Nicolas Poussin

School of "Nicolas Poussin". Title: Escape from Troy. Oil painting. Author: Unknown

Large 1856 Nicolas Poussin lithograph in beautiful, original carved giltwood frame. Written below

A copy of the original "The Continence of Scipio" by Nicolas Poussin (also known as The Magnanimity

gilt frame. Plaque reads "Ecole de Nicolas Poussin XVIIe siècle."

-1819). Benedetto Eredi (Italian 1750-1812). Nicolas Poussin (1594-16658) was the leading French

recipes of workshop") which connects him to Nicolas Poussin or Jacques d' Arthois and their schools

workshop in Paris artists like Philippe de Champaigne, Laurent de la Hyre and Nicolas Poussin worked as

. Nicolas Poussin, known in Italy - especially among his contemporaries - also as Niccolò Pussino was a

vision firmly based on the Greco-Roman ideology espoused by Nicolas Poussin, and on models like Raphael

Claude Le Lorrain, Jean-François Millet and Nicolas Poussin. In Bathing Woman, Schlawing lavishes his

direction des bâtiments du roi," Archives de l’art français, tome XIV, Paris, 1927. • Nicolas Poussin

influsso di Claudde Lorrain, Nicolas Poussin e Pietro Testa, evidente nella concezione del paesaggio, che

II de Medici. He probably already met Nicolas Poussin and Jacques Callot there. Stella left Florence

was in Rome where he discovered Nicolas Poussin and his pictorial use of the Classical heritage. In

cloister of the Carthusians. Stylistically dominated by the art of Nicolas Poussin, Raphael and Vouet, the

of France: he produced a Jean de La Fontaine and a Nicolas Poussin, whom he chose to depict in a

, and remains 22 years in Italy. He has the opportunity to work in 1643 with Nicolas Poussin. During

classicistiche di Nicolas Poussin e dal decorativismo barocco di Pietro da Cortona, poi, a partire dal 1638, a

such, prior examples could be determined by the works of Nicolas Poussin and Claude Lorrain. Then in

Florence, where he worked for Cosimo II de' Medici. Here, he probably already met Nicolas Poussin and

, Nicolas Poussin, Johannes Vermeer, Joshua Reynolds and numerous others.    "Lida et Cupidon en attente le

, when artists such as Nicolas Poussin and Charles Le Brun represented of the more rigid classicism. Like

Teniers the Younger; Meindert Hobbema; Caravaggio; Rembrandt van Rijn; Nicolas Poussin; Johannes Vermeer

; Meindert Hobbema; Caravaggio; Rembrandt van Rijn; Nicolas Poussin; Johannes Vermeer; Joshua Reynolds and

(Dutch, 1606–1669); Nicolas Poussin (French, 1594–1665); Johannes Vermeer (Dutch, 1632–1675); Joshua

Follower of Nicolas Poussin (Les Andelys 1594 - Rome 1665) - Abraham expels Hagar and Ishmael. 82

Suite of 3 framed engravings based on paintings by Nicolas Poussin: *the Funeral of Phocion: the

Delightful Pendant Watch. Inspirations: Nicolas Poussin - 'A Dance to the Music of Time' &

front doors are designed by a bucolic scenery (Nicolas Poussin 18th century) in a printed photographic

"Moses Saved from the Water" D'après Nicolas POUSSIN (1594-1665) oil painting on canvas, late 20th

"Echo and Narcisse" D'après Nicolas POUSSIN (1594-1665) oil painting on canvas, late 20th century

he expresses his admiration for the art of Nicolas Poussin. 1. Nicolas Loir, a 17th-century Parisian

Uccello, Nicolas Poussin, and Paul Cézanne, Estève merged his love of art history with abstraction. “I

1926. Souverbie was known for combining Picasso's Cubism with the traditional naturalism of Nicolas

more scenographic, Nicolas Poussin. Moving to Venice, Zuccarelli turned to Arcadian painting, which he

This late 17th-century Italian/French extended fan leaf depicts Nicolas Poussin’s ‘A Dance to the

obtuvo generosas alabanzas de Nicolas Poussin. Passed later to Roma, ciudad donde permaneció entre 1642 y

. It provided a foundation for the rational clarity that structured the work of French artists Nicolas

Fra Angelico, Nicolas Poussin or Maurice Denis. His figurative representations draw heavily on a

Lorrain, Nicolas Poussin, Georges de La Tour (1593-1652), Philippe de Champaigne, and Pierre Mignard (1612

landscapes of French baroque painters, particularly Nicolas Poussin (1594-1665). Artists working in this

". Our bronze repeats the theme of a famous painting by Nicolas Poussin (1594-1665), particularly his

became a pupil of Nicolas Poussin, who had married his sister Anne five years earlier. Because of this

, Veronese, Tintoretto, Nicolas Poussin, Rubens, Anthony Van Dyck among others. So it’s little surprise that

in Paris, he became interested in paintings by Nicolas Poussin, particularly their representations of

Paul Rubens and Nicolas Poussin. The story of Orpheus and Eurydice is the ultimate story of love

), Nicolas Poussin and Gaspar Dughet. If in the past, therefore, the landscape was considered the

sourced in required. According to the biographers André Félibien and Giovanni Pietro Bellori, Nicolas

repeats the theme of a famous painting by Nicolas Poussin (1594-1665), particularly his second version of

plate: ‘The four seasons dance around the Father of Time’. Painted after an oil painting by Nicolas

Rome where he studied the work of Claude Lorrain (1600 - 1682), Nicolas Poussin (1594 - 1665) and

Nicolas Poussin (1594–1665) and Claude Lorrain (1604–1682) served as a conduit for a renewed interest in

classical manner, similar to Simon Vouet, Nicolas Poussin, and Philippe de Champaigne. He painted primarily

Nicola Poussin (1594-1665), Sébastien Bourdon (1616-1671) and Giovanni Benedetto Castiglione (1609-1664

(1577-1640), Raphael (1483-1520), Rembrandt (1606-1669), Nicolas Poussin (1594-1665), Joseph Mallord

by classicism and more specifically by the art of Nicolas Poussin, with whom he became an intimate

inspired by the Nicolas Poussin painting of "Et in Arcadia Ego”, a work depicting a maiden with three

Saint Michael Archangel Guido Reni (Bologna 1575 - 1642) Workshop/Follower of 17th-18th century Oil on canvas (104 x 68 cm. - In frame 109 x 68 cm.) This high quality painting is b...

Charles-André van Loo (Nice 1705 - Paris 1765) workshop of - Allegory of the Divine Comedy. 54 x 83 cm unframed, 70.5 x 99.5 cm framed. Old oil painting on canvas, in a carved and ...

Jacques Muller (Utrecht 1630 - 1680) Signed: 'J. Muller f(ecit).' Pupil of Abraham van Cuylenborch (Utrecht, 1620 - 1658) Diana and the nymphs bathing in a cave Second half of the ...

Artist/ School: Italian School, 17th century. Title: A King and Queen before court figures, amidst a classical landscape with Roman columns. Medium: oil painting on canvas, framed ...

French painter of the late 18th-early 19th century Leda and the Swan (Literary source: Metamorphoses by Ovid, Book VI) Oil on canvas 95 x 126 cm Framed 109 x 142 cm This c...

Jacques Blanchard (Paris, 1600 – Paris, 1638) and workshop Thetis in Hephaestus' forge (Hephaestus gives Thetis the weapons he forged for Achilles) Oil on canvas applied to pan...

The Judgement of Paris Fontainebleau School, circa 1580 *see notes below oil painting on canvas, framed framed: 30 x 40 inches canvas: 27 x 37 inches Provenance: private collection, ...

The Battle Of The Peasants, 17th Century by M D HOUT (1627-1680) Large 17th Century Dutch Old Master scene of peasants fighting, oil on panel by M D Hout. Excellent quality and co...