Qing Dynasties

Origin: Beijing, China Circa: Late Qing Dynasty (1900) Material: colored glaze ceramic Condition: Original condition, hand made and hand carved, normal age wear.

Pair of Chinese Gilt & Lacquered Openwork Figural Architectural Panels China, 20th Century An impressive pair of Chinese carved and parcel-gilt architectural panels executed in the ...

Hand-carved from solid limestone with terrific scale and careful detail, the majestic tigers date to the late Qing dynasty and were intended as benevolent protectors of an important ...

This exceptional late Qing Dynasty textile presents a powerful mythological scene, masterfully rendered through intricate needlework that elevates the piece beyond standard embroider...

A pair of exquisite falangcai enamelled Chinese porcelain tea cups, dating back to the transitional period from the late Qing dynasty to the early Republic period, circa late 19th to...

This is a good Chinese Export Sparrow Beak Jug or Pitcher, all hand painted in the Famille Rose palette and dating to the 18th century, Qing dynasty, Qianlong period, 1736-1795. We d...

While utilitarian in form—likely intended for use as brush rests or chopstick holders—the vibrant palette, fine modeling, and satirical anthropomorphism recall the traditions of fami...

And the terminology suggested a professional troupe operating during the late Qing Dynasty to the early Republic of China—roughly from the late 19th to early 20th century.

A richly enameled Chinese Export porcelain charger in the classic Famille Rose Medallion palette, dating to the mid-19th century, Qing Dynasty, circa 1850. This large dish exemplifie...

The facets feature intricate burgundy window frames, reminiscent of patterns from the Qing Dynasty. Turquoise hues fill the gaps within the burgundy design, creating a harmonious con...

A fine & rare antique Imperial Chinese Qing dynasty solid gold & cloisonne enamel snuff bottle, Qianlong mark & period, 1736-1795, tests as 16k gold.

The Famille Rose decor appears during the Qing dynasty, around 1720. It’s a Dutch chimist, Andréas Cassius, who discovers in 1650 the chemical formula allowing to obtain pink enamel...

This exceptional Chinese Peking rug from the late Qing Dynasty presents a striking contrast between its luminous field and the dramatic, dark blue motifs.

Stunning Large 19th Century Rose Medallion Rimmed Bowl/Basin China, Circa 1860s This stunning, large, 19th-century Rose Medallion rimmed bowl/basin, made in China circa the 1860s, ...

China rare antique stone inlaid wine table, middle Qing dynasty (1644-1911), 18th/19th century. Elm wood (Humu) with original pudding stone inlay.

Set of six blue and white Qing dynasty porcelain plates from the Nanking Cargo shipwreck.

A massive block of naturally formed wonder displayed on a custom double tier wood stand, circa Qing dynasty 19th century. The specie of Lingbi stone features a nearly complete black ...

The Luding Bridge is a bridge over the Dadu River, Sichuan, China, The bridge dates from the Qing Dynasty and is considered a historical landmark.

The Luding Bridge is a bridge over the Dadu River, Sichuan, China, The bridge dates from the Qing Dynasty and is considered a historical landmark.

The Luding Bridge is a bridge over the Dadu River, Sichuan, China, The bridge dates from the Qing Dynasty and is considered a historical landmark.

Old map depicting four walled cities of the Chinese Qing dynasty province of Che-Kiang (modern day CHEKIANG): Hang Chew Fu (Hangchow) with the West Lake depicted, Ping-hu hyen, Hu-Ch...

Difficult to find set of six diminutive mid 19th century Qing Dynasty hand painted Chinese Pith watercolor paintings; prepared for the tourist trade; depicting mores and customs of C...

The base was marked with six Chinese character "Qi Yu Bao Ding Zhi Zhen", a mark that was used in the non-royal kilns during the reign of Kang Xi in Qing Dynasty (1661 to 1722). This...

The weave is exceptionally fine, showcasing the skill and artistry typical of the finest Qing dynasty-era Peking rugs. Its balanced composition and subtle color transitions make it a...

This exceptional late Qing Dynasty weaving immediately captures attention through its dramatic use of color.

It is signed with a red Yongzheng symbol, dating it to the Qing Dynasty, but this symbol was re-issued at a later date, and most likely this planter dates from the Early to Mid-20th ...

Features: Hand-painted porcelain platter with scalloped edge Moriage glaze with raised enamel details Lavish use of gold gilding throughout Three cartouches featuring court figures a...

A decorative and collectible centerpiece, it captures the blend of utility and ornament typical of late Qing Dynasty export porcelain. Ideal for collectors of Chinese ceramics, dec...

Woven circa 1900, this rug stands as a testament to the rich textile heritage of China during the late Qing dynasty. Its subdued elegance, harmonious tones, and masterful balance of ...

The decoration is executed with subtle coloration and fluid brushwork, characteristic of porcelain from the late Qing to early Republican transition. The base bears a red apocryphal...

Made circa 1880, this pair of Chinese Late Qing Dynasty blue and white porcelain vases has the scale, symmetry, and decorative presence that make a pair especially desirable.

This richly enameled porcelain dish is a 19th-century example of Chinese export ware in the Rose Medallion tradition, produced in the kilns of Jingdezhen for Western markets during t...

The finely crafted porcelain bowl, likely from the Qing dynasty, is richly enamel-painted with delicate domestic scenes depicting figures amidst a mountainous landscape adorned with ...

Originally handwoven for the elite in the Qing Dynasty period, these rugs combine aesthetic restraint with expert craftsmanship.

Shaped after the ancient bronze gu beaker, the form was revived in porcelain during the Qing Dynasty as a statement of continuity with antiquity and cultural refinement.

Its design is believed to reflect the rich history of Pao Tu rugs (sometimes spelled Baotou)—a region known for its exceptional works stretching back to the early Qing dynasty. On t...

It made from solid hardwood with traditional Qing Dynasty carving design of dragons and the Li-Shui wave on all 4 sides and legs.

Its deep cobalt blue glaze is adorned with delicate white prunus blossoms, a timeless motif Chinese art widely seen during the Qing Dynasty, symbolizing renewal and perseverance.

Antique Chinese Chalcedony “Peanut and Jujube” Snuff Bottle, Qing Dynasty. The large pear shaped striated stone carving of a caramel colored jujube fruit (Chinese date) and two beige...

Toward the end of Qing dynasty, it became very popular across the society, perhaps due to the instability and the wish to increase the survival rate of male infants.

In addition to this, he also studied the writing styles of the Ming and Qing dynasties in China, and finally reached the pinnacle of the southern sect, leaving behind a number of exq...

Period : Late Ming-Early Qing Dynasty Production Date : 17th century Size : 28cm (Height), 13.0cm(Diameter) Condition : Excellent * Wu Cai Wucai, which literally means "five color...

Covered in a brilliant free form red glaze on white background, the bowl has the root of its archetype in Chinese ceramic and the glaze displays a brilliant gradient hue that calls t...

Round dream stones are 12 inches diameter. Qing dynasty, 1910 Please enjoy the video. Provenance: Private Chinese collection originally found in Suzhou, China 2004. 

Its bold palette, balanced composition, and refined craftsmanship exemplify the elegance of late Qing dynasty textile artistry, making it a distinctive accent for both traditional an...

A large Chinese embroidery work of art presented in a carved gilt frame with and silver borders, circa late Qing Dynasty 19th century. The impressive work depicts two well beloved Ch...

It is also often used as a national symbol of China, and was in fact featured on the national flag until the end of the Qing dynasty. Here it is represented with great attention to d...

Kangxi blue and white porcelain remains among the most admired of the Qing dynasty, valued for its technical quality, durability, and enduring decorative appeal.  

Kangxi blue and white porcelain remains among the most admired of the Qing dynasty, valued for its technical quality, durability, and enduring decorative appeal. -------------------...

Coinciding with the fall of the Qing dynasty, both Chinese and Japanese flower motifs trickled into Art Deco Design, most prominently appearing in the haute couture dresses of Paul P...

Rather than depicting vice directly, the opium pipe serves as a symbolic cultural reference tied to late Qing Dynasty and Republican-period visual traditions.

His robe, rendered in deep blue tones with intricate embroidery, reflects the traditional iconography associated with Qing dynasty court dress, including rank insignia and auspicious...

In the 17th year of Kangxi’s reign (1678), the Portuguese envoy Benedict presented two African lions as tribute to the Qing Dynasty. Kangxi was so happy that he asked the “翰林院 Hanlin...

The bases bear a six-character mark, likely an apocryphal mark referencing an earlier imperial reign, which was common practice among skilled porcelain makers during the late Qing pe...

Chinese Mandarin Official in Light Summer Robes, Antique Costume Print 1749 This finely detailed engraving depicts a Chinese Mandarin in summer attire, illustrating the elegance and...

This stunningly enameled porcelain vase has a double mouth opening with hand-painted images of boys playing among the vines, gourds and gourd blossoms. There is a border of bat-like ...

The entire surfaces are highly decorated with alternating panels of courtyard scenes featuring concubines and pagodas; followed by nature scenes depicting butterflies and birds, as w...