The French draftsman and engraver with a long career, Jean Lepautre produced nearly 1500 etchings. Appointed as Ordinary Engraver of King Louis XIV in 1667, he was received at the Royal Academy of Painting and Sculpture in 1677. His recognition by Colbert earned him the right to engrave boards of rare and precious quality for the King's Cabinet. Today we can remember of his production, masterpieces as the whole Grotto of Versailles, the Festival has given at Versailles in 1668, the Entertainment given by the King in 1674, in addition to the wide graphic production representing basins, statues and vases of the Versailles Park, preserved at the Official Chalcography of the Louvre.
Wildlife - Etching by Jean Lepautre - 18th Century
By Jean Lepautre
Located in Roma, IT
Wildlife is an etching realized by Jean Le Pautre in 18th Century. Good conditions. Signed on plate. The artwork is depicted through confident strokes.
Etching
Wildlife - Etching by Jean Lepautre - 18th Century
By Jean Lepautre
Located in Roma, IT
Wildlife is an etching realized by Jean Le Pautre in 18th Century. Good conditions. Signed on plate. The artwork is depicted through confident strokes.
Etching
$1,200
H 14.88 in W 13.88 in
The Crucifixion (Christ on the Cross) /// Jesus after Albrecht Dürer Old Masters
Located in Saint Augustine, FL
Artist: Lambrecht Hopfer (German, Active c. 1525-1550) Title: "The Crucifixion (Christ on the Cross)" Portfolio: (after) The Engraved Passion *Issued unsigned, though monogram signed by Hopfer in the plate (printed signature) lower right Circa: 1530, (published c. 1690, second state of three) Medium: Original Etching on laid paper Limited edition: Unknown Printer: The Hopfer family, Augsburg, Germany; (David Funck, Nuremberg, Germany) Publisher: The Hopfer family, Augsburg, Germany; (David Funck, Nuremberg, Germany) Framing: Recently framed, the sheet is floated over, and top-matted with a 100% cotton fabric rag mat from Holland in a wood moulding and Museum glass Framed size: 14.88" x 13.88" Sheet size: 5.5" x 3.63" Reference: Bartsch No. VIII.527.12; Hollstein No. 12.II Condition: Trimmed to platemark. A few tiny professional repairs: at elbow of Jesus's right arm and the inside thigh of Jesus. Some light skinning upper right corner and lower right area. It is otherwise a strong impression in good condition Very rare Notes: Provenance: private collection - Green Bay, WI; acquired from Sotheby's, New York, NY in c. 2015. The artist Lambrecht Hopfer's printed monogram signature "LH" lower right. The printer/publisher David Funck's (plate) number "182" lower right. This etching is after Albrecht Dürer’s 1511 engraving "The Crucifixion (Christ on the Cross)", ("Dürer-Katalog" - Meder No. 13, page 73). Printed in black from an iron plate. The image depicts Christ on the cross at center, the Virgin at left, two Maries behind her, St. John standing at right, a Roman solider behind him. It is after the eleventh plate of Dürer's sixteen plates from his 1507-1513 "The Engraved Passion" series, ("Dürer-Katalog" - Meder No. 3-18, page 70-74). "The print was originally designed without the number engraved in the lower margin (First state: Lambrecht Hopfer, c. 1530). The Hopfers' descendant David Funck (Nuremberg, 1642–1705) acquired over two hundred of their original iron plates, engraved numbers into them, and re-printed them around 1686-1700. The "182" indicates that "The Crucifixion" was the 182nd print in Funck’s series (Second state: David Funck, c. 1686-1700). About a century later, 92 of these plates were acquired by Carl Wilhelm Silberberg in Frankfurt and printed for the third and final time in the book "Opera Hopferiana", of which "The Crucifixion" was the 90th print (Third state: Carl Wilhelm Silberberg for "Opera Hopferiana", 1802)". - Elizabeth Upper, Cambridge University Library, University of Cambridge, Cambridge, UK Biography: Lambrecht (Lambert) Hopfer (Active c. 1525-1550) was a German Old Masters printmaker. He was the brother of Hieronymus Hopfer (Active c. 1520-1530) and son of Daniel Hopfer...
Etching, Laid Paper
The Flight into Egypt
By Hans Lautensack
Located in Middletown, NY
Etching on handmade cream laid paper with a deckle edge, and an elaborate and large watermark of a crowned figure with a harp, and letters A S, 11 3/4 x 8 inches (298 x 204 mm); shee...
Handmade Paper, Laid Paper, Etching
$1,800
H 22.25 in W 21.5 in D 1.5 in
Bust of a Man Wearing a High Cap, The Artist's Father
By Rembrandt van Rijn
Located in San Francisco, CA
Artist: Rembrandt Van Rijn (Dutch, 1606-1669) Title: Bust of a Man Wearing a High Cap, The Artist's Father Year: 1630 Medium: Etching Paper: Verge paper Image (plate mark) size: ...
Etching
$500
H 9.73 in W 12.84 in
Venus abducting Adonis.; Plate 2 from The Story of Adonis
By Herman van Swanevelt
Located in Middletown, NY
Etching with engraving on thin laid paper with an unidentified ovoid purple ink stamp (not in Lugt), 9 3/4 x 12 7/8 inches (247 x 326 mm), thread margins. Uniform age tone with scatt...
Laid Paper, Engraving, Etching
$3,975
H 31.25 in W 40 in D 1 in
Ancient Roman Architecture: Framed Original 18th C. Etching by G. Piranesi
By Giovanni Battista Piranesi
Located in Alamo, CA
"A sua Eccellenza il Signor Henry Hope Cav. Scozzese Amatore delle Belle Arti from "Vasi, Candelabri, Cippi, Sarcofagi, Tripodi, Lucerne, Ed Ornamenti Antichi", (Vases, candelabra, grave stones, sarcophagi, tripods, lamps, and ancient ornaments) is an etching by Giovanni Battista Piranesi, published in 1778. It depicts stone caryatids...
Etching
One Can't Tell Why - Proof from the Disasters of War
By Francisco Goya
Located in New York, NY
Francisco José de Goya y Lucientes (1746 Fuendetodos – Bordeaux 1828), No se puede saber por qué – One can’t tell why ca. 1808–1814, etching, burnished aquatint, drypoint, an...
Drypoint, Etching, Aquatint
$2,750
H 5 in W 5.94 in
The Plank Bridge – Landschap met een bruggetje van planken
By Anthonie Waterloo
Located in Middletown, NY
Etching on thin cream laid paper with a partial "M" or "W" watermark, 5 x 5 15/16 inches (126 x 150 mm), thread margins. Inscribed in the plate in the upper-right: “Antoni Waterlo fe...
Etching, Laid Paper
The Pump House, Notre Dame, Paris
By Charles Meryon
Located in Plano, TX
La Pompe Notre Dame. (The Pumphouse, Notre Dame). Schneiderman catalog 26.x. 1861. Etching. Image 6 3/4 x 10. Edition of 30 in this state. Series: Eaux-Fortes sur Paris . Initial...
Etching
Bearded man in turban and fur
By Rembrandt van Rijn
Located in Middletown, NY
Etching on cream wove paper, 4 3/4 x 3 3/4 inches (120 x 95 mm), wide margins. Scattered light surface soiling, unevenly trimmed wide margins, all consistent with age. Likely printed...
Etching
$2,000
H 12.5 in W 8.5 in
Le Supplice du Garrot, Old Masters Heliogravure Etching by Francisco de Goya
By Francisco Goya
Located in Long Island City, NY
Francisco de Goya, After by Amand Durand, Spanish (1746 - 1828) - Le Supplice du Garrot, Year: 1875, Medium: Heliogravure, Size: 12.5 x 8.5 in. (31.75 x 21.59 cm), Printer: Amand Durand, Description: An Amand Durand etching...
Etching
The Organ Grinder
By Adriaen van Ostade
Located in Middletown, NY
Etching on cream laid paper with a large heraldic watermark which is partially trimmed, 4 3/16 x 3 5/8 inches (105 x 84 mm), margins trimmed but preserving the signature in the lower...
Etching
OBSEQUIO á el MAESTRO (‘A gift for the master’)
By Francisco Goya
Located in Santa Monica, CA
FRANCISCO de GOYA y LUCIENTES (1746 -1828) OBSEQUIO á el MAESTRO (‘A gift for the master’) Plate 47 from the 1st edition of Los Caprichos (Blas, ...
Etching, Aquatint
Sold
H 7.29 in W 9.45 in D 0.08 in
Julius Caesar Victo - Etching by Jean Lepautre - Late 17th Century
By Jean Lepautre
Located in Roma, IT
Julius Caesar Victorious is an Etching realized by Jean Lepautre (1618-1682). The artwork describes the entry into Rome of Julius Caesar victorious. On the back of the paper the stamp of CHRISTUS PROTECTOR MEUS. Collection of Arenberg (Bruxelles and Westfalia). Jean Le Pautre or Lepautre (baptised 28 June 1618; died 2 February 1682) was a French designer and engraver, the elder brother of the architect Antoine Le Pautre, the father of the engravers Pierre Le Pautre and Jacques Le Pautre, and the uncle of the sculptor Pierre Lepautre. Jean Le Pautre was an apprentice to a carpenter and builder. In addition to learning mechanical and constructive work, he developed considerable skill with the pencil. His designs, innumerable in quantity and exuberant in content, consisted mainly of ceilings, friezes, chimney-pieces, doorways and mural decorations...
Etching
Sold
H 19.69 in W 25.12 in D 0.08 in
Saint Paul et Silas - Original Etching After Nicolas Poussin - Late 17th Century
By Jean Lepautre
Located in Roma, IT
Saint Paul et Silas is a black and white etching on paper, realized by Jean Lepautre (1618-1682), after the French painter Nicolas Poussin (Les Andelys...
Etching