Pont Aven

Active between the two world wars, he worked primarily in Quimper as a painter, engraver, and accomplished ceramicist. Connected to the Pont-Aven circle, Lachaud was in contact wit...

Huchet spent his first three years as an artist in Pont-Aven, following in the footsteps of the Post Impressionist, Gauguin, and Symbolist, Emile Bernard, both of whom influenced him...

Huchet spent his first three years as an artist in Pont-Aven, following in the footsteps of the Post Impressionist, Gauguin, and Symbolist, Emile Bernard, both of whom influenced him...

Huchet spent his first three years as an artist in Pont-Aven, following in the footsteps of the Post Impressionist, Gauguin, and Symbolist, Emile Bernard, both of whom influenced him...

Huchet spent his first three years as an artist in Pont-Aven, following in the footsteps of the Post Impressionist, Gauguin, and Symbolist, Emile Bernard, both of whom influenced him...

Huchet spent his first three years as an artist in Pont-Aven, following in the footsteps of the Post Impressionist, Gauguin, and Symbolist, Emile Bernard, both of whom influenced him...

Huchet spent his first three years as an artist in Pont-Aven, following in the footsteps of the Post Impressionist, Gauguin, and Symbolist, Emile Bernard, both of whom influenced him...

Huchet spent his first three years as an artist in Pont-Aven, following in the footsteps of the Post Impressionist, Gauguin, and Symbolist, Emile Bernard, both of whom influenced him...

Huchet spent his first three years as an artist in Pont-Aven, following in the footsteps of the Post Impressionist, Gauguin, and Symbolist, Emile Bernard, both of whom influenced him...

Huchet spent his first three years as an artist in Pont-Aven, following in the footsteps of the Post Impressionist, Gauguin, and Symbolist, Emile Bernard, both of whom influenced him...

Huchet spent his first three years as an artist in Pont-Aven, following in the footsteps of the Post Impressionist, Gauguin, and Symbolist, Emile Bernard, both of whom influenced him...

Huchet spent his first three years as an artist in Pont-Aven, following in the footsteps of the Post Impressionist, Gauguin, and Symbolist, Emile Bernard, both of whom influenced him...

Baird lived and exhibited almost exclusively in France, living in the Latin Quarter of Paris and working at Pont Aven, the Cote d’Azur, Fontainebleau, Nice, Versailles, and Brittany.

Maufra’s approach combines Impressionist lightness with Pont-Aven-inspired clarity. His compositions frequently exhibit short, vibrant brushstrokes and thoughtful use of colour, hues...

Sérusier’s illustration combines mythological grandeur with a flat, symbolic style that echoes his roots in Cloisonnism and Synthetism, movements inspired by Gauguin and the Pont-Ave...

He eventually settled in Pont-Aven in Brittany where he taught in the artists’ colony there.

A tall Gothic church spire rises to the left, anchoring the composition and suggesting a historical Breton village—possibly inspired by towns such as Pont-Aven, Quimperlé, or Locrona...

Lel's painterly approach favors emotional atmosphere over fine detail, reminiscent of the École de Pont-Aven and other Breton coastal painters. The soft palette combined with energet...

He travelled to Brittany most summers from 1909-18 to paint in its unique light, including Le Pouldu and Pont Aven. His first solo exhibition was at the Galerie Druet, Paris, in 1911.

His paintings also revealed a keen understanding of the Pont-Aven school and les Nabis, especially the Breton works of Gauguin, whom he greatly admired.

He travelled to Brittany most summers from 1909-18 to paint in its unique light, including Le Pouldu and Pont Aven. His first solo exhibition was at the Galerie Druet, Paris, in 1911.

He travelled to Brittany most summers from 1909-18 to paint in its unique light, including Le Pouldu and Pont Aven. His first solo exhibition was at the Galerie Druet, Paris, in 1911.

He travelled to Brittany most summers from 1909-18 to paint in its unique light, including Le Pouldu and Pont Aven. His first solo exhibition was at the Galerie Druet, Paris, in 1911.

He travelled to Brittany most summers from 1909-18 to paint in its unique light, including Le Pouldu and Pont Aven. His first solo exhibition was at the Galerie Druet, Paris, in 1911.

He travelled to Brittany most summers from 1909-18 to paint in its unique light, including Le Pouldu and Pont Aven. His first solo exhibition was at the Galerie Druet, Paris, in 1911.

In Pont-Aven, he came to prefer the use of pure colour to tonal painting.

In Pont-Aven, he came to prefer the use of pure colour to tonal painting.

Huchet spent his first three years as an artist in Pont-Aven, following in the footsteps of the Post Impressionist, Paul Gauguin, and Symbolist, Emile Bernard, both of whom influence...

In 1886, he arrived at the famous artist colony of Pont-Aven, where he met and was greatly influenced by Paul Gauguin.

Huchet spent his first three years as an artist in Pont-Aven, following in the footsteps of the Post Impressionist, Paul Gauguin, and Symbolist, Emile Bernard, both of whom influence...

Huchet spent his first three years as an artist in Pont-Aven, following in the footsteps of the Post Impressionist, Gauguin, and Symbolist, Emile Bernard, both of whom influenced him...

Studying in Academie Royale in Antwerp, He went on to spend time painting at Pont-Aven and Dinan in France. The works created during this time were In the 1884 Royal Academy shows.

His Forest of Fontainebleau presented out-of-competition at the Salon of 1879 was acquired by the French State, as well as his large canvas from the Breton cliffs and the port of Pon...

Mostra antologica allestita alla Galleria Pirra di Torino con catalogo generale delle opere 1979 personale al Musée Château de l’Empéri, Salon de Provence 1982 numerose antologiche a...

Excerpted from the folio, Paul Gauguin and Emil Bernard at Pont-Aven, Brittany, in 1888, each made a bas-relief, wooden panel to decorate a piece of furniture for a friend.

He also spent several summers at Pont Aven in Brittany, where the local costume and lifestyle inspired a series of paintings in the 1930s.

Excerpted from the folio, Paul Gauguin and Emil Bernard at Pont-Aven, Brittany, in 1888, each made a bas-relief, wooden panel to decorate a piece of furniture for a friend.

Excerpted from the folio, Paul Gauguin and Emil Bernard at Pont-Aven, Brittany, in 1888, each made a bas-relief, wooden panel to decorate a piece of furniture for a friend.

Excerpted from the folio, Paul Gauguin and Emil Bernard at Pont-Aven, Brittany, in 1888, each made a bas-relief, wooden panel to decorate a piece of furniture for a friend.

Excerpted from the folio, Paul Gauguin and Emil Bernard at Pont-Aven, Brittany, in 1888, each made a bas-relief, wooden panel to decorate a piece of furniture for a friend.

Excerpted from the folio, Paul Gauguin and Emil Bernard at Pont-Aven, Brittany, in 1888, each made a bas-relief, wooden panel to decorate a piece of furniture for a friend.

Excerpted from the folio, Paul Gauguin and Emil Bernard at Pont-Aven, Brittany, in 1888, each made a bas-relief, wooden panel to decorate a piece of furniture for a friend.

Excerpted from the folio, Paul Gauguin and Emil Bernard at Pont-Aven, Brittany, in 1888, each made a bas-relief, wooden panel to decorate a piece of furniture for a friend.

Excerpted from the folio, Paul Gauguin and Emil Bernard at Pont-Aven, Brittany, in 1888, each made a bas-relief, wooden panel to decorate a piece of furniture for a friend.

Excerpted from the folio, Paul Gauguin and Emil Bernard at Pont-Aven, Brittany, in 1888, each made a bas-relief, wooden panel to decorate a piece of furniture for a friend.

Excerpted from the folio, Paul Gauguin and Emil Bernard at Pont-Aven, Brittany, in 1888, each made a bas-relief, wooden panel to decorate a piece of furniture for a friend.

Excerpted from the folio, Paul Gauguin and Emil Bernard at Pont-Aven, Brittany, in 1888, each made a bas-relief, wooden panel to decorate a piece of furniture for a friend.

Henry Moret occupies a distinguished place in the Post-Impressionist tradition as one of the most accomplished painters to emerge from the celebrated Pont-Aven circle. His attachment...

Among the other exhibitions and retrospectives have been Henri Le Sidaner en son jardin de Gerberoy, de 1901 à 1939, held in 2001 at the Musée de la Chartreuese, Douai, and Henri Le ...

Bridgman spent the summers of 1866 and 1867 in Pont-Aven, Brittany where, under the influence of the Philadelphia artist Robert Wylie, he painted rustic landscapes and peasant subjec...

Manzana continued to exhibit his work regularly until the late 1930s, splitting his time between Les Andelys and Paris, although spending several summers at Pont Aven in Brittany whe...

At this time, Many artists went to Paris, and Dick Beer wasn't an exception; he rented a studio and took every spare time to visit academies such as Colarossi and Grande Chaumière an...

Manzana continued to exhibit his work regularly until the late 1930s, splitting his time between Les Andelys and Paris, although spending several summers at Pont Aven in Brittany whe...

Manzana continued to exhibit his work regularly until the late 1930s, splitting his time between Les Andelys and Paris, although spending several summers at Pont Aven in Brittany whe...

A painter straddling Impressionism and Post-Impressionism, he was deeply influenced by his numerous stays in Pont-Aven (1880-1883). There he met many artists, including Schuffenecker...

In 1888, he attended the Académie Julian in Paris, where Paul Sérusier convinced him of the painting style of the Pont-Aven school. In 1890, he exhibited for the first time (with the...

In about 1886, he went to work in Pont Aven, Brittany, where he met Laval and Gauguin, returning there in 1888 after his military service.