Non Objective Paintings

These associates encouraged him to contact Hilla Rebay of the Museum of Non-Objective Paintings and the Guggenheim Foundation.

These associates encouraged him to contact Hilla Rebay of the Museum of Non-Objective Paintings and the Guggenheim Foundation.

These associates encouraged him to contact Hilla Rebay of the Museum of Non-Objective Paintings and the Guggenheim Foundation.

In addition to championing the cause of abstraction through his own work, Diller promoted non-objective painting through his role as an arts administrator.

He received traditional painting instruction from Pierre Laurens and studied non-objective painting with Frank Kupka.

He persuaded them to join him teaching summer classes in non-objective painting. Soon a history-making collaboration began.

Dana exhibited at such national venues as the Art Institute of Chicago; the Museum of Non-Objective Painting (Guggenheim Foundation), New York, NY; the University of Michigan, Ann Ar...

In 1937, after permanently settling in New York, Scarlett became acquainted with the artist and curator Hilla Rebay, the first director of the Museum of Non-Objective Painting (renam...

Resonating with tenets of Futurism, Constructivism, and early non-objective painting, Calder’s mobiles consist of boldly colored abstract shapes, which are made from industrial mater...

Shaw had two solo exhibitions at the Museum of Non-Objective Painting in 1940 and 1941 and served on the Advisory Board of the Museum of Modern Art from 1936 to 1941.

Between 1936 and 1938 he taught classes at the Brooklyn Institute of Arts and Sciences and subsequently served as a guard for a year or two at the Museum of Non-Objective Painting.[3...

Returning to Chicago in late 1910, Dawson became friends with Walter Pach (1883-1958), prominent artist and author whose influence led to Dawson's non-objective painting Wharf Under...

Shaw had two solo exhibitions at the Museum of Non-Objective Painting in 1940 and 1941 and served on the Advisory Board of the Museum of Modern Art from 1936 to 1941.

Between 1936 and 1938 he taught classes at the Brooklyn Institute of Arts and Sciences and subsequently served as a guard for a year or two at the Museum of Non-Objective Painting.[3...

Resonating with tenets of Futurism, Constructivism, and early non-objective painting, Calder’s mobiles consist of boldly colored abstract shapes, which are made from industrial mater...

After attending the 1964 Venice Biennale, he made the decision to become an artist. He studied painting at the Liceo Artistico in Benevento from 1964 to 1968 and, influenced by Max E...

Words that describe this painting: non-objective, uplifting, mark-making, calm, inspirational, muted, abstract, acrylic painting, greyAscendJulie WeaverlingAcrylic painting on stretc...

Having initially secured portrait commissions in order to make a living, Rebay would later devote herself to non-objective painting—art without representational links to the material...

Words that describe this painting: non-objective, mark-making, layers, scribble, square, geometry, shapes, abstract, acrylic painting, blueEchoes UnseenJulie WeaverlingAcrylic painti...

Words that describe this painting: non-objective, uplifting, mark-making, calm, inspirational, muted, abstract, acrylic painting, greyPassing ThroughJulie WeaverlingAcrylic painting ...

Nue - From the 12 plate Portfolio, 1959 Published by Denise Rene, Paris Lithograph in colors on heavy paper 20 x 26 inches Numbered in pencil, edition of 64/150 AUGUSTE HERBIN (188...

Vin - From the 12 plate Portfolio, 1959 Published by Denise Rene, Paris Lithograph in colors on heavy paper 20 x 26 inches Numbered in pencil, edition of 126/150 AUGUSTE HERBIN (18...

Minuit - From the 12 plate Portfolio, 1959 Published by Denise Rene, Paris Lithograph in colors on heavy paper 20 x 26 inches Signed, dated and numbered in ink, edition of 150 copies...

Having initially secured portrait commissions in order to make a living, Rebay would later devote herself to non-objective painting—art without representational links to the material...

In 1939, Landon was awarded a Guggenheim Fellowship to work on Non-Objective Painting. He eventually became intrigued with the silkscreen process and turned away from painting, helpi...

The colors in Berner's works were combined into fields of organized pictorial structure. In dealing with non-objective painting of European Modernism in 1959, he defined the concept ...

Expressionist non objective joyful painting consisting of multi layers of calligraphic marks with opaque interludes and transparencies. :: Painting :: Abstract :: This piece comes ...

BIO Born in Canandaigua, upstate New York, Arthur Dove was among the first twentieth-century American artists to produce purely abstract, or non-objective, paintings—a practice he co...

Keywords: Robert Livsey Wells, American abstract painter, color music painting, synesthesia art, Boston Museum School of Fine Arts, Tufts University art education, Santa Fe contempor...

'Crescendo' is an oil painting by the American artist Deirdre Schanen. Schanen's works weave between non-objective abstraction and representative landscape painting.

Madman (Fou) from Art of Today, Masters of Abstract Art, Album I, 1953 - Édition Art d'Aujourd'hui, Boulogne Screenprint in colors, 25.2" H x 19.2” W (64 x 49 cm), signed and dated ...

Vendredi - Plate 10 from the 12 plate Portfolio, 1959 Published by Denise Rene, Paris Lithograph in colors on heavy paper 20 x 26 inches Signed, dated and numbered in ink, edition 20...

"And Then I Could Breathe" is a large gestural format non-objective abstract, on canvas. Under painting of graffiti inspired marks with gold metallic spray paint, swirls and seemingl...

Midi - Plate 3 from the 12 plate Portfolio, 1959 Published by Denise Rene, Paris Lithograph in colors on heavy paper 26 x 20 inches Signed, dated and numbered in ink, edition of 150 ...

Shaw had two solo exhibitions at the Museum of Non-Objective Painting in 1940 and 1941 and served on the Advisory Board of the Museum of Modern Art from 1936 to 1941.

Shaw had two solo exhibitions at the Museum of Non-Objective Painting in 1940 and 1941 and served on the Advisory Board of the Museum of Modern Art from 1936 to 1941.

Shaw had two solo exhibitions at the Museum of Non-Objective Painting in 1940 and 1941 and served on the Advisory Board of the Museum of Modern Art from 1936 to 1941.

'So Runs The Story' is an oil painting by the American artist Deirdre Schanen. Schanen's works weave between non-objective abstraction and representative landscape painting.

'The Quiet Under the Day' is an oil painting by the American artist Deirdre Schanen. Schanen's works weave between non-objective abstraction and representative landscape painting.

'I Loved You Once' is an oil painting by the American artist Deirdre Schanen. Schanen's works weave between non-objective abstraction and representative landscape painting.

'It Is Never Still' is an oil painting by the American artist Deirdre Schanen. Schanen's works weave between non-objective abstraction and representative landscape painting.

'Degrees of Change So Small' is an oil painting by the American artist Deirdre Schanen. Schanen's works weave between non-objective abstraction and representative landscape painting.

'It Is Sad Only To Us' is an oil painting by the American artist Deirdre Schanen. Schanen's works weave between non-objective abstraction and representative landscape painting.

She has been described as “vital” by the New York Herald Tribune and as an “outstanding colorist” by the New York Times. Her non-objective paintings of oils, sand and acrylics are do...

She has been described as “vital” by the New York Herald Tribune and as an “outstanding colorist” by the New York Times. Her non-objective paintings of oils, sand and acrylics are do...

Guggenheim, Bauer became one of the most important artists in the formation of the Guggenheim's founding collection — Guggenheim acquired several hundred of his works, and Bauer's id...

By 1938 he founded the Transcendental movement in New Mexico as he turned toward non-objectivity, where paintings were composed of universal, rather than physical, forms.

This silkscreen recalls Maurice Denis's declaration that painting is a surface covered with colors, which Klein notes was recruited as a foundational expression of the theory of abst...

“Since moving to Ridgefield, my thoughts have turned more and more to the manifestations of nature with which we are surrounded, and with the problem of extending the range of ideas ...

He maintained a preference for figurative subject matter even in an era in which non-objective painting dominated the art world.

"Connections I," by Kati Vilim is a blue and yellow - green scale abstract geometric, non-objective, Venetian plaster and acrylic painting on wood panel.

"Connections IV," by Kati Vilim is a blue and yellow - green scale abstract geometric, non-objective, Venetian plaster and acrylic painting on wood panel.

"Uniformly Coordinated Tectonic Preferences II," by Kati Vilim is a blue and magenta scale abstract geometric, non-objective, oil painting on canvas over wood panel.

"Uniformly Coordinated Tectonic Preferences IV," by Kati Vilim is a blue and magenta scale abstract geometric, non-objective, oil painting on canvas over wood panel.

This stunning non-objective action painting is characterized by vast swaths of pure color applied quickly and dynamically.

The stacked forms here read almost totemic, a quality that distinguishes her work from strictly non-objective hard-edge painting of the same era.

Kline’s work is representative of postwar abstraction in Canada, where artists explored materiality, gesture, and emotional resonance through non-objective forms. This painting exemp...

There, Kiesler helped spread the ideas of the European avant-garde, such as non-objective painting, abstraction, and the merging of art and life.

There, Kiesler helped spread the ideas of the European avant-garde, such as non-objective painting, abstraction, and the merging of art and life.

In his search for a critical perspective on his experimentation, Bertoia sent 100 of his monoprints to Hilla Rebay, director and curator of the Museum of Non-Objective Painting (the ...