Number Plate

15 dry-points, preceded by an engraving in color wash, etching and aquatint. All the plates, signed

15 dry-points, preceded by an engraving in color wash, etching and aquatint. All the plates, signed

plates, signed and numbered, are gathered together under a cover engraved with an etching. Each volume

Paper Edition: 275 Size: 60 x 45 cm Observations: Lithograph on BFK Rives paper plate signed and

Signed in plate. Print number 6/20. On fabriano paper. Image size: 45.5 x 43cm.

Screen print on paper realized by Leo Guida in 1970s. Signed in the plate. Not numbered

never framed Observations: Lithograph on BFK Rives paper plate signed and numbered of a limited edition

Alphonse MUCHA (1860-1939) (after) The Arts : The Dance Lithograph Printed signature in the plate

, combining careful observation with a lively sketch-like style. The number “12” printed on the plate

plate number “14,” identifying its place within the Art Union series. This original antique print is

finished with ruffles and decorative trimming. Printed with the issue date “1er Juin 1900” and the plate

in the plate Numbered / 450 copies (the number you can see can be different) On vellum 64.5 x 55 cm

Observations: Lithograph on BFK Rives paper plate signed and numbered of a limited edition of 275 copies

). He was appointed as the factory’s chief designer. A number of Atamian’s porcelain plates bearing his

Henry De Waroquier (1881-1970) Head, etching on paper. Numbered 194/300. Signed in plate to the

'The Blue Dragon'. Well presented in a contemporary frame. Signed below plate lines. Numbered 89/99. On

the long grass beside the doorway. Titled and signed in graphite below the plate line. Numbered 21/75

signed and dated in plate; numbered in pencil lithograph on arches paper edition 82 of 300

1943 Signed in the plate Numbered / 450 copies (the number you can see can be different) On vellum 55 x

Screen print on paper realized by Leo Guida in 1970s. Signed in the plate. Not numbered

racing car, number 13, plate 622 L60, thunders toward the viewer at full throttle, two goggled drivers

Portrait is an original etching on paper realized by Giuseppe Viviani, plate signed, numbered in

) Depth: 25.20 in (64 cm) Materials: Wood, glass, chrome-plated metal Product number: MV 2179

429/500 Printed (plate) signature; individually numbered from the limited edition of 500 Note

Screen print on paper realized by Leo Guida in 1970s. Signed in the plate. Not numbered

, and this is Printers Proof #2/3. Signature in the plate, numbered screenprinted reproduction of an

London in 1720. The plates are numbered I–IV and illustrate several well-known English butterflies shown

1720. The plates are numbered XIII–XVI and depict a varied group of English moths shown together with

Date: 1990 Screenprint Poster, signed and dated in plate, numbered in pencil Edition of 1000 Image

plates are numbered IX–XII and depict a striking group of English moths shown together with their

-century set of four hand-colored engraved plates comes from A Natural History of English Insects, written

Croissant. 16, on the lower left. Numbered on plate, Titled at the top center. Good condition with small

grand velin d'Arches, as well as a series of the plates refused on grand velin d'Arches; numbered from

grand velin d'Arches, as well as a series of the plates refused on grand velin d'Arches; numbered from

grand velin d'Arches, as well as a series of the plates refused on grand velin d'Arches; numbered from

grand velin d'Arches, as well as a series of the plates refused on grand velin d'Arches; numbered from

grand velin d'Arches, as well as a series of the plates refused on grand velin d'Arches; numbered from

grand velin d'Arches, as well as a series of the plates refused on grand velin d'Arches; numbered from

grand velin d'Arches, as well as a series of the plates refused on grand velin d'Arches; numbered from

, as well as a suite of the plates refused on grand velin d'Arches; numbered from I to L. LX examples

, as well as a suite of the plates refused on grand velin d'Arches; numbered from I to L. LX examples

, as well as a suite of the plates refused on grand velin d'Arches; numbered from I to L. LX examples

, as well as a suite of the plates refused on grand velin d'Arches; numbered from I to L. LX examples

, as well as a suite of the plates refused on grand velin d'Arches; numbered from I to L. LX examples

, as well as a suite of the plates refused on grand velin d'Arches; numbered from I to L. LX examples

, as well as a suite of the plates refused on grand velin d'Arches; numbered from I to L. LX examples

, as well as a suite of the plates refused on grand velin d'Arches; numbered from I to L. LX examples

Subscription & first edition lithographs in stock Full plate number: 250 Presented in an acid free mount

Screen print on paper realized by Leo Guida in 1970s. Signed in the plate. Not numbered

Decoration: Polychrome embossed fish Dominant Color: Turquoise/Teal Number of Pieces: 2 plates Use: Serving

Screen print on paper realized by Leo Guida in 1970s. Signed in the plate. Not numbered

London in 1720. The plates are numbered XXI–XXIV and depict a lively group of English moths shown with

published in London in 1720. The plates are numbered XVII–XX and present a varied selection of English moths

nickel plated brass. Ref. number LU985018510842

prints also bear the plate number in the upper right-hand corner and the subscription number in the upper

, chrome-plated metal Product number: MV 2182

phylogenic, or species order. These prints also bear the plate number in the upper right-hand corner and the