Ray Johnson

Best known for his collages based on covers of Artforum magazine, Buster Cleveland, né James Trenholm, was a long-time proponent of the “Mail Art” movement—pioneered by his friend Ra...

Best known for his collages based on covers of Artforum magazine, Buster Cleveland, né James Trenholm, was a long-time proponent of the “Mail Art” movement—pioneered by his friend Ra...

Best known for his collages based on covers of Artforum magazine, Buster Cleveland, né James Trenholm, was a long-time proponent of the “Mail Art” movement—pioneered by his friend Ra...

1963: Joseph Beuys, "The Birds" Best known for his collages based on covers of Artforum magazine, Buster Cleveland, né James Trenholm, was a long-time proponent of the “Mail Art” ...

Ray Johnson Photograph Construction, circa 1960 Photograph on paper and thread 3 1/2 x 4 inches Provenance Gift of the artist Estate of Carolyn, R.

Ray Johnson Help Nickeled hardened steel 2 3/4 x 3 inches Once described as New York’s “most famous unknown artist,” Ray Johnson was a renowned maker of meticulous collages and a p...

Ray Johnson Envelope "No contents", 21 May 1963 3 1/2 x 8 1/4 inches Once described as New York’s “most famous unknown artist,” Ray Johnson was a renowned maker of meticulous colla...

Ray Johnson Venice Signed lower right Collage 6 x 4 1/2 inches Once described as New York’s “most famous unknown artist,” Ray Johnson was a renowned maker of meticulous collages an...

Ray Johnson Untitled, Carol Collage 4 1/4 x 4 inches Once described as New York’s “most famous unknown artist,” Ray Johnson was a renowned maker of meticulous collages and a pionee...

Ray Johnson Untitled, June 13 Signed lower center, dated lower left Collage 4 x 4 3/4 inches Once described as New York’s “most famous unknown artist,” Ray Johnson was a renowned m...

Ray Johnson Letter to Carolyne Brown, March 23, 1976 Stamped on envelope, stamped and dated on sheet Typography and drawing on paper 4 1/4 x 9 1/2 envelope 11 x 8 1/2 sheet Once de...

Ray Johnson Max Ernst Danced in as a Ballerina Signed and dated upper right Collage 5 1/2 x 2 1/2 inches Once described as New York’s “most famous unknown artist,” Ray Johnson was ...

Ray Johnson Why Didn't You Tell Me About Your Bicycle, Janurary 1968 Red ink on postcard 3 1/2 x 5 1/2 inches Once described as New York’s “most famous unknown artist,” Ray Johnson...

Subsequently, as the Director of the Houston Contemporary Arts Museum, he staged avant garde exhibitions such as the Tenth Street Abstract Expressionists and gave early exposure to w...

Subsequently, as the Director of the Houston Contemporary Arts Museum, he staged avant garde exhibitions such as the Tenth Street Abstract Expressionists and gave early exposure to w...

Subsequently, as the Director of the Houston Contemporary Arts Museum, he staged avant garde exhibitions such as the Tenth Street Abstract Expressionists and gave early exposure to w...

Subsequently, as the Director of the Houston Contemporary Arts Museum, he staged avant garde exhibitions such as the Tenth Street Abstract Expressionists and gave early exposure to w...

Subsequently, as the Director of the Houston Contemporary Arts Museum, he staged avant garde exhibitions such as the Tenth Street Abstract Expressionists and gave early exposure to w...

Subsequently, as the Director of the Houston Contemporary Arts Museum, he staged avant garde exhibitions such as the Tenth Street Abstract Expressionists and gave early exposure to w...

Subsequently, as the Director of the Houston Contemporary Arts Museum, he staged avant garde exhibitions such as the Tenth Street Abstract Expressionists and gave early exposure to w...

Subsequently, as the Director of the Houston Contemporary Arts Museum, he staged avant garde exhibitions such as the Tenth Street Abstract Expressionists and gave early exposure to w...

Subsequently, as the Director of the Houston Contemporary Arts Museum, he staged avant garde exhibitions such as the Tenth Street Abstract Expressionists and gave early exposure to w...

Subsequently, as the Director of the Houston Contemporary Arts Museum, he staged avant garde exhibitions such as the Tenth Street Abstract Expressionists and gave early exposure to w...

Subsequently, as the Director of the Houston Contemporary Arts Museum, he staged avant garde exhibitions such as the Tenth Street Abstract Expressionists and gave early exposure to w...

Subsequently, as the Director of the Houston Contemporary Arts Museum, he staged avant garde exhibitions such as the Tenth Street Abstract Expressionists and gave early exposure to w...

Subsequently, as the Director of the Houston Contemporary Arts Museum, he staged avant garde exhibitions such as the Tenth Street Abstract Expressionists and gave early exposure to w...

Subsequently, as the Director of the Houston Contemporary Arts Museum, he staged avant garde exhibitions such as the Tenth Street Abstract Expressionists and gave early exposure to w...

Subsequently, as the Director of the Houston Contemporary Arts Museum, he staged avant garde exhibitions such as the Tenth Street Abstract Expressionists and gave early exposure to w...

Subsequently, as the Director of the Houston Contemporary Arts Museum, he staged avant garde exhibitions such as the Tenth Street Abstract Expressionists and gave early exposure to w...

Subsequently, as the Director of the Houston Contemporary Arts Museum, he staged avant garde exhibitions such as the Tenth Street Abstract Expressionists and gave early exposure to w...

Subsequently, as the Director of the Houston Contemporary Arts Museum, he staged avant garde exhibitions such as the Tenth Street Abstract Expressionists and gave early exposure to w...

Subsequently, as the Director of the Houston Contemporary Arts Museum, he staged avant garde exhibitions such as the Tenth Street Abstract Expressionists and gave early exposure to w...

Subsequently, as the Director of the Houston Contemporary Arts Museum, he staged avant garde exhibitions such as the Tenth Street Abstract Expressionists and gave early exposure to w...

Subsequently, as the Director of the Houston Contemporary Arts Museum, he staged avant garde exhibitions such as the Tenth Street Abstract Expressionists and gave early exposure to w...

Subsequently, as the Director of the Houston Contemporary Arts Museum, he staged avant garde exhibitions such as the Tenth Street Abstract Expressionists and gave early exposure to w...

Subsequently, as the Director of the Houston Contemporary Arts Museum, he staged avant garde exhibitions such as the Tenth Street Abstract Expressionists and gave early exposure to w...

Subsequently, as the Director of the Houston Contemporary Arts Museum, he staged avant garde exhibitions such as the Tenth Street Abstract Expressionists and gave early exposure to w...

Subsequently, as the Director of the Houston Contemporary Arts Museum, he staged avant-garde exhibitions such as the Tenth Street Abstract Expressionists and gave early exposure to w...

Subsequently, as the Director of the Houston Contemporary Arts Museum, he staged avant garde exhibitions such as the Tenth Street Abstract Expressionists and gave early exposure to w...

Subsequently, as the Director of the Houston Contemporary Arts Museum, he staged avant garde exhibitions such as the Tenth Street Abstract Expressionists and gave early exposure to w...

Subsequently, as the Director of the Houston Contemporary Arts Museum, he staged avant garde exhibitions such as the Tenth Street Abstract Expressionists and gave early exposure to w...

Kolin was a longtime friend of artist Ray Johnson and an early member of his New York Correspondance School.

Subsequently, as the Director of the Houston Contemporary Arts Museum, he staged avant garde exhibitions such as the Tenth Street Abstract Expressionists and gave early exposure to w...

Subsequently, as the Director of the Houston Contemporary Arts Museum, he staged avant garde exhibitions such as the Tenth Street Abstract Expressionists and gave early exposure to w...

Subsequently, as the Director of the Houston Contemporary Arts Museum, he staged avant garde exhibitions such as the Tenth Street Abstract Expressionists and gave early exposure to w...

Subsequently, as the Director of the Houston Contemporary Arts Museum, he staged avant garde exhibitions such as the Tenth Street Abstract Expressionists and gave early exposure to w...

Subsequently, as the Director of the Houston Contemporary Arts Museum, he staged avant garde exhibitions such as the Tenth Street Abstract Expressionists and gave early exposure to w...

Subsequently, as the Director of the Houston Contemporary Arts Museum, he staged avant garde exhibitions such as the Tenth Street Abstract Expressionists and gave early exposure to w...

Subsequently, as the Director of the Houston Contemporary Arts Museum, he staged avant-garde exhibitions such as the Tenth Street Abstract Expressionists and gave early exposure to w...

Subsequently, as the Director of the Houston Contemporary Arts Museum, he staged avant garde exhibitions such as the Tenth Street Abstract Expressionists and gave early exposure to w...

Subsequently, as the Director of the Houston Contemporary Arts Museum, he staged avant garde exhibitions such as the Tenth Street Abstract Expressionists and gave early exposure to w...

Subsequently, as the Director of the Houston Contemporary Arts Museum, he staged avant garde exhibitions such as the Tenth Street Abstract Expressionists and gave early exposure to w...

Subsequently, as the Director of the Houston Contemporary Arts Museum, he staged avant garde exhibitions such as the Tenth Street Abstract Expressionists and gave early exposure to w...

Subsequently, as the Director of the Houston Contemporary Arts Museum, he staged avant garde exhibitions such as the Tenth Street Abstract Expressionists and gave early exposure to w...

Subsequently, as the Director of the Houston Contemporary Arts Museum, he staged avant garde exhibitions such as the Tenth Street Abstract Expressionists and gave early exposure to w...

Subsequently, as the Director of the Houston Contemporary Arts Museum, he staged avant garde exhibitions such as the Tenth Street Abstract Expressionists and gave early exposure to w...

Vintage Paper and Adhesive collage by Wayne Timm. (Mat opening) or Image measures 11 3/4 x 12.5 in. In the 1960's, Wayne Timm rubbed elbows with the likes of Warhol, Lichtenstein, ...

"No. 3080" Miniature Collage Currency by Michael Pauker Miniature abstract paper collage by Bay Area artist Michael Pauker (American, b. 1957). This piece is created from a few piece...

Ellsworth Kelly Handwritten, signed note on card to CBS cameraman and collector Dan Pope Ink on offset lithograph card Handwritten note signed and inscribed to Dan Pope. It reads, "D...

This is a limited edition high-quality reproduction of Quote by Robert Rauschenberg, printed on 250g paper with deckled edges. Published by Achenbach Art Edition in Düsseldorf, the 1...

John Cage 9 Concert Tickets designed by John Cage and Earle Brown, August 1953 Letterpress print without ink 11 x 8 1/2 inches Provenance Estate of Carolyn Brown, New York 2025. B...

11 x 14" vintage silver gelatin photograph of British-American Artist Malcolm Morley, 2001. Signed on the print recto by Jack Mitchell. Comes directly from the Jack Mitchell Archives...

11 x 14" vintage silver gelatin photograph of French-born American artist Arman at the Venice Biennale, 1968. Signed by Jack Mitchell on the print verso. Comes directly from the Jac...

11 x 14" vintage silver gelatin photograph of photorealist painter Richard Estes in his studio in 1971. Signed by Jack Mitchell on the print verso. Comes directly from the Jack Mitc...