Nude Sketch

He displayed 40 pieces (paintings, watercolours and sketches), mostly nudes and genre scenes. In 1934 he married a philosophy student who would become a journalist under the pseudon...

His Figure Sketching class in the summer of 1930 is described as follows: “Rapid sketching from the nude develops a clearness of vision, a quick grasp of essential facts, and a sure...

His Figure Sketching class in the summer of 1930 is described as follows: “Rapid sketching from the nude develops a clearness of vision, a quick grasp of essential facts, and a sure...

His Figure Sketching class in the summer of 1930 is described as follows: “Rapid sketching from the nude develops a clearness of vision, a quick grasp of essential facts, and a sure...

His Figure Sketching class in the summer of 1930 is described as follows: “Rapid sketching from the nude develops a clearness of vision, a quick grasp of essential facts, and a sure...

The simple, monochromatic sketch of a nude figure, bordered with geometric shapes and symbols, interjects modern artistic elements into an otherwise classical portrait setting.

On the back a charcoal sketch representing female nudes with angels and cupid, perhaps a preparatory study.

A framed Art Nouveau lithograph collotype poster by Alphone Mucha from 1905 representing the artist’s sketches of nudes, women and beautiful ladies in blacks and white pigments on ve...

A framed Art Nouveau lithograph collotype poster by Alphone Mucha from 1905 representing the artist’s sketches of nudes, women and beautiful ladies in blacks and white pigments on ve...

A framed Art Nouveau lithograph collotype poster by Alphone Mucha from 1905 representing the artist’s sketches of nudes, women and beautiful ladies in blues and white pigments on vel...

A framed Art Nouveau lithograph collotype poster by Alphone Mucha from 1905 representing the artist’s sketches of nudes, women and beautiful ladies in red umber and white pigments on...

However, little known are his sketches of male nudes – studio models from the School of Visual Arts, where Button taught, as well as personal acquaintances.

His Figure Sketching class in the summer of 1930 is described as follows: “Rapid sketching from the nude develops a clearness of vision, a quick grasp of essential facts, and a sure...

However, little-known are his sketches of male nudes—studio models from the School of Visual Arts (where Button taught), as well as personal acquaintances.

However, little-known are his sketches of male nudes—studio models from the School of Visual Arts (where Button taught), as well as personal acquaintances.

However, little-known are his sketches of male nudes—studio models from the School of Visual Arts (where Button taught), as well as personal acquaintances.

However, little-known are his sketches of male nudes—studio models from the School of Visual Arts (where Button taught), as well as personal acquaintances.

However, little-known are his sketches of male nudes—studio models from the School of Visual Arts (where Button taught), as well as personal acquaintances.

However, little-known are his sketches of male nudes—studio models from the School of Visual Arts (where Button taught), as well as personal acquaintances.

However, little-known are his sketches of male nudes—studio models from the School of Visual Arts (where Button taught), as well as personal acquaintances.

However, little-known are his sketches of male nudes—studio models from the School of Visual Arts (where Button taught), as well as personal acquaintances.

With the figures on the right, we, the viewers, are privy to Klimt’s method of first sketching nude bodies, strongly emphasizing their linearity, before turning his attention to hair...