Raffia Paintings

Kuba (Bushong) Raffia Fiber Textile Panel From Woman’s Skirt The Bushong people are one of the largest and most dominant ethnic groups within the Kuba Kingdom in the DR Congo, and h...

A very finely woven wool veil used as a head cover in the wedding ceremony among the Ait Abdellah Berber people of the Moroccan Anti Atlas region. The pattern is obtained with the re...

Antique Indian Embroidered Kantha Cloth Indian kantha cloths originally developed as a way in which old sari cloth could be recycled and put to use. They’re usually composed of 3-4 ...

An example of the continuation of the Kuba design tradition into the late 20th century. Technically superb, an amalgamation of traditional patterns interpreted by contemporary artist...

20th century Prestige cloth, Shoowa people, Kuba Kingdom, D. R. Congo A syncopated pattern of opposing forces lends this prestige cloth a sense of movement both horizontally and v...

While shield and spear were central to African combat, this iron example was most likely made to serve as a piece of trade currency. Many pre-colonization African currencies were modeled after objects of inherent value, resulting in sculptural combinations of function and beauty. This large iron spear dates to the early 20th century and is attributed to the Kuba people of the Democratic Republic of the Congo. Secured to a narrow handle of iron and wood, the flattened blade has an elegant, sloping silhouette, subtly textured with raised lines and a rusted, antique patina. Forged as a broadleaf spear, the weapon contrasts a violent potential with images of peaceful branches swaying in the wind. We've set this unusual Kuba spear...

A late 19th or early 20th century Kuba Prestige cloth, mostly embroidered with cut pile borders.

Shoowa Prestige Cloth Kuba Shoowa peoples DR Congo, Kasai Region Raffia palm fiber, natural and chemical dyes, cut-pile and stem stitch embroidery 24.5 x 24.5 inches (62 x 62 cm) ...

Early 20th century ceremonial cloth / Tampan, Paminggir, Lampung region, South Sumatra, Indonesia Commonly referred to as ship cloths, these ceremonial tampan would have been used as gifts, wrappers, cushions or pillows in any number of life-transition ceremonies, including children’s first hair cutting...

Visually dynamic and highly textured, this raffia textile expresses the irregular, geometric patterns typical of Kuba textile art. Created by an artisan of the Kuba people of the Dem...

Cut-Pile Raffia Panel, Shoowa People, a northern group of the Kuba, D.R. Congo A fascinating example of a cut-pile prestige cloth from the Shoowa people,...

The African Kuba Bwoom tribal mask is the oldest known mask, the Kuba bwoom mask. The materials used for the realization of the Mask are: Wood, colors and vibrates plants, caures, beads, animal hair. In dance it expresses exuberance and joy. The style is similar to that of the middle Kasai. This mask is a helmet with animal hair, carved with a very wide forehead and hollow cheeks that are announced by motifs or dashes and beads. The mouth of the mask is very pronounced carved in wood and then applied on the mask. To distinguish the forehead in different areas are used black and white beads to draw attention to other aspects of the face such as the nose and chin. The entire edge of the chin is surrounded by beads of various colors. The person wearing the mask cannot look because there are no holes for the eyes present; the mask must create the feeling of being blind. Some masks similar to the bwoom mask include the funny mask, the ram mask and initiation masks such as Nnup. The real Kuba masks...