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Raul Viviani

Landscape - Oil Paint by Raul Viviani - Mid 20th Century
By Raul Viviani
Located in Roma, IT
Landscape is an artwork realized by Raul Viviani (1883-1965). Oil on Board, mid-20th Century. 28
Category

Mid-20th Century Modern Figurative Paintings

Materials

Oil, Board

1950s Divisionist Style Portrait of Nonna -- Oil Painting on Board
By Raul Viviani
Located in Soquel, CA
divisionism in his portrait paintings. Raul Viviani relocated from Florence to Milan as a teenager and in
Category

1950s Impressionist Figurative Paintings

Materials

Oil, Board

Recent Sales

Girl with hydrangea
Located in Roma, RM
Artist: Raoul Viviani Medium: oil on canvas Signature: signed lower left “R. Viviani" Raul Viviani
Category

20th Century Portrait Paintings

Materials

Canvas, Oil

Large, Italian early 20th Century pointillist oil painting of three bathers
By Raul Viviani
Located in Petworth, West Sussex
Raul Viviani (Italian, 1883 - 1965) The Three Graces Oil on canvas Signed `Viviani’ (lower left
Category

Early 20th Century Post-Impressionist Figurative Paintings

Materials

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Costal Landscape
By Raul Viviani
Located in Milan, IT
olio ma anche nell'acquarello e nell' incisione, Raul Viviani si avvicinò molto alla pittura
Category

20th Century Other Art Style Landscape Paintings

Materials

Oil

Costal Landscape
Costal Landscape
H 29.14 in W 37.01 in D 3.15 in

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Raul Viviani for sale on 1stDibs

Raul Viviani relocated from Florence to Milan as a teenager and in 1898, joined the Accademia di Brera. Mentored by Giuseppe Mentessi, Viviani frequented the school of Famiglia Artistica studying the nude. In 1900, still only 17 years old, Viviani began producing works for the exhibition Famiglia Artistica, where he was lauded by many critics for his strong, modern landscapes. In 1902, Viviani became secretary for the Famiglia Artistica and took great interest in the Divisionists movement. Viviani made strong friendships with Emilio Longoni and Gaetano Previati, among others. In 1912, Viviani participated in the Venice Biennale, where he caught the attention of Camillo Boito, who lavished praise for Viviani’s artistic independence and technical experimentation. It was Boito, who nominated Viviani for the Accademia d’onore di Brera. Viviani’s success grew continually and he participated in an increasing number of shows at home and abroad. Viviani showed in Rome, Turin, Naples, Monaco, Paris, Brusells, Buenos Aires and Sao Paulo. In 1926, Viviani embarked on his career as a critic writing for Roma and Mezzogiorno and then became the director for the Giornale dell’Arte in 1929. Viviani’s opposition to fascism inspired him to write a series of attacks on the movement and eventually forced him to take voluntary exile. In 1931, the president of Uruguay asked him to find the Accademia di Belle Arti di Montevideo. In 1937, Viviani returned to Milan continuing his artistic career but above all his role as a critic.

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Cave walls were the canvases for what were arguably the world’s first landscape paintings, which depict natural scenery through art. Portrait paintings and drawings, which, along with sculpture, were how someone’s appearance was recorded prior to the advent of photography, are at least as old as Ancient Egypt. In the Netherlands, landscapes were a major theme for painters as early as the 1500s. Later, artists in Greece, Rome and elsewhere created vast wall paintings to decorate stately homes, churches and tombs.

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No matter your preference, whether you favor Post-Impressionist paintings, animal paintings, Surrealism, Pop art or another movement or specific period, arranging art on a blank wall allows you to evoke emotions in a room while also showing off your tastes and interests. A symmetrical wall arrangement may comprise a grid of four to six pieces or, for an odd number of works, a horizontal row. Asymmetrical arrangements, which may be small clusters of art or large, salon-style gallery walls, have a more collected and eclectic feel.

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