Qianlong Emperor

female, believed to be Chinese dignitaries or perhaps Emperor The piece is in the Qianlong style and

during the Qianlong reign of the Great Qing dynasty), referencing the Qianlong Emperor’s rule (1735–1796

OF THE SUMMER PALACE, BEIJING, YUANMINGYUAN 1977 The original etchings were created for the Qianlong

soft enamels. The underside bears a square red seal mark, referencing the Qianlong Emperor, consistent

prestige of the Qianlong emperor (r. 1736–1795), whose reign established an aesthetic benchmark in imperial

Qiánlóng nián zhì in modern Simplified Chinese, with Qianlong referring to the Qianlong Emperor (reigned

technique, which originated in the Qing Dynasty, was at its peak under the Qianlong Emperor and was used for

the Qianlong mark: The Qianlong Emperor reigned over China from 1736–1795 during the Qing dynasty, a

the Qianlong mark: The Qianlong Emperor reigned over China from 1736–1795 during the Qing dynasty, a

"19th year of the Qianlong Emperor’s reign" which corresponds to the year 1754 (The Qianlong Period

Qianlong Emperor, apocryphal, as was common during the Republic period revival of Qing aesthetics. While

history print, imperial lineage diagram, famous Chinese emperors, Qin Shi Huang, Kangxi Emperor, Qianlong

landscapes. This technique, which originated in the Qing Dynasty, was at its peak under the Qianlong Emperor

over China, reaching its peak during the reign of the Qianlong Emperor (r. 1735–1796), after which it

century China under the Qianlong Emperor who championed their free flowing and expertly carved designs

aesthetic of the period. Woven during the height of the Qianlong Emperor's reign, this textile represents a

financial administration. Qianlong Emperor (r. 1735–1796), oversaw the empire at its greatest territorial

and Chelsea and Box in England. This figure made in the later days of the Qianlong emperor's reign

particularly important for ritual functions – the Qianlong emperor (r. 1796-1799) reinstituted the use of

VOC interests in China, where his reception at the court of the Qing Qianlong Emperor stood in

in the early 1720s. Under the reign of the Qianlong Emperor (1736–1795), the kilns at Jingdezhen

& Pottery Region of Origin: China Period: 18th century Emperor: Qianlong (1735-1796), Yongzheng (1722-1735

eighteenth century, clocks in the Palace numbered in their thousands. The Qianlong Emperor (r. 1736-1795) in

century China Dynasty Period: Qing (1661 – 1912) Emperor: Qianlong (1735-1796) Decoration Type / Colour

Period: 18th century Emperor: Qianlong (1735-1796) China Dynasty Period: Qing (1661 – 1912) Decoration

mounting. The Emperor Qianlong ordered the stone stele to be carved in 1764 after the arhat designs painted

Origin: China Period: 18th century Emperor: Qianlong (1735-1796) China Dynasty Period: Qing (1661 – 1912

Emperor Qianlong (1735-1795) on the bottom. This large and magnificent work features a rare and vibrant

) Emperor: Qianlong (1735-1796) Period: 18th century Condition: 4 fritspots to rim only Dimension: 21.4×3.8

century Emperor: Qianlong (1735-1796) China Dynasty Period: Qing (1661 – 1912) Decoration Type / Colour

century Emperor: Qianlong (1735-1796) China Dynasty Period: Qing (1661 – 1912) Decoration Type / Colour

Region of Origin: China Period: 18th century Emperor: Qianlong (1735-1796), Yongzheng (1722-1735) China

represents a brilliant convergence of East-West artistic demands at the height of the Qianlong Emperor

Emperor: Qianlong (1735-1796 Period: 18th century) Decoration Type / Colour: Polychrome Condition

of Origin: China Emperor: Qianlong (1735-1796) Period: 18th century Qing (1661 - 1912) Age: Pre-1800

during the reign of Qianlong — sixth emperor of the Qing dynasty. These pieces belong to the renowned

of Origin: China Period: 18th century Emperor: Qianlong (1735-1796) China Dynasty Period: Qing (1661

: Material: Porcelain & Pottery Decoration Type / Colour: Polychrome Region of Origin: China Emperor

Decoration Type / Colour: Blue & White Region of Origin: China Emperor: Qianlong (1735-1796) Period: 18th

: Material: Porcelain & Pottery Decoration Type / Colour: Polychrome Region of Origin: China Emperor

& Pottery Region of Origin: China Period: 18th century Emperor: Qianlong (1735-1796) Decoration Type

of Origin: China Emperor: Qianlong (1735-1796) Period: 18th century Qing (1661 - 1912) Age: Pre-1800

: Porcelain & Pottery Region of Origin: China Emperor: Qianlong (1735-1796) Period: 18th century Qing (1661

: Porcelain & Pottery Region of Origin: China Period: 18th century Emperor: Qianlong (1735-1796) Decoration

Emperor: Qianlong (1735-1796) Period: 18th century Qing (1661 - 1912) Age: Pre-1800 Original/Reproduction

: Material: Porcelain & Pottery Region of Origin: China Emperor: Qianlong (1735-1796) Period: 18th century

information: Material: Porcelain & Pottery Type: Plates Region of Origin: China Emperor: Qianlong (1735-1796

, and reached its peak under the Yongzheng and Qianlong Emperors. Although in China it is known as

/ Colour: Polychrome Region of Origin: China Emperor: Qianlong (1735-1796), Yongzheng (1722-1735) Period

/ Colour: Polychrome Region of Origin: China Emperor: Qianlong (1735-1796), Yongzheng (1722-1735) Period

Decoration Type / Colour: Blue & White Region of Origin: China Emperor: Qianlong (1735-1796) Period: 18th

& Pottery Region of Origin: China Emperor: Qianlong (1735-1796) Period: 18th century Qing (1661 - 1912) Age

Origin: China Emperor: Qianlong (1735-1796) Period: 18th century Qing (1661 - 1912) Age: Pre-1800

, Cups & Teapots Region of Origin: China Emperor: Qianlong (1735-1796) Period: 18th century Qing (1661

.⁠ Additional information: Material: Porcelain & Pottery Region of Origin: China Period: 18th century Emperor

: Porcelain & Pottery Region of Origin: China Emperor: Qianlong (1735-1796) Period: 18th century Qing (1661

different. Additional information: Material: Porcelain & Pottery Emperor: Qianlong (1735-1796) Region of