Number Plate

The “Maitres de l’Affiche,” were issued as separate numbered sheets, referred to as “plates”. They were numbered, with the printers name “Imprimerie Chaix,” in the margin at the bott...

Georg Braun wrote the text accompanying the plans and views on the verso. A large number of the plates were engraved after the original drawings of Joris Hoefnagel (1542-1600), who w...

Collines is an abstract color lithograph realized by Alfred Manessier in 1960. Signed and numbered on plate. Edition 31 of 160 prints. Publication: L'oeuvre Gravée, Zurich (Paris).

The “Maitres de l’Affiche,” were issued as separate numbered sheets, referred to as “plates”. They were numbered, with the printers name “Imprimerie Chaix,” in the margin at the bott...

The "Maitres de l'Affiche," were issued as separate numbered sheets, referred to as "plates". They were numbered, with the printers name "Imprimerie Chaix," in the margin at the bott...

An illustration of a almost similar teapot can be found on pg. 51, plate number 12 of "Shiwan Ceramics: Beauty, Color and Passion".

Whilst the Oxford engravings were produced in reasonable numbers and ran to a second edition by Henry Overton (on thicker paper and with a plate number in Roman numerals in the botto...

To create this image I use several etching plates that I print on top of each other. A number of plates I made especially for this purpose but I also use plates from previous series.

Whilst the Oxford engravings were produced in reasonable numbers and ran to a second edition by Henry Overton (on thicker paper and with a plate number in Roman numerals in the botto...

Colored signed print on plate. Numbered on the lower left. Edition 99/100.

This original print is numbered on plate in Roman numerals on higher margin: “Tom II.

The "Maitres de l'Affiche," were issued as separate numbered sheets, referred to as "plates". They were numbered, with the printers name "Imprimerie Chaix," in the margin at the bott...

Good conditions, except for some small tears to the borders due to the passing of time. Signed and numbered (XII/XXV) on plate on the lower right by the artist.

Artist signature signed in the plate. Hand numbered in pencil. From the edition of 500.

On the left recto there appears to be a partial 19th century ink stamp in blue, regrettably unidentifiable, which extends slightly into the printed area. The plate number (6), locate...

Featuring gold-tone hardware, golden plate with serial number on the flap, drawstring and buckle fastening, adjustable shoulder straps.

The manufacturers logo is clearly marked on both sides of the stake wagon and on the right shoulder of the driver "MAR" with a circle around it and "Made in The United States of Amer...

From the series "Views of Rome". Signed on plate on lower right margin "Piranesi F." Original title is etched on the lower right margin: "Veduta del Ponte Lugano su l'Anione nella ...

Whilst the Oxford engravings were produced in reasonable numbers and ran to a second edition by Henry Overton (on thicker paper and with a plate number in Roman numerals in the botto...

Console table Brasilia model, Altuglass structure decorated with agate circles, gilded brass ornaments. Producer's plate, dated and numbered. Designed by Studio Superego for Superego...

Hand-signed in pencil on the lower right margin and signed on plate. Numbered on the lower right in pencil, copy 72 from an edition of 100 prints.

Upon returning to Flanders he engraved, in accomplished fashion, a great number of plates. His brother, Jan Collaert II, his son, Jan Baptist Collaert II and a grandson were all prin...

This original print is numbered on plate in Roman numerals on right margin: “Tom II.

This original print is numbered on plate in Roman numerals on higher margin: “Tom II.

This original print is numbered on plate in Roman numerals on higher margin: “Tom II.

This original print is numbered on plate in Roman numerals on higher right corner “Tom.

This original print is numbered on plate in Roman numerals on higher margin: “Tom II.

This original print is numbered on plate in Roman numerals on higher margin: “Tom II /Tav XX" and is a plate from the series "Illustrazioni de'Monumenti scelti Borghesiani già esist...

Upon returning to Flanders he engraved, in accomplished fashion, a great number of plates. His brother, Jan Collaert II, his son, Jan Baptist Collaert II and a grandson were all prin...

Upon returning to Flanders he engraved, in accomplished fashion, a great number of plates. His brother, Jan Collaert II, his son, Jan Baptist Collaert II and a grandson were all prin...

Upon returning to Flanders he engraved, in accomplished fashion, a great number of plates. His brother, Jan Collaert II, his son, Jan Baptist Collaert II and a grandson were all prin...

Upon returning to Flanders he engraved, in accomplished fashion, a great number of plates. His brother, Jan Collaert II, his son, Jan Baptist Collaert II and a grandson were all prin...

Upon returning to Flanders he engraved, in accomplished fashion, a great number of plates. His brother, Jan Collaert II, his son, Jan Baptist Collaert II and a grandson were all prin...

Whilst the Oxford engravings were produced in reasonable numbers and ran to a second edition by Henry Overton (on thicker paper and with a plate number in Roman numerals in the botto...

Upon returning to Flanders he engraved, in accomplished fashion, a great number of plates. His brother, Jan Collaert II, his son, Jan Baptist Collaert II and a grandson were all prin...

Upon returning to Flanders he engraved, in accomplished fashion, a great number of plates. His brother, Jan Collaert II, his son, Jan Baptist Collaert II and a grandson were all prin...

Upon returning to Flanders he engraved, in accomplished fashion, a great number of plates. His brother, Jan Collaert II, his son, Jan Baptist Collaert II and a grandson were all prin...

The “Maitres de l’Affiche,” were issued as separate numbered sheets, referred to as “plates”. They were numbered, with the printers name “Imprimerie Chaix,” in the margin at the bott...

Therefore we are also able to produce special designs, e.g. name plate with house number. In order to meet our demands for sustainability and resource efficiency, we have always con...

Limited edition of 12, print number 2. Print on aluminum plate with wooden back board.

This original print is numbered on plate in Roman numerals on higher margin: “Tom II.

Whilst the Oxford engravings were produced in reasonable numbers and ran to a second edition by Henry Overton (on thicker paper and with a plate number in Roman numerals in the botto...

Therefore we are also able to produce special designs, e.g. name plate with house number. In order to meet our demands for sustainability and resource efficiency, we have always con...

There he died and was buried in Paddington churchyard. His plates number about 160, and were largely published by John Boydell.

"Notable Citadine" translated to "City Notable" is plate number 2 in Jean Besancenot's stunning portraits and depictions of the people of Morocco from his series "Costumes du Maroc" ...

"Femme de Tiznit Portant L'Amendil" translated to "Woman of Tiznit Wearing the Amendil" is plate number 47 in Jean Besancenot's stunning portraits and depictions of the people of Mor...

"Moghanzi du Sultan" translated to "The Sultan's Moghazni" is plate number 4 in Jean Besancenot's stunning portraits and depictions of the people of Morocco from his series "Costumes...

Numbered on plate on lower margin. Good conditions except for a yellowing of paper due to the time and some minor defects along the margin.

"Homme des Zemmour" translated to "Man of the Zemmour" is plate number 24 in Jean Besancenot's stunning portraits and depictions of the people of Morocco from his series "Costumes du...

"Femme des Imerrhane" translated to "Woman of the Imerrhane is plate number 34 in Jean Besancenot's stunning portraits and depictions of the people of Morocco from his series "Costum...

"Costume du D'Apparat dit du Maghzen" translated to "Formal Dress Called " is plate number 14 in Jean Besancenot's stunning portraits and depictions of the people of Morocco from his...

"Homme de L'Ouanergui Portant le Tabban" translated to "Man of The Ouanergui Carrying the Tabbane" is plate number 25 in Jean Besancenot's stunning portraits and depictions of the pe...

The Radio in Cristallo L.E., with a numbered metal plate on the side of the structure, will feature white knobs and an electronic circuit board with all hand-soldered circuits.

Back to the Land “Farming” by Ludovic-Rodo Pissarro (1878-1952) Colour wood engraving 19.3 x 10.5 cm (7 ⁵/₈ x 4 ¹/₈ inches) Initialed and titled in the plate and numbered, 4th state ...

An Horizonte console table, altuglass structure decorated with agate circles, gilded brass ornaments. Producer's plate, dated and numbered. Designed by Studio Superego for Superego E...

Upon returning to Flanders he engraved, in accomplished fashion, a great number of plates. His brother, Jan Collaert II, his son, Jan Baptist Collaert II and a grandson were all prin...

Whilst the Oxford engravings were produced in reasonable numbers and ran to a second edition by Henry Overton (on thicker paper and with a plate number in Roman numerals in the botto...