New Yorker

ONLY, "New Yorker" Single pass giclée, oil on 395gsm exhibition canvas matte 16" x 20" 2017

William Steiger's New Yorker, is composed of hues of tan, light brown, dark brown, cream, white

Original Art Deco New Yorker hotel metal tray.

, The Saturday Review, Punch, Esquire, and The New Yorker of which he is the second most prolific cover

New York City street artist focused on stencil art and graffiti. Born in 1986 outside of San Francisco

, The Saturday Review, Punch, Esquire, and The New Yorker of which he is the second most prolific cover

Scribner’s. He taught at William Merritt Chase’s New York School of Art, Grand Central Art School and at The

typographic New Yorker tote bag as a background. GC Williams has a degree in art history which gave her an

, The Saturday Review, Punch, Esquire, and The New Yorker of which he is the second most prolific cover

High quality professional B & W photograph of the New Yorker Hotel, circa 2005. Backed on simple

illustrator in the 1930s, 40s and 50s, whose work frequently appeared in the New Yorker. He illustrated

New Yorker acrylic painting and collage on the New Yorker Magazine 10-3/4 x 8" - art size

. . . Has A Crisp, Yet Light And Silky Feel . . . Unlined, Just Slip It On -- This 40’s Miss New Yorker

Tags Removed Just Prior To The Dye Process… This 40’s Miss New Yorker Is Now A Luscious New Shade We

We are delighted to bring to you an ultra rare armchair and ottoman from De Sede of Switzerland, with a honeycomb seating design making this piece extremely comfortable. This DS 3A a...

We are delighted to bring to you an ultra rare and beautiful two seater sofa from De Sede of Switzerland with a honeycomb structure in the soft aniline leather making this piece extr...

We are delighted to bring to you an ultra rare and beautiful two-seat sofa, with matching armchair and ottoman from De Sede of Switzerland. Hand built in the 1970s, the DS-3A is one ...

Two-figure portrait for the New Yorker

Gleason Fine Art represents the estate of the esteemed New Yorker cover artist and Monhegan

publications including New York Magazine, Artforum, Paper Magazine and The New Yorker.

." - Dennis Ziemienski. Ziemienski's art has been on the cover of New Yorker Magazine, Superbowl poster

magazine. Contributor to The New Yorker magazine amongst others.

, and back issues of The New Yorker. The combination of clear glass and a cantilevered top give the

, Interview, The New Yorker, etc. Her subjects have varied from entertainment personalities to sports stars

including Ooh-la-la-Max in Love, What Pete Ate, and Swami on Rye. She often illustrates for The New Yorker

including Ooh-la-la-Max in Love, What Pete Ate, and Swami on Rye. She often illustrates for The New Yorker

including Ooh-la-la-Max in Love, What Pete Ate, and Swami on Rye. She often illustrates for The New Yorker

including Ooh-la-la-Max in Love, What Pete Ate, and Swami on Rye. She often illustrates for The New Yorker

including Ooh-la-la-Max in Love, What Pete Ate, and Swami on Rye. She often illustrates for The New Yorker

including Ooh-la-la-Max in Love, What Pete Ate, and Swami on Rye. She often illustrates for The New Yorker

including Ooh-la-la-Max in Love, What Pete Ate, and Swami on Rye. She often illustrates for The New Yorker

including Ooh-la-la-Max in Love, What Pete Ate, and Swami on Rye. She often illustrates for The New Yorker

including Ooh-la-la-Max in Love, What Pete Ate, and Swami on Rye. She often illustrates for The New Yorker

including Ooh-la-la-Max in Love, What Pete Ate, and Swami on Rye. She often illustrates for The New Yorker

including Ooh-la-la-Max in Love, What Pete Ate, and Swami on Rye. She often illustrates for The New Yorker

including Ooh-la-la-Max in Love, What Pete Ate, and Swami on Rye. She often illustrates for The New Yorker

including Ooh-la-la-Max in Love, What Pete Ate, and Swami on Rye. She often illustrates for The New Yorker

including Ooh-la-la-Max in Love, What Pete Ate, and Swami on Rye. She often illustrates for The New Yorker

including Ooh-la-la-Max in Love, What Pete Ate, and Swami on Rye. She often illustrates for The New Yorker

including Ooh-la-la-Max in Love, What Pete Ate, and Swami on Rye. She often illustrates for The New Yorker

life and culture in that city have made her a frequent contributor to The New Yorker, The New York

life and culture in that city have made her a frequent contributor to The New Yorker, The New York

New Yorkers, each piece instantly captures your attention and makes a daring statement. Silver

New Yorkers, each piece instantly captures your attention and makes a daring statement. Silver

The Manhattan sofa epitomizes the modern loft lifestyle of the 21st century New Yorker. An economy

photographers. His work has appeared in prominent publications such as LIFE, The New Yorker and The New York

lower right. The image size is 10" x 7". The work of Thomas McKean, a native New Yorker, often focuses

This sofa epitomizes the modern loft lifestyle of the 21st century New Yorker. An economy of style

lower right. The image size is 10" x 7". The work of Thomas McKean, a native New Yorker, often focuses

Thomas McKean, a native New Yorker, often focuses on New York City, its buildings, people, streets, cars

Thomas McKean, a native New Yorker, often focuses on New York City, its buildings, people, streets, cars

, Elle, Interview, The New Yorker, etc.

birdwatchers and New Yorkers alike. Each pendant features: * premier 925 sterling silver with remarkable

pages of Vanity Fair and The New Yorker. "Standing Horse" - 1939 Bronze with black/brown patina

Yorker and The New York Times Magazine. Mermelstein has taught at the International Center of

Yorker and The New York Times Magazine. Mermelstein has taught at the International Center of

and street photographers. His work has appeared in prominent publications such as LIFE, The New Yorker