Noguchi Table By Isamu Noguchi

Very rare Japanese mid century "1P" table / desk lamp in washi paper and black lacquered metal base by Isamu Noguchi for Ozeki & Co, Japan 1960s.

Very rare mid century "1P" table / desk lamp in washi paper and metal base by Isamu Noguchi by Ozeki & Co, Japan 1960s.

This is an exceptional floor lamp. Designed by Isamu Noguchi and made by Ozeki & Co in Gifu, Japan.

An early production Noguchi Coffee Table designed by Isamu Noguchi and manufactured by Herman Miller in the 1950s.

This is a Cyclone Dining Table, originally designed by Isamu Noguchi for Knoll in 1953.

This vintage glass top coffee table boasts the ergonomic sophistication of Isamu Noguchi's classic 1947 design for Herman Miller.

This is an exceptional lamp. Designed by Isamu Noguchi and made by Ozeki & Co in Gifu, Japan.

This is an exceptional lamp. Designed by Isamu Noguchi and made by Ozeki & Co in Gifu, Japan.

Geometric table with a three legged base.

Unlike Noguchi’s more common table lamps, this floor model is a true collector’s piece.

This iconic dining table, designed by the renowned artist and designer Isamu Noguchi, is a masterpiece of mid-century modern design.

An elegant and minimalist lamp, designed by Isamu Noguchi and part of the renowned Akari collection. Crafted from rice paper (washi), it casts a soft and warm light.

The Akari Light Sculpture, Model 4N by Isamu Noguchi is a celebrated example of the artist’s exploration of light, form, and traditional craftsmanship. Noguchi began designing the Ak...

Round dining table designed by Isamu Noguchi for Knoll Associates.

A stunning organic pattern, this table brings to mind the famous cyclone table of Isamu Noguchi, or even the lower half of the iconic Eames Eiffel chair.

A stunning organic pattern, this table brings to mind the famous cyclone table of Isamu Noguchi, or even the lower half of the iconic Eames Eiffel chair.

Iconic cyclone table designed by Isamu Noguchi and produced by Knoll Associates.

Early IN-50 coffee table, designer by Isamu Noguchi for Herman Miller.

Coffee table designed by Isamu Kenmochi manufactured by Tendo Mokko in Japan, circa 1967.

Kenmochi met artist and designer Isamu Noguchi in the summer of 1950 on Noguchi's first trip to Japan.

Coffee table designed by Isamu Kenmochi manufactured by Tendo Mokko in Japan, circa 1967.

A unique anecdote ties this table to the legendary Isamu Noguchi. Following his groundbreaking 1939 coffee table for MOMA President Conger Goodyear, Noguchi had an unexpected meeting...

Inspired by the iconic Pigeon sculpture by Isamu Noguchi, the Solace side table series is a stunning tribute to the fusion of traditional and modern design elements that made Noguchi...

70s Huge Mid Century Modern Sculpture Japanese Crescent Ikebana Planter Vase Spectacular Large Mid Century Modern Gloss Black Toyo Sculptural Planter, Vase or Table top Centerpiece...

This item is part of the private collection of Casey Godrie and is situated in his private house. Ask him for competitive shipping quotes. His incredible Dune Villa, Amsterdam Beach...

Inspired by the iconic Pigeon sculpture by Isamu Noguchi, the Solace table series is a stunning tribute to the fusion of traditional and modern design elements that made Noguchi's wo...

Constructed of painted plaster and wire rope, Reminiscent of works by Isamu Noguchi, Henry Moore, etc, signed Frost, Strong presence, would enhance any modern, antique, contemporary ...

Very much in the style of George Nelson and Isamu Noguchi, who used this material as the main element in many of their designs.

Very much in the style also of the “Taraxacum” pendant lamp designed by Castiglioni, which became very popular in all of the interiors of those decades, and still today is a very cov...

Echoing the curves and tensions found in Noguchi’s work, the silhouette of each table evokes a carved, organic form frozen mid-motion.

Echoing the curves and tensions found in Noguchi’s work, the silhouette of each table evokes a carved, organic form frozen mid-motion.

Echoing the curves and tensions found in Noguchi’s work, the silhouette of each table evokes a carved, organic form frozen mid-motion.

Echoing the curves and tensions found in Noguchi’s work, the silhouette of each table evokes a carved, organic form frozen mid-motion.

Echoing the curves and tensions found in Noguchi’s work, the silhouette of each table evokes a carved, organic form frozen mid-motion.

Echoing the curves and tensions found in Noguchi’s work, the silhouette of each table evokes a carved, organic form frozen mid-motion.

Echoing the curves and tensions found in Noguchi’s work, the silhouette of each table evokes a carved, organic form frozen mid-motion.

Echoing the curves and tensions found in Noguchi’s work, the silhouette of each table evokes a carved, organic form frozen mid-motion.

Echoing the curves and tensions found in Noguchi’s work, the silhouette of each table evokes a carved, organic form frozen mid-motion.

Echoing the curves and tensions found in Noguchi’s work, the silhouette of each table evokes a carved, organic form frozen mid-motion.

Echoing the curves and tensions found in Noguchi’s work, the silhouette of each table evokes a carved, organic form frozen mid-motion.

Echoing the curves and tensions found in Noguchi’s work, the silhouette of each table evokes a carved, organic form frozen mid-motion.

Echoing the curves and tensions found in Noguchi’s work, the silhouette of each table evokes a carved, organic form frozen mid-motion.

Echoing the curves and tensions found in Noguchi’s work, the silhouette of each table evokes a carved, organic form frozen mid-motion.

Echoing the curves and tensions found in Noguchi’s work, the silhouette of each table evokes a carved, organic form frozen mid-motion.

Echoing the curves and tensions found in Noguchi’s work, the silhouette of each table evokes a carved, organic form frozen mid-motion.

Echoing the curves and tensions found in Noguchi’s work, the silhouette of each table evokes a carved, organic form frozen mid-motion.

Echoing the curves and tensions found in Noguchi’s work, the silhouette of each table evokes a carved, organic form frozen mid-motion.

Echoing the curves and tensions found in Noguchi’s work, the silhouette of each table evokes a carved, organic form frozen mid-motion.

Echoing the curves and tensions found in Noguchi’s work, the silhouette of each table evokes a carved, organic form frozen mid-motion.

Echoing the curves and tensions found in Noguchi’s work, the silhouette of each table evokes a carved, organic form frozen mid-motion.

Echoing the curves and tensions found in Noguchi’s work, the silhouette of each table evokes a carved, organic form frozen mid-motion.

Echoing the curves and tensions found in Noguchi’s work, the silhouette of each table evokes a carved, organic form frozen mid-motion.

Echoing the curves and tensions found in Noguchi’s work, the silhouette of each table evokes a carved, organic form frozen mid-motion.

Echoing the curves and tensions found in Noguchi’s work, the silhouette of each table evokes a carved, organic form frozen mid-motion.

Echoing the curves and tensions found in Noguchi’s work, the silhouette of each table evokes a carved, organic form frozen mid-motion.

Echoing the curves and tensions found in Noguchi’s work, the silhouette of each table evokes a carved, organic form frozen mid-motion.

Echoing the curves and tensions found in Noguchi’s work, the silhouette of each table evokes a carved, organic form frozen mid-motion.

Echoing the curves and tensions found in Noguchi’s work, the silhouette of each table evokes a carved, organic form frozen mid-motion.

Echoing the curves and tensions found in Noguchi’s work, the silhouette of each table evokes a carved, organic form frozen mid-motion.

Echoing the curves and tensions found in Noguchi’s work, the silhouette of each table evokes a carved, organic form frozen mid-motion.