Artist: Joseph Broghammer Title: “Larry, The Show Pony...

Due to the current situation related to the Novel Coronavirus pandemic, our gallery will donate 10% of our commission from this sale to the Kansas City Artists Coalition, which has been supporting local Kansas City Artists for the past 40 years. The Kansas City Artists Coalition (KCAC), is a non-profit, artist-centered, artist-run alternative space, supporting artists at every level in their career through exhibitions, continuing education and artist studios. Artist: Joseph Broghammer Title: “SRI” Materials : Chalk pastel and pencil on Arches Paper Date : 2018 Dimensions : 19 x 21 in. Omaha based artist Joseph Broghammer is as much of a storyteller as he is an artist. His one-of-a-kind pastel drawings in “Animals” are chronicles of his life. The creatures Broghammer creates are vehicles to uncover the varying characteristics of the artist’s personal identity. Hence, Broghammer’s “Animals” translates as a flowing stream of consciousness. The different birds and livestock staring back at the viewer are ornamented with iconographic symbols – small surprises along the way. These trinkets are keys to understanding the stories Broghammer is sharing. Broghammer began mastering his “dry painting” technique during his B.F.A. in Visual Art at the University of South Dakota. He graduated in 1986 and a year later went on to study his M.F.A. at the University of Wisconsin. In 2009, he studied at Creative Capital in Omaha, Nebraska. As storytellers often do, Broghammer later went on to become an educator himself, teaching at WhyArts? and becoming an Artist Assistant at Vera Mercer in Omaha – both of which he still practices at today. It’s apparent that Broghammer’s work has resonated with so many people around the world. Only a few years after his formal education, he began exhibiting his work through various International group shows in Italy, Germany, Holland, Mexico, and even Kansas City. Although Broghammer’s portraits depict downy creatures, his work is very much about the human experience. They are honest and full of life, evoking a sincere exchange between artist and viewer. “Animals” is for the animal lovers, students, teachers, collectors, writers, the young or old, and art historians alike. Dry Painting, Pastel, Drawing, Chalk Pastel, Oil Pastel, Painting, Contemporary Drawing, Contemporary Painting, Animal Drawings, Animal Paintings, colored pencil, pencil, large-scale drawings, portrait, portrait drawing, contemporary art, contemporary artists, Joan Miro, Max Ernst, Leonora Carrington, Vladimir Kush...

Vibrant mid-century watercolor still-life of bright pink roses with petals falling on the table by Celia B. Michelena (American/Mexican, 1910-2006). Signed "Ce...

Violet Buildings in Venice is an original artwork realized by Alkis Matheos in the XX Century. Original tempera on cardboard. The name of the artist appears on the back of the sh...